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The Touch (1971)

Beröringen (original title)
R | | Drama | 14 July 1971 (USA)
A seemingly happy Swedish housewife and mother begins an adulterous affair with a foreign archaeologist who is working near her home. But he is an emotionally scarred man, a Jewish survivor... See full summary »

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1 nomination. See more awards »

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Cast

Complete credited cast:
...
David Kovac
...
Karin Vergerus
...
Andreas Vergerus
Sheila Reid ...
Sara Kovac
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Storyline

A seemingly happy Swedish housewife and mother begins an adulterous affair with a foreign archaeologist who is working near her home. But he is an emotionally scarred man, a Jewish survivor from a concentration camp who found refuge in the U.S.,and, consequently, their relationship will be painfully difficult. Written by h9g

Plot Summary | Add Synopsis

Taglines:

The Touch is the total expression of love.

Genres:

Drama

Certificate:

R | See all certifications »
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Details

Country:

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Language:

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Release Date:

14 July 1971 (USA)  »

Also Known As:

The Touch  »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The movie was shot in two versions - one where English was spoken by those who were English-speaking and Swedish by those who were Swedes, and one where English only was spoken. The two-language version is very hard to find. See more »

Connections

Referenced in Rip Van Marlowe (2002) See more »

Soundtracks

Liksom en herdinna
Written by Carl Michael Bellman
Performed by Jan Johansson
Main theme
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User Reviews

 
Lesser Bergman but far from bad
30 March 2014 | by (United Kingdom) – See all my reviews

Not one of Ingmar Bergman's- Sweden's greatest director and one of the greats in film history- masterpieces like The Seventh Seal, Fanny and Alexander, Wild Strawberries, Cries and Whispers and Persona. But it was better than I'd heard it was and it beats All These Women and The Serpent's Egg any day. The Touch is wonderfully shot by Sven Nykvist, no surprise as Nykvist's cinematography was always striking, complimenting the gritty yet beautiful locations just as well. There are moments where Bergman's inexperience in bilingual shows but he still directs capably and most thoughtfully with not many signs of heavy-handedness or pretensions if any at all. The music is appropriately atmospheric and takes care not to be intrusive. The story for the first two thirds is touching and mostly compelling, with themes and plot strands that are relatable to anybody going through the same thing, it didn't come across as heavy-handed to me, and have a sense of Bergman's style. Bibbi Anderssen is superb in a very nuanced portrayal, if there was a pick for the best thing about The Touch it would definitely by Anderssen's performance. Max Von Sydow is as enigmatic and stoic as ever, with facial expressions and eye contact that speaks volumes, a very sympathetic performance. The Touch is sadly hurt by mainly Elliot Gould as a rather stiff lead, and the awkward dialogue written for him(Anderssen and Von Sydow are not as badly affected though, though they have had much better material) and padding in the final third particularly that leads to literally nowhere are just as problematic. That is personal opinion though. Overall, not a bad film at all, in fact it is an interesting one especially for Anderssen and the cinematography but Bergman has done much better than this. 7/10 Bethany Cox


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