| Photos (See all 19 | slideshow) | Videos (see all 13) |
| Angela Lansbury | ... | Miss Price | |
| David Tomlinson | ... | Emelius | |
| Roddy McDowall | ... | Mr. Jelk | |
| Sam Jaffe | ... | Bookman | |
| John Ericson | ... | Col. Heller | |
| Bruce Forsyth | ... | Swinburne | |
| Cindy O'Callaghan | ... | Carrie | |
| Roy Snart | ... | Paul | |
| Ian Weighill | ... | Charlie | |
| Tessie O'Shea | ... | Mrs. Hobday | |
| Arthur Gould-Porter | ... | Capt. Greer (as Arthur E. Gould-Porter) | |
| Ben Wrigley | ... | Portobello Rd. Workman | |
| Reginald Owen | ... | Gen. Teagler | |
| Cyril Delevanti | ... | Elderly Farmer | |
| Rick Traeger | ... | German Sergeant | |
| Manfred Lating | ... | German Sergeant | |
| John Orchard | ... | Vendor | |
| Bob Holt | ... | Codfish (voice) (as Robert Holt) | |
| Lennie Weinrib | ... | Secretary Bird / Lion (voice) | |
| Dal McKennon | ... | Bear (voice) | |
| rest of cast listed alphabetically: | |||
| Leon Alton | ... | Soldier at Portobello Road (uncredited) | |
| Conrad Bachmann | ... | German Soldier (uncredited) | |
| Eric Brotherson | ... | (uncredited) | |
| James Brugman | ... | Soldier Playing Tenor Saxophone (uncredited) | |
| Patrick Sullivan Burke | ... | Soldier (uncredited) | |
| Patrick Dennis-Leigh | ... | Old Home Guardsman (uncredited) | |
| Anthony Eustrel | ... | Vendor (uncredited) | |
| Morgan Farley | ... | Old Piano Player (uncredited) | |
| Ina Gould | ... | Shopkeeper (uncredited) | |
| Delos Jewkes | ... | Old Home Guardsman (uncredited) | |
| Sid Kane | ... | Vendor (uncredited) | |
| Milt Larsen | ... | Spectator at Emelius' Failed Magic Performance (uncredited) | |
| Arthur Malet | ... | Mr. Widdenfield - Museum Guard (restored version) (uncredited) | |
| George Mann | ... | Old Home Guardsman (uncredited) | |
| Barbara Morrison | ... | (uncredited) | |
| Richard Peel | ... | Vendor (uncredited) | |
| Jack Raine | ... | Old Home Guardsman (uncredited) | |
| Maxine Semon | ... | Portobello Dancer (uncredited) | |
| Arthur Space | ... | Old Home Guardsman (uncredited) | |
| Hank Worden | ... | Old Home Guardsman (uncredited) | |
Directed by | |||
| Robert Stevenson | |||
Writing credits | ||
| Ralph Wright | (animation story) & | |
| Ted Berman | (animation story) | |
| Bill Walsh | (screenplay) & | |
| Don DaGradi | (screenplay) | |
| Mary Norton | (book) | |
Produced by | |||
| Bill Walsh | .... | producer | |
Original Music by | |||
| Irwin Kostal | (uncredited) | ||
Cinematography by | |||
| Frank V. Phillips | (director of photography) (as Frank Phillips) | ||
Film Editing by | |||
| Cotton Warburton | |||
Art Direction by | |||
| Peter Ellenshaw | |||
| John B. Mansbridge | |||
Set Decoration by | |||
| Hal Gausman | |||
| Emile Kuri | |||
Costume Design by | |||
| Bill Thomas | |||
Makeup Department | |||
| La Rue Matheron | .... | hair stylist | |
| Robert J. Schiffer | .... | makeup artist | |
| Sharleen Rassi | .... | hair stylist (uncredited) | |
Second Unit Director or Assistant Director | |||
| Christopher Hibler | .... | assistant director | |
| Arthur J. Vitarelli | .... | second unit director | |
| William R. Poole | .... | second assistant director (uncredited) | |
| Robert Webb | .... | first assistant director: second unit (uncredited) | |
Art Department | |||
| Jack Colconda | .... | prop master (uncredited) | |
| John Emerson | .... | assistant set decorator: underwater sequence (uncredited) | |
| Bob McLing | .... | props (uncredited) | |
Sound Department | |||
| Dave Concors | .... | sound mixer: restoration | |
| Robert O. Cook | .... | sound supervisor | |
| William Komar | .... | adr recordist: restoration (The Bakery ) (as Bill Komar) | |
| Ron Moortgat | .... | sound researcher: restoration | |
| Dean Thomas | .... | sound mixer | |
| Bud Maffett | .... | cableman (uncredited) | |
| Henry Maffett | .... | cableman (uncredited) | |
| Frank Regula | .... | boom operator (uncredited) | |
Special Effects by | |||
| Danny Lee | .... | special effects | |
| Eustace Lycett | .... | special effects | |
| Alan Maley | .... | special effects | |
| Hans Metz | .... | special effects (uncredited) | |
Camera and Electrical Department | |||
| Jim Luske | .... | assistant camera (uncredited) | |
| Otto Meyer | .... | best boy (uncredited) | |
| John R. Shannon | .... | still photographer (uncredited) | |
| Michael St. Hilaire | .... | assistant camera (uncredited) | |
Animation Department | |||
| Jack Boyd | .... | animator | |
| Jack Buckley | .... | animator | |
| Al Dempster | .... | background | |
| Don Griffith | .... | layout | |
| Joe Hale | .... | layout | |
| Fred Hellmich | .... | animator | |
| Ralph Hulett | .... | background | |
| Milt Kahl | .... | animator | |
| Dick Kelsey | .... | background | |
| Ward Kimball | .... | animation director | |
| Hal King | .... | animator | |
| Eric Larson | .... | animator | |
| Bill Layne | .... | background | |
| John Lounsbery | .... | animator | |
| Art Stevens | .... | animator | |
| McLaren Stewart | .... | animation - live action design | |
| Julius Svendsen | .... | animator | |
Costume and Wardrobe Department | |||
| Shelby Anderson | .... | assistant to designer | |
| Chuck Keehne | .... | costumes | |
| Emily Sundby | .... | costumes | |
| John George | .... | on-set costumer: men (uncredited) | |
Editorial Department | |||
| Holly Austin | .... | negative cutter: restoration | |
| Romeo Fornoles | .... | color timer (restoration) | |
| Tony Malanowski | .... | editor: restoration | |
| James W. Swain | .... | animation film editor | |
Music Department | |||
| John Armentrout | .... | music researcher (restoration) | |
| Andrew Belling | .... | music reconstructor: restoration (as Andy Belling) | |
| Evelyn Kennedy | .... | music editor | |
| Irwin Kostal | .... | conductor | |
| Irwin Kostal | .... | music arranger | |
| Irwin Kostal | .... | music supervisor | |
| James MacDonald | .... | assistant to conductor | |
| Richard M. Sherman | .... | music and lyrics by | |
| Robert B. Sherman | .... | music and lyrics by | |
| Irwin Kostal | .... | orchestrator (uncredited) | |
| Edmundo Santos | .... | lyrics: Spanish version (uncredited) | |
Other crew | |||
| Bob Baker | .... | technical consultant | |
| Carolyn Dyer | .... | assistant choreographer | |
| David Jonas | .... | title design | |
| Milt Larsen | .... | technical consultant | |
| Manfred Lating | .... | technical consultant | |
| James McInnes | .... | technical consultant | |
| Donald McKayle | .... | choreography | |
| Albert Mello | .... | dance accompanist | |
| Lois Thurman | .... | script supervisor | |
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| The Chronicles of Narnia: The Lion, the Witch and the Wardrobe | The Brothers Grimm | Harry Potter and the Goblet of Fire | Harry Potter and the Order of the Phoenix | The Lion, the Witch & the Wardrobe |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb USA section |
Bedknobs and Broomsticks is one of many movies that has always been with me, in my heart and memory from the time that I was old enough to focus my eyes on a television screen. Although it was already an "old" movie by the time I was able to watch it, Bedknobs and Broomsticks completely enchanted me. People here who say that the movie would not hold the attention of a young child are mistaken. I must have watched this movie dozens of times between the ages of 1 and 10 and every time I watched it all the way though, intensely engrossed through every scene. There are a handful of movies that hold very fond places in my childhood memories, this is one of them. It is a wonderful movie, and even now I still find the story charming. Angela Lansbury stars as Miss Price, a widow who is studying witchcraft through a correspondence course during World War II. She grumpily agrees to let three children board at her home in the country to keep them safe from the air raids going on in London. After the three children discover that Miss Price is an apprentice witch, they are swept up into a magical adventure on a traveling bed along with Miss Price and Professor Brown, the headmaster of the College of Witchcraft. The thing I like best about this movie, is that the magic never stops as the children along with the two adults journey to London, the Island of Naboomboo, Naboomboo Lagoon and Portabello Road. The children are treated to a marvelous adventure, flying through the skies on a bed, swimming underwater in a tropical lagoon, watching a football game played by animals and finally helping out in the war when Miss Price enchants a museum full of ancient suits of armor with the magic words, "Traguna, Macoities, Tracorum Satis De." The songs in the movie may be your typical musical-stock, but I challenge anyone to not tap their toes during "Portabello Road", or to not get "Englentine" stuck in their head. They just add another element of fun and enjoyment to an already delightful movie. The movie is well worth watching, and suitable for any child. Even today's children will find delight in the cartoon/human relations and the spectacular ending sequence were empty suits of armor are brought to life to fight for the good guys. I consider this movie a timeless classic that shouldn't be passed up.