An eccentric millionaire and his grandchildren are embroiled in the plights of some forest gnomes who are searching for the rest of their tribe. While helping them, the millionaire is ... See full summary »
With the help of a smooth talking tomcat, a family of Parisian felines set to inherit a fortune from their owner try to make it back home after a jealous butler kidnaps them and leaves them in the country.
During WWII in England, Charlie, Carrie, and Paul Rawlins are sent to live with Eglantine Price, an apprentice witch. Charlie blackmails Miss Price that if he is to keep her practices a secret, she must give him something, so she takes a bedknob from her late father's bed and places the "famous magic traveling spell" on it, and only Paul can activate it. Their first journey is to a street in London where they meet Emelius Browne, headmaster of Miss Price's witchcraft training correspondence school. Miss Price tells him of a plan to find the magic words for a spell known as Substitutiary Locomotion, which brings inanimate objects to life. This spell will be her work for the war effort. Written by
Matthew Anscher <email@example.com>
Angela Lansbury hated what she called "by the numbers" acting in this film. Due to the heavy special effects, the entire film had to be storyboarded in advance, shot for shot. Lansbury found this approach constraining to her performance, as it meant every moment was pre-determined and the actress wasn't free to explore the character naturally. See more »
Shots of the armor of the knights on horseback alternate between them advancing just a few feet up when German soldiers are in the shot and several hundred feet up when no other characters are in sight. See more »
This is one of the few films where I consider the film rendition to be an improvement on the original book. The story is clear, accessible, amusing and interesting and the musical numbers are without a doubt exceptional. I adored the cyclical rendition of 'The old home guard' and the charming 'Portobello Road', a great combination of early animation + real actors techniques which, though dated do not detract from the charm of the piece. The background of the Second World War worked well and was not omitted as the film got under way, which so often happens in 'evacuee' stories.
An often far too underrated film, it produces no end to enjoyment for people of all ages. The performances from the actors are exceptionally well done and the entire text is neatly tied together and well designed. Guaranteed to put a smile on your face!
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