The Beast in the Cellar (1970)

Two spinsters have kept their mad brother locked up in their cellar for 30 years. Then he escapes ...

Director:

James Kelley

Writer:

James Kelley (original screenplay)

Stars:

Beryl Reid, Flora Robson, John Hamill

Cast

Cast overview, first billed only:
Beryl Reid	...	Ellie Ballantyne
Flora Robson	...	Joyce Ballantyne
John Hamill	...	Alan Marlow
Tessa Wyatt	...	Nurse Sutherland
T.P. McKenna	...	Det. Chief Sup. Paddick
John Kelland	...	Sgt. Young
David Dodimead	...	Dr. Spencer
Vernon Dobtcheff	...	Newsmith
Dafydd Havard	...	Stephen Ballantyne
Gail Lidstone	...	Young Ellie
Elizabeth Choice	...	Young Joyce (as Elisabeth Choice)
Merlyn Ward	...	Young Stephen (as Merlin Ward)
Anthony Heaton	...	Anderson
Chris Chittell	...	Baker (as Christopher Chittell)
Peter Craze	...	Roy

Storyline

Two spinsters have kept their mad brother locked up in their cellar for 30 years. Then he escapes ...

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Plot Keywords:

sister sister relationship | grande dame guignol | independent film

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Taglines:

A chill-filled festival of horror!

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Genres:

Horror

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Certificate:

R

Details

Country:

UK

Language:

English

Release Date:

August 1970 (UK)

Also Known As:

Are You Dying, Young Man?

Filming Locations:

Pinewood Studios, Iver Heath, Buckinghamshire, England, UK

Company Credits

Production Co:

Tigon British Film Productions, Leander Films

Technical Specs

Runtime:

101 min

Sound Mix:

Mono

Color:

Color (Eastmancolor)

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

Flora Robson and Beryl Reid were annoyed at the heavy cuts made in post which they thought damaged the film.

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Goofs

In the flashback of the family going to the railway station in a pony and trap to meet their father coming home from the First World War, as they get to the station the white lines can be clearly seen in what must be the present day car park.

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Soundtracks

"She Works in a Woman's Way"
Written by Tony Macaulay & Barry Mason
Sung by Tony Burrows with the Edison Lighthouse

User Reviews

THE BEAST IN THE CELLAR (James Kelly, 1970) **

This was the first title from Anchor Bay UK's "Tigon Collection" Box Set that I checked out - being already familiar with the higher-profile titles among them, namely WITCHFINDER GENERAL (1968) and THE BLOOD ON SATAN'S CLAW (1970). While the film isn't as bad as its reputation would suggest, and is actually well worth watching, it is by no means a classic. The interesting premise classifies it as an anti-war movie but it was deemed to be too talky by executive producer Tony Tenser and, along with some cuts, he ordered the addition of sex and violence inserts to heighten its commercial potential. However, incongruous as they may seem alongside the film's generally deliberate pace, these rapidly-cut scenes of the rampaging 'beast' work quite well!

The film's mainstay, of course, are committed performances by the two elderly female leads - Beryl Reid and Flora Robson - but also T.P. McKenna as the police official investigating the murders. John Hamill and Tessa Wyatt's contribution - intended to provide the requisite romantic interest - is largely negligible, however. Perhaps the best scene in the film is Reid's lengthy account to McKenna of their family's back-story, disclosing the identity of the 'beast' and the reason for its violent behavior. One may notice inconsistencies in the lighting scheme throughout; this is the result of having two separate cameramen - with very different styles - working on the film, albeit both very well regarded exponents of the field (Harry Waxman and Desmond Dickinson). Tony Macaulay's over-emphatic score, however, works against the film's attempt at creating suspense and, ultimately, is what dates it most of all.

THE BEAST IN THE CELLAR was actually released as a double-bill with the far superior THE BLOOD ON SATAN'S CLAW, which I rewatched later in the week. Director Kelly made only one other film before his untimely death

• NIGHT HAIR CHILD (1971) - which, incidentally, I should also be

watching fairly soon since I recently got a copy of it! The main supplement on the Anchor Bay UK DVD is the Audio Commentary, which is pretty adequate: Tenser's memory isn't so lucid and is occasionally hard to understand, but associate producer Christopher Neame (son of director Ronald) made up for this by his highly articulate observations and recollections about this particular film.