When a bumbling New Yorker is dumped by his activist girlfriend, he travels to a tiny Latin American nation and becomes involved in its latest rebellion.

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Cast

Cast overview, first billed only:
...
...
Carlos Montalbán ...
Nati Abascal ...
Yolanda (as Natividad Abascal)
Jacobo Morales ...
...
Luis (as Miguel Suarez)
David Ortiz ...
Sanchez
...
Diaz (as Rene Enríquez)
Jack Axelrod ...
Arroyo
Howard Cosell ...
Himself
Roger Grimsby ...
Himself
Don Dunphy ...
Himself
...
Mrs. Mellish
Stanley Ackerman ...
Dr. Mellish
Dan Frazer ...
Priest
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Storyline

Fielding Mellish (a consumer products tester) becomes infatuated with Nancy (a political activist). He attends demonstrations and tries in other ways to convince her that he is worthy of her love, but Nancy wants someone with greater leadership potential. Fielding runs off to San Marcos where he joins the rebels and eventually becomes President of the country. While on a trip to the states, he meets Nancy again and she falls for him now that he is a political leader. Written by Scott R. Vaughn <scott@vaughn.hon.msu.edu>

Plot Summary | Plot Synopsis

Genres:

Comedy

Certificate:

GP | See all certifications »

Parents Guide:

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Details

Country:

Language:

|

Release Date:

19 July 1971 (Sweden)  »

Also Known As:

El Weirdo  »

Filming Locations:

 »

Box Office

Budget:

$2,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Conrad Bain, Charlotte Rae and Mary Jo Catlett all appear in small roles. All three performers would later appear on the TV sitcom Diff'rent Strokes (1978). See more »

Goofs

During the riot scene at the "embassy," the firefighter hosing down the crowd has LBFD on his turnout coat. That likely stands for Long Beach Fire Dept. The embassy is presumably located in New York which would have NYFD firefighters. See more »

Quotes

[first lines]
Don Dunphy: Good afternoon. Wide World of Sports is in the little republic of San Marcos where we're going to bring you a live, on the spot assassination. They're going to kill the president of this lovely Latin American country and replace him with a military dictatorship. And everybody is about as excited and tense as can be. The weather on this Sunday afternoon is perfect; and if you've just joined us, we've seen a series of colorful riots that started with the traditional bombing of the ...
See more »

Crazy Credits

In the opening credits, the credits flash in time to the music. Additionally, the cards are shot with machine gun fire. See more »

Connections

References Casino Royale (1967) See more »

Soundtracks

Quiero La Noche
Words and music by Marvin Hamlisch
Sung by The Yomo Toro Trio
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
pretty crazy, not altogether successful, but it's also very funny
30 June 2006 | by (United States) – See all my reviews

Bananas is like a cookie-batter of all of those early Woody Allen jokes all plopped into a bowl and shaken around. It's a film loaded with political jokes, but without a direct focus aside from Cuba and dictators and the like. There are numerous sexual jokes, including one of Woody's funniest scenes involving a magazine (the buying and holding on a subway, very silent comedy-like). And even Howard Cosell becomes an iconic figure in Woody's comedy in the brilliant opening scenes. The plot is very loose, so if you're looking for that look elsewhere. Also, to put it mildly, some of the jokes may not work at all for some viewers of today. But it's the go-for-broke irreverence of the picture that has it still worth viewing today. Much of Woody's own verbal bits are very good, but it's also worth to note how the physical comedy- while crude and a little off-key- also has a good ring to it. Unlike the director's later films, you can still sense that he's trying to 'get' how to make a film, and so in trying to do anything he can think of to get a laugh, of course, some of it doesn't work. For example, in Cuba the gag where the gargantuan pile of dung is carried down the stairs with the Lain music in the background gives a grin, but not as big a laugh as might be intended. Indeed, this might be Woody's most 'immature' film, while still containing some of his more biting, satirical jabs at dictators and oddball politics. Woody would still have this wild, go-for-broke style of humor more akin to some of his quirkier short stories in other films of the early 70s. While this isn't as successful in that regard as Sleeper or Love and Death, I'd still watch it again if it was on TV; even the romantic subplot, undercooked in comparison with the rest of the more satirical stuff, is interesting.


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