4.6/10
85
6 user 5 critic

B.S. I Love You (1971)

Paul Bongard is a young tv commercial producer who has an affair with his female boss and her teenage daughter.

Director:

(as Steven Hillard Stern)

Writer:

(as Steven Hillard Stern)
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Cast

Cast overview:
Peter Kastner ...
Paul Bongard
...
Marilyn / Michelle
...
Ruth
...
Ted
Richard B. Shull ...
Mr. Harris
...
Jane Ink
John Gerstad ...
Paul's Father
Mary Lou Mellace ...
Car Rental Girl
Jeanne Sorel ...
Paul's Mother
Joe Kottler ...
Cab Driver
Thomas Ruisinger ...
Travel Agent (as Tom Ruisinger)
Frank Orsatti ...
Manuel
Barry Woloski ...
Hippie
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Storyline

A female executive who is the head of an advertising agency on Madison Avenue has slept her way to the top and now has her sights on a young advertising executive. He succumbs to her seductions and by doing so, he has ensured his rise up the corporate ladder of success. Written by G.W.G.

Plot Summary | Add Synopsis

Plot Keywords:

affair | female nudity | topless | See All (3) »

Taglines:

In a plane! In a steam bath! In a discotheque! IT'S SUPER STUD! See more »

Genres:

Comedy | Romance

Certificate:

R | See all certifications »
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Details

Country:

Language:

Release Date:

30 April 1971 (Sweden)  »

Also Known As:

Blöde Sch.... I love you  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (FMC Library Print)

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Quotes

Paul Bongard: [in slow motion] Where's the boat?
Paul's father: [in Paul's mind] You missed it... son.
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Connections

Referenced in P.S. I Love You (2007) See more »

Soundtracks

We're Almost There
Music and Lyrics by Mark Shekter
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User Reviews

 
pretty much a mess
22 July 2005 | by (denver) – See all my reviews

The basic plot of this film is about a producer (or was it director?) in the advertising industry and his problems with his profession and women.

This had been described to me as a satire on advertising, but it really isn't (though it does poke fun here and there). I won't dislike a film for not being what I thought it would be, but I will if the film isn't what it tries to be. Half the time I didn't know what it wanted to achieve, and during the first half hour I often found it to be a little confusing. It almost seemed like it had been heavily cut, and since I saw it on FMC maybe it was.

The main reason this film fails is because it can't decide if it wants to make a statement, be a comedy, be hip (for the time), be different, be traditional. It pretty much tries to do all that and it doesn't have the ability or resources to do so.

The last twenty minutes or so really sunk the film for me, when it decided to try and become dramatic but instead became what almost seemed like a parody.

If you find 1970s cinema or culture interesting you may want to watch it. I do give it credit for being somewhat distinct, though I think that happened accidentally.


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