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The Goalie's Anxiety at the Penalty Kick (1972)

Die Angst des Tormanns beim Elfmeter (original title)
A goalkeeper Josef Bloch is ejected during a game for foul play. He leaves the field and goes to spend the night with a cinema cashier.

Director:

Writers:

(dialogue co-writer), (novel) | 1 more credit »
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1 win. See more awards »

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Cast

Cast overview, first billed only:
Arthur Brauss ...
Bloch
Kai Fischer ...
Hertha
Erika Pluhar ...
Gloria
Libgart Schwarz ...
Anna
Marie Bardischewski ...
Maria
Michael Toost ...
Vertreter
Bert Fortell ...
Zollbeamter
Edda Köchl ...
Mädchen
Mario Kranz ...
Schuldiener
Ernst Meister ...
Steuerbeamter
...
Frau im Bus
Rudi Schippel ...
Portier
Monika Poeschl ...
1. Frisöse (as Monika Pöschl)
Sybille Danzer ...
2. Frisöse
Rüdiger Vogler ...
Idiot
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Storyline

A goalkeeper Josef Bloch is ejected during a game for foul play. He leaves the field and goes to spend the night with a cinema cashier.

Plot Summary | Plot Synopsis

Plot Keywords:

murder | football | based on novel | See All (3) »

Genres:

Drama | Sport

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Details

Country:

|

Language:

Release Date:

13 January 1977 (USA)  »

Also Known As:

The Goalie's Anxiety at the Penalty Kick  »

Filming Locations:


Box Office

Budget:

DEM 620,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.66 : 1
See  »
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Did You Know?

Connections

References Red Line 7000 (1965) See more »

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User Reviews

 
Maybe the best movie I've seen in my life
29 March 2006 | by (Argentina) – See all my reviews

I just want to say that this movie, when I watched it first time long ago, opened the doors of what cinema could say, in which ways, and how it could go as far as possible from a typical theatrical or literary (linear,logical, rational) treatment of its artistic matter; pursuing a more "musical" or "harmonically oriented" approach.

Wenders develops this work as a series of "climates" or ambiances(we're talking "street" climates and ambiances, sometimes ugly or ridiculous; not that silly "grandeur" that spoils so many artworks) that contain valuable, almost satirical remarks on the "cheating" that our expectations and concepts are constantly playing to our minds.

The particular sense of humor and drama of the script writer and the director just hit a string on me; as did the musical score. I only regret that is very difficult to find plays or to purchase any copies, in any format, of this strange gem here in Argentina. I could watch it only twice, in cultural centers at Buenos Aires, which is not my hometown. This is a movie that you can enjoy over and over, as if it were a musical masterpiece. I'd like to point out that I'm not a native English speaker, so I apologize if my writing style is not quite correct.


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