During the '35th Cannes International Film Festival' (14th-26th May 1982), German director Wim Wenders asked a sample of 15 other international film directors to get, each one at a time, ... See full summary »
Howard Spence (Sam Shepard) has seen better days. Once a big Western movie star, he now drowns his disgust for his selfish and failed life with alcohol, drugs and young women. If he were to... See full summary »
Sequence of five shots, each one with a particular color treatment, in which a man carrying a machine gun runs. He moves fast in the beginning but, as the end comes closer, he starts to ... See full summary »
Aging Cuban musicians whose talents had been virtually forgotten following Castro's takeover of Cuba, are brought out of retirement by Ry Cooder, who travelled to Havana in order to bring the musicians together, resulting in triumphant performances of extraordinary music, and resurrecting the musicians' careers.
After returning from a business trip in Finland, Bruno (Bruno Ganz) find that his wife Marianne (Edith Clever) wants her husband to leave her alone with their son. A struggle with loneliness and adapting to the new situation ensues.
This is a detective film, but it's not really a film noir or cop drama like we're used to in the U.S. However, there are lots of references to America's overwhelming cultural presence throughout.
For me, Jurgen Knieper's score serves the story well; the tune still comes back to me all these years later.
It's a simple monotonous tune, the main parts being just two notes that the small chamber group works back and forth. It may not sound like much, but in reality it becomes mesmerizing, almost like a 2nd main character, and something that won't release you, like fate.
The film, of course, is genius.
The understated music matches the film's lack of much excitement or development.
The visuals and music work to produce a profoundly unsettling look at the monotonous life of the murderer.
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