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The Goalie's Anxiety at the Penalty Kick (1972)
"Die Angst des Tormanns beim Elfmeter" (original title)

 -  Drama | Sport  -  13 January 1977 (USA)
6.8
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Ratings: 6.8/10 from 708 users  
Reviews: 9 user | 3 critic

A goalkeeper Josef Bloch is ejected during a game for foul play. He leaves the field and goes to spend the night with a cinema cashier.

Director:

Writers:

(novel), (screenplay), 1 more credit »
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Title: The Goalie's Anxiety at the Penalty Kick (1972)

The Goalie's Anxiety at the Penalty Kick (1972) on IMDb 6.8/10

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Cast

Credited cast:
Arthur Brauss ...
Joseph Bloch
Kai Fischer ...
Hertha Gabler
Erika Pluhar ...
Gloria
Libgart Schwarz ...
Maid
Marie Bardischewski ...
Kellnerin (as Maria Bardischewski)
Rest of cast listed alphabetically:
Alexandra Bäck
Sybille Danzer ...
Hairdresser
...
Woman in bus
Maria Engelstorfer
Ernst Essel
Bert Fortell ...
Customs official
Ina Genée
Liane Gollé
Otto Hoch-Fischer
Paul Hör
Edit

Storyline

A goalkeeper Josef Bloch is ejected during a game for foul play. He leaves the field and goes to spend the night with a cinema cashier.

Plot Summary | Plot Synopsis

Plot Keywords:

murder | football | based on novel | See All (3) »

Genres:

Drama | Sport

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Details

Country:

|

Language:

Release Date:

13 January 1977 (USA)  »

Also Known As:

The Goalie's Anxiety at the Penalty Kick  »

Filming Locations:


Box Office

Budget:

DEM 620,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.66 : 1
See  »
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Did You Know?

Connections

References Red Line 7000 (1965) See more »

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User Reviews

 
Maybe the best movie I've seen in my life
29 March 2006 | by (Argentina) – See all my reviews

I just want to say that this movie, when I watched it first time long ago, opened the doors of what cinema could say, in which ways, and how it could go as far as possible from a typical theatrical or literary (linear,logical, rational) treatment of its artistic matter; pursuing a more "musical" or "harmonically oriented" approach.

Wenders develops this work as a series of "climates" or ambiances(we're talking "street" climates and ambiances, sometimes ugly or ridiculous; not that silly "grandeur" that spoils so many artworks) that contain valuable, almost satirical remarks on the "cheating" that our expectations and concepts are constantly playing to our minds.

The particular sense of humor and drama of the script writer and the director just hit a string on me; as did the musical score. I only regret that is very difficult to find plays or to purchase any copies, in any format, of this strange gem here in Argentina. I could watch it only twice, in cultural centers at Buenos Aires, which is not my hometown. This is a movie that you can enjoy over and over, as if it were a musical masterpiece. I'd like to point out that I'm not a native English speaker, so I apologize if my writing style is not quite correct.


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