In the distant future, a police marshal stationed at a remote mining colony on the Jupiter moon of Io uncovers a drug-smuggling conspiracy, and gets no help from the populace when he later finds himself marked for murder.
Thinking this will prevent war, the US government gives an impenetrable supercomputer total control over launching nuclear missiles. But what the computer does with the power is unimaginable to its creators.
When virtually all of the residents of Piedmont, New Mexico, are found dead after the return to Earth of a space satellite, the head of the US Air Force's Project Scoop declares an emergency. Many years prior to this incident, a group of eminent scientists led by Dr. Jeremy Stone (Arthur Hill) advocated for the construction of a secure laboratory facility that would serve as a base in the event an alien biological life form was returned to Earth from a space mission. Stone and his team - Drs. Dutton, Leavitt and Hall (David Wayne, Kate Reid, and (James Olson, respectively)- go to the facility, known as Wildfire, and try to first isolate the life form while determining why two people from Piedmont (an old wino and a six-month-old baby) survived. The scientists methodically study the alien life form unaware that it has already mutated and presents a far greater danger in the lab, which is equipped with a nuclear self-destruct device should it manage to escape. Written by
In September, 1972, Universal was exhibiting this on a double bill with Airport (1970) under the tag line "Together On One Great Family Program". See more »
When the scientists in Piedmont check the dead driver of the satellite recovery van, his eyes are glistening wet. He had been dead for many hours, so they should have been dried out. See more »
[smugly, speaking of the President of the United States]
The boss'll be pleased to know that he made the right decision on 7-12 in the first place.
Dr. Ruth Leavitt:
[harsh with sarcasm]
Congratulate him on his scientific insight.
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There is no music over the end credits. See more »
Easily - EASILY - the best film Michael Crichton has had anything to do with. (That is, of the ones I've seen. For the record, the rest are: `Westworld', `The First Great Train Robbery', `Disclosure', `Jurassic Park', `Twister', and `Congo', although I've never made it to the end of `Congo'.) Does this say something about Crichton's career, or the state of film-making, or neither? Can't say.
Whatever - this is pretty darned good science fiction. Sure, it has the vices we've come to expect: scientists with a tendency to act like the crew of the Enterprise, and central protagonists who begin the film by swimming through treacle and end it by leaping tall buildings in a single bound. As for the former problem, well, it's not so bad here as it usually is. As for the latter, well, it's easy to forgive, because we're put through a very tense ride before our heroes crawl out of the treacle - even afterwards. They don't make films this tense these days. Or at least, this particular film would have been less tense if it had been made these days. I don't think a modern director would have resisted the temptation to goof off at some point.
THAT'S part of the charm. The film's idea of how scientists behave is rather a silly one, but at least the scientists aren't forced to act GOOFY in order to show that scientists are really human, after all - as if there was any need to show this. And I'll say this: whatever the scientists were like, the SCIENCE is much more intelligent than a modern public has any right to expect. So far as I could tell (not that I'm an expert in anything) it only stretches into fantasy when it needs to. Wise gives us information, and plenty of it - not techno-babble.
I've heard people snicker at the thirty-year-old look of the film, but I think they're nuts. The art direction is wonderful. In a way it does the same thing as the original Star Trek: it creates a coherent, claustrophobic world by force of sheer simplicity. But to see `The Andromeda Strain' is to see it done WELL.
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