Defence attorney /
British pedestrian /
Mr. Harrison (Apricot) /
The Colonel /
'Hell's Grannies' policeman /
Jimmy Blankensop /
Sir Edward Ross /
Restaurant patron #1 /
Letter Writer /
Oliver St. John Mollusk /
Town Guild Lady
Marriage Counselor /
Arthur Nudge /
Self-defence student #4 (interested in pointed sticks) /
'Hell's Grannies' analyst /
Arthur Wilson /
Arthur Wilson Two /
Nightclub Emcee /
First General /
Restaurant Manager /
Lingerie Shop Owner /
Accountant #1 (falling past the window) /
Fairy Godmother /
Rita Fairbanks /
Simon Zinc Trumpet Harris /
Lady With Cookbook
A collection of re-filmed sketches from the first and second series of the cult TV comedy show "Monty Python's Flying Circus". Includes such classics as "Nudge, Nudge", "Hell's Grannies", "Killer Cars", "Dead Parrot", "Lumberjack Song", "Blackmail" and "Upper Class Twit of the Year". Written by
Mr and Mrs and Mrs Zambesi <firstname.lastname@example.org>
The deadly joke that is used to kill Germans in World War II is translated to this in plain language: "If that is git only stucco and Slotermeyer? Yes! Celebration dog that or the Flipperwaldt gersput!" See more »
In the animation following the "People falling out of tall buildings" sketch, when the caterpillar walks into his house and climbs into the bed the door to the bedroom is still open. Once the caterpillar falls asleep and the camera fades out, when the camera fades back into him, the door is now closed. See more »
In this picture, there are forty-seven people. None of them can be seen. In this film, we hope to show you how not to be seen. This is Mr E.R. Bradshaw of Napier Court, Black Lion Road, London, SE14. He cannot be seen. Now I'm going to ask him to stand up. Mr Bradshaw, will you stand up, please?
[Mr Bradshaw stands up and is shot]
This demonstrates the value of not being seen.
See more »
After the opening theme song, a "THE END" screen comes up, and stage manager Terry Jones apologises for the brevity of the film. See more »
This film really didn't need to be made - but at the time, after two excellent TV series, the Pythons were under pressure to produce a big-screen version for wider distribution.
Thus a number of sketches from the first two series were rewritten, tightened up, and re-enacted, entirely on film. The actual new material is probably around 2% of the script, and I hold the view that many of the sketches were inferior to their TV versions, and much of the better series 1 and 2 stuff (Spanish Inquisition, Silly Walks etc.) didn't even make it to ANFSCD for some reason.
It's interesting to watch the differences in production and compare this material to how it was originally done, and the new devices for linking one sketch to the next keep you on your toes.
But ultimately if you want to watch early python sketches, the TV versions are more rewarding.
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