Defence attorney /
British pedestrian /
Mr. Harrison (Apricot) /
The Colonel /
'Hell's Grannies' policeman /
Jimmy Blankensop /
Sir Edward Ross /
Restaurant patron #1 /
Letter Writer /
Oliver St. John Mollusk /
Town Guild Lady
Marriage Counselor /
Arthur Nudge /
Self-defence student #4 (interested in pointed sticks) /
'Hell's Grannies' analyst /
Arthur Wilson /
Arthur Wilson Two /
Nightclub Emcee /
First General /
Restaurant Manager /
Lingerie Shop Owner /
Accountant #1 (falling past the window) /
Fairy Godmother /
Rita Fairbanks /
Simon Zinc Trumpet Harris /
Lady With Cookbook
A collection of re-filmed sketches from the first and second series of the cult TV comedy show "Monty Python's Flying Circus". Includes such classics as "Nudge, Nudge", "Hell's Grannies", "Killer Cars", "Dead Parrot", "Lumberjack Song", "Blackmail" and "Upper Class Twit of the Year". Written by
Mr and Mrs and Mrs Zambesi <firstname.lastname@example.org>
Dual currency is shown during the film (as seen on the supermarket adverts - 9np or 1/9). This was common for UK films of the early seventies as the country was decimalising its currency from pounds, shillings and pence (20 shillings to the pound, 12d (pence or pennies) to the shilling) to pounds and what were at the time referred to as 'new pence' (100p to the pound). See more »
During the mountaineer sketch, Eric Idle clearly breaks character and suppresses laughter when John Cleese reads from the dictionary. See more »
In this picture, there are forty-seven people. None of them can be seen. In this film, we hope to show you how not to be seen. This is Mr E.R. Bradshaw of Napier Court, Black Lion Road, London, SE14. He cannot be seen. Now I'm going to ask him to stand up. Mr Bradshaw, will you stand up, please?
[Mr Bradshaw stands up and is shot]
This demonstrates the value of not being seen.
See more »
After the opening theme song, a "THE END" screen comes up, and stage manager Terry Jones apologises for the brevity of the film. See more »
Monty Python used this collection of sketches from their first and second TV series (re-packaged and staged again) to break into the American market. A gamble, but a successful one.
All the greats are here Parrot Sketch, Dirty Fork, Hell's Grannies, Fresh Fruit Self Defence, Marriage Guidance and more besides. The animated links, specially created for the movie, are funny and well put-together: and new versions of Killer Cars and the story of the Spot are excellent. In many cases the film versions of the sketches outshine those in the TV series and are more memorable, particularly those which first appeared in series 1.
This is a very good introduction to the team and a strong reminder of their early work for the BBC.
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