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Amar Prem (1972)

8.1
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Ratings: 8.1/10 from 698 users  
Reviews: 13 user | 2 critic

Nandkishore Sharma alias Nandu is born in the Sharma family. His mother tragically passes away, leaving him in the care of his father who decides to re-marry a woman named Kamla. Kamla is ... See full summary »

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(story) (as Bibhuti Bhushan Banerji) , (screenplay) (as Aravinda Mukherji) , 1 more credit »
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Title: Amar Prem (1972)

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Cast

Cast overview, first billed only:
...
Anand Babu
Sharmila Tagore ...
Sujit Kumar ...
Sharma (Nandu's dad) (as Sujit)
Bindu ...
Mrs. Kamla Sharma
Madan Puri ...
Nepal Babu
Bobby
Om Prakash ...
Natwarlal
Vinod Mehra ...
Nandkishore Sharma 'Nandu'
Satyendra Kapoor ...
Vijay (as Satyendra Kumar Kappu)
Manmohan ...
Ram Ratan (as Man Mohan)
Abhi Bhattacharya ...
Dr. Ghosh
Ram Mohan ...
Shankar
Mohan Choti
Gurnam Singh ...
Hariram (as Gurnam)
Paresh Nanda
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Storyline

Nandkishore Sharma alias Nandu is born in the Sharma family. His mother tragically passes away, leaving him in the care of his father who decides to re-marry a woman named Kamla. Kamla is not very kind to Nandu, who then seeks love and solace with a neighbor named Pushpa, who looks after him, feeds him, and even sings lullabies to get him to sleep. This does not auger well with Kamla, who severely beats up Nandu whenever she finds out that he has gone to meet Pushpa. Then his parents decide to move to another town, and Nandu tearfully bids farewell to Pushpa, but her love for him remains in his heart forever. Years later, Nandu has grown up, his parents have passed away, his siblings are settled independently, and he himself is married. He takes a nostalgic journey to the same town where he used to reside as a child, and rents a room in the same locality. He asks around for a woman named Pushpa, hoping that a lot of people would remember her for her kindness and love. He is shocked to... Written by rAjOo (gunwanti@hotmail.com)

Plot Summary | Add Synopsis

Genres:

Musical | Romance

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Details

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Release Date:

28 January 1972 (India)  »

Also Known As:

Immortal Love  »

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,  »
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(Eastmancolor)
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Did You Know?

Trivia

The song Doli Mein Bithai Ke Kahaar was sung by SD Burman went to become one of most memorable songs of his career as a playback singer. See more »

Connections

Referenced in Main Tera Hero (2014) See more »

Soundtracks

doli mein bithai ke
Sung by Sachin Dev Burman
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User Reviews

 
A gem of a movie!
30 April 2006 | by (Singapore) – See all my reviews

I have recently become more disillusioned that ever with Bollywood and its invariable churning of sugar-coated, feel good products, which lack a heart and soul. but if someone was pick up one film, as a beacon, as an example of the great emotional and spiritual waves that flow though India, it would be this one.

A poignant yet everlasting drama of love and the power of compassion and humanity. it tells the story of a woman (Pushpa), who is ostracized and eschewed by society and its establishments, to rot away on the notorious fringes of it. Yet within the brothel she resides, she builds a temple of love and care for those two people that come to see her. Nandu and Anand are members of society, yet only ostensibly, yearning for the compassion that their families fail to provide them, and in search, they come to Pushpa, whose abundance of love and human sympathy far overshadows her disreputable social standing. They alone see her inner beauty, while society maligns her, yet as the director points, cannot provide the qualities of love, happiness and tranquility for members like Nandu and Anand. Pushpa's relationship with Anand is certainly one of the most beautiful you will see. Theirs is a purely platonic relationship, which succeeds where the social union of marriage - for both - fails.

As they continue to meet, their bond grows, and beyond their own socially certified families, they create a little family of true love, depth and care. They receive from each other the love they so desire - motherly love for Nandu, a true companion for Anand, and a child and husband for Pushpa - though their relationship with each other has no social legitimacy. Samanta succeeds in creating a cynical presentation of society as one that compels people to stay within the confines of its social institution of family yet cannot provide for the very emotional, and spiritual ingredients that constitute it. Add the fact that it is society after all that created the brothel, where unquenched desires can be fulfilled, and what you have is a representation that makes Pushpa's relationship with Nandu and Anand all the more 'holy'.

This film tackled a theme that was very much taboo in Indian Cinema, and succeeds in presenting a mature, yet never over-the-top, nor didactic story that ultimately every Indian household can identify with. The music is an absolute delight and adds to the melancholic yet redemptive nature of the relationship between the three protagonists. Setting presentation is class, with nothing done to hide the vividly grotesque nature of the red light district and the people that patronise it. It has its fair share of stereotypical characters, who function very much as symbols of the unscrupulous, cunning nature of society. Yes, you get doses of the typical Hindi film melodrama, but its very much reserved to a modicum. Where it succeeds is in teaching you about human relationships and that it is love, togetherness and understanding that makes family, and not a social ceremony or some legal document. This is a film for all generations who appreciate human relationships and its power to transcend social boundaries.


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