200 Motels (1971)

User Rating:

5.7/10   

Directors:

Tony Palmer
Frank Zappa

Writers:

Frank Zappa (story)
Tony Palmer (shooting script)

Release Date:

10 November 1971 (USA)

Genre:

Comedy | Fantasy | Music

Plot:

"Touring makes you crazy," Frank Zappa says, explaining that the idea for this film came to him while the Mothers of Invention were touring...

Plot Keywords:

Band | Mothers Of Invention | Cult Film | Drug Use | Cult

Cast

The Mothers of Invention
Theodore Bikel	...	Rance Muhammitz / Dave
Keith Moon	...	The Hot Nun
Janet Neville-Ferguson	...	Groupie (as Janet Ferguson)
Lucy Offerall	...	Groupie
Jimmy Carl Black	...	Lonesome Cowboy Burt
Martin Lickert	...	Jeff
Dick Barber	...	Bif Debris - The Vacuum Cleaner
Don Preston	...	Don
Pamela Des Barres	...	Interviewer (as Pamela Miller)
Ruth Underwood	...	Fake Drummer
Judy Gridley	...	Chorus Leader
Ringo Starr	...	Larry The Dwarf / Frank Zappa

Also Known As:

Frank Zappa's 200 Motels (USA) (complete title)
Two Hundred Motels

Runtime:

98 min

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

1.66 : 1

Sound Mix:

Mono

Certification:

USA:R (certificate #23033) | Argentina:16 | Singapore:(Banned) | West Germany:18 | USA:TV-MA | Sweden:11 | UK:18

Filming Locations:

Pinewood Studios, Iver Heath, Buckinghamshire, England, UK

Company:

Bizarre Productions

Trivia:

People offered parts in the movie included Vivian Stanshall, Mick Jagger, 'John Lennon', Pete Townshend, George Harrison, Bob Dylan and Eric Idle.

Quotes:

Lonesome Cowboy Burt: So long as I get some beer and I get paid, you can make me do anything, I'm professional!

Movie Connections:

Referenced in Down and Dirty Duck (1974)

Bizarre!

There is no film quite like 200 Motels, but a lot of its very strange appearance (especially when viewed on a cinema screen) is due to its videotape source. (Actually, it isn't the first film released theatrically, to have been originated on this medium. One of the versions of Jean Harlow's biography to be released in 1965 used something called 'Electronovision', which is much the same thing, although it seems suspiciously like an afterthought over a successful TV play in that case.) The 1971 double album was my introduction to Zappa's music, back in 1973, and I first saw this film in 1978, on a double bill with - wait for it - Annie Hall. Now, that's bizarre. I was mesmerised by this messy production, but everyone in the cinema, including my friends, seemed to hate it. Even by 1978, the effects were dated, and the sound quality left a lot to be desired. However, ten years later, when I saw the film in on VHS, I scooped it up, and I still enjoy it.

More satire and music would have been welcome in place of the cast and orchestra being forced to recite childish swearwords, although it must be realised that this is an exercise to defuse the effect of 'bad language', much as Shaw did with Pygmalion (the original play has the word 'bloody' repeated over and over, opposed to achieving the comedy shock effect as in the 1938 movie) There are some very well worked out scenes, such as the stars' dressing-room/racehorse chute sequence, and the dialogue between Jim Black and Theodor Bikel, and maybe sufficient time and budget would have yielded more of the same.

The music was sufficient to launch me into thirty years of collecting Zappa's music, and I still enjoy it today - it's more fulfilling to listen to than the movie is to watch, but the movie is worth seeing, as long as you are not expecting anything too coherent.

In amongst the confusion is a worthwhile film about groupies, and genius, and the sadness, as opposed to the glamour, of the life of rock stars, and I can't help feeling that someone with fifty million dollars to spend could do worse than remake this. It's about time Zappa's output reached a wider audience. Stop remaking films that were fine as they were, you guys. We didn't need another Planet of the Apes, Tim Burton! Do a film about Frank Zappa. Johnny Depp could play Frank!