| Richard Attenborough | ... | John Reginald Christie | |
| Judy Geeson | ... | Beryl Evans | |
| John Hurt | ... | Timothy John Evans | |
| Pat Heywood | ... | Mrs. Ethel Christie | |
| Isobel Black | ... | Alice | |
| Miss Riley | ... | Baby Geraldine | |
| Phyllis MacMahon | ... | Muriel Eady | |
| Ray Barron | ... | Workman Willis | |
| Douglas Blackwell | ... | Workman Jones | |
| Gabrielle Daye | ... | Mrs. Lynch | |
| Jimmy Gardner | ... | Mr. Lynch | |
| Edward Evans | ... | Det. Inspector | |
| Tenniel Evans | ... | Detective Sergeant | |
| David Jackson | ... | Constable | |
| Richard Coleman | ... | Constable | |
| André Morell | ... | Judge Lewis | |
| Robert Hardy | ... | Malcolm Morris | |
| Geoffrey Chater | ... | Christmas Humphreys | |
| Basil Dignam | ... | Member of the medical board | |
| Norman Henry | ... | Member of the Medical Board | |
| Edward Burnham | ... | Member of the medical board | |
| Edwin Brown | ... | Hangman | |
| Norma Shebbeare | ... | Woman in cafe | |
| Sam Kydd | ... | Furniture Dealer | |
| Rudolph Walker | ... | West Indian | |
| Tommy Ansah | ... | West Indian | |
| Reg Lye | ... | Tramp | |
| rest of cast listed alphabetically: | |||
| Jack Carr | ... | Constable | |
| Margaret Boyd | ... | Old Lady (uncredited) | |
| Edward Cast | ... | Plainclothes Sergeant (uncredited) | |
| Uel Deane | ... | Irish Tenor (uncredited) | |
| Arthur Gross | ... | Man in Pub (uncredited) | |
| Fred Hugh | ... | Man in Pub (uncredited) | |
| Robin Keston | ... | Boy (uncredited) | |
| Samantha Keston | ... | Urchin (uncredited) | |
| Howard Lang | ... | Man in Pub (uncredited) | |
| Tony Thawnton | ... | Desk Sergeant (uncredited) | |
| Edward Woodward | ... | Witnessing officer at hanging (uncredited) | |
Directed by | |||
| Richard Fleischer | |||
Writing credits | ||
| Ludovic Kennedy | (book "Ten Rillington Place") | |
| Clive Exton | ||
Produced by | |||
| Basil Appleby | .... | associate producer | |
| Leslie Linder | .... | producer | |
| Martin Ransohoff | .... | producer | |
Original Music by | |||
| John Dankworth | |||
Cinematography by | |||
| Denys N. Coop | (as Denys Coop) | ||
Film Editing by | |||
| Ernest Walter | |||
Art Direction by | |||
| Maurice Carter | |||
Set Decoration by | |||
| Andrew Campbell | |||
Makeup Department | |||
| Stuart Freeborn | .... | makeup artist | |
| Joan White | .... | hair stylist | |
Production Management | |||
| Jilda Smith | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Terry Marcel | .... | assistant director | |
| Nick Farnes | .... | assistant director (uncredited) | |
Art Department | |||
| Vic Simpson | .... | construction manager | |
Sound Department | |||
| Bob Allen | .... | sound mixer | |
| Colin Miller | .... | sound editor | |
| Ken Scrivener | .... | sound recordist | |
Camera and Electrical Department | |||
| John Harris | .... | camera operator | |
| Lou Bogue | .... | best boy (uncredited) | |
| Laurie Shane | .... | gaffer (uncredited) | |
| David Wynn-Jones | .... | focus puller (uncredited) | |
Costume and Wardrobe Department | |||
| Tiny Nicholls | .... | wardrobe | |
Music Department | |||
| John Dankworth | .... | conductor | |
| David Lindup | .... | orchestrator (uncredited) | |
Other crew | |||
| Valerie Booth | .... | continuity | |
| Ludovic Kennedy | .... | technical advisor | |
| Paul Thayre | .... | police liaison | |
| Albert Pierrepoint | .... | technical advisor (uncredited) | |
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| Frenzy | A Place in the Sun | The Weight of Water | Dial M for Murder | Monster |
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| Full cast and crew | Company credits | External reviews |
| IMDb Biography section | IMDb UK section |
I saw this in a theatre here in the United States in 1971, when I was eleven years old. I'd seen Richard Attenborough as the circus master in DOCTOR DOLITTLE and I wonder if I'd sold my mother on taking me to this one because I knew the name Richard Attenborough. In any case, this movie burned itself into my brain immediately and, for the next three decades I told many of my fellow American film-buffs that there was this British movie no American had ever heard about that was more blood-curdling than PSYCHO. I suspect the obviously limited release of this movie in the United States had something to do with the fact that one of its chief selling-points was that it was based on a murder not well-known to Americans. The Christie murders were famous in Britain, and, in fact, historic because of their effect on the elimination of the UK's death penalty. But the distributors in America had to market this on its qualities as a thriller. Attenborough had yet to make his name a household word here, GHANDI being about ten years in the future and the probable difficulty with accents couldn't have made people who did see it very eager to recommend it. On top of this, the movie is not a thriller but a truly disturbing exploration of evil. It makes the roughly contemporary FRENZY look like a sitcom. Movies became more realistic in the late sixties and early seventies than they have been before or since. 10 RILLINGTON PLACE may be the most realistic movie about a serial killer ever made. It may not be the scariest, but it's the most memorable. I haven't forgotten it, and I haven't seen it in more than a generation. It is a mournful movie for serious viewing.