London, 1949. John Christie is an unassuming, middle aged man who, along with his wife Ethel, manages the apartment building at 10 Rillington Place. His unassuming demeanor masks the fact ... See full summary »
Pinkie Brown is a small-town hoodlum whose gang runs a protection racket based at Brighton race course. When Pinkie orders the murder of a rival, Fred, the police believe it to be suicide. ... See full summary »
Antonia, the pampered wife of Martin Lynch-Gibbon, an upper class wine merchant, tells her husband that she is in love with their best friend, the psychiatrist Palmer Anderson. Palmer and ... See full summary »
A company of British soldiers in colonial India is shaken when the widow of their most honored hero is assaulted. A young officer must defend a fellow lieutenant from the charges in an ... See full summary »
Based on the play by 'Joe Orton' this film follows the adventures of two pals who have pulled off a bank robbery and have to hide the loot. Fortunately one of them works in a funeral parlor... See full summary »
This historical drama is an account of the early life of British politician Winston Churchill (Simon Ward), including his childhood years, his time as a war correspondent in Africa, and ... See full summary »
Peter Watson is troubled with pain and and an inability to sleep. He tries to light the gas-fire and seeks held from another lodger, artist Nicholas, who is spending the night with his ... See full summary »
London, 1949. John Christie is an unassuming, middle aged man who, along with his wife Ethel, manages the apartment building at 10 Rillington Place. His unassuming demeanor masks the fact of being a serial killer. His modus operandi is to act as a person with a medical background, lure unsuspecting women to his apartment on the pretense of curing them of some ailment, knock them unconscious with carbon monoxide gas, gain his sexual release through contact with the unconscious body, then strangle the victim dead before disposing of the body usually by burying it in his back yard. His next intended target is Beryl Evans, a young woman who has just moved into a flat in his building. Beryl's husband, Tim Evans, is an illiterate man who likes to put on airs. Already with an infant daughter named Geraldine, the Evanses learn they are going to have another baby, which they cannot afford to have, nor can they afford to abort the pregnancy. This problem, on top of the constant issue of lack of... Written by
The film was nominated for a BAFTA Award for Best Supporting Actor for English actor John Hurt. The nomination was Hurt's first ever BAFTA nomination (he did not win) with several others following in his career with Hurt winning a BAFTA next time for Best Actor in a TV role for his part in The Naked Civil Servant (1975). See more »
In the Bar scene where Beryl and Tim agree to have the abortion done, Tim is seen drinking from an almost full glass of beer, then when the camera switches, it is almost empty, then it fills back up for the next shot. See more »
I saw this in a theatre here in the United States in 1971, when I was eleven years old. I'd seen Richard Attenborough as the circus master in DOCTOR DOLITTLE and I wonder if I'd sold my mother on taking me to this one because I knew the name Richard Attenborough. In any case, this movie burned itself into my brain immediately and, for the next three decades I told many of my fellow American film-buffs that there was this British movie no American had ever heard about that was more blood-curdling than PSYCHO. I suspect the obviously limited release of this movie in the United States had something to do with the fact that one of its chief selling-points was that it was based on a murder not well-known to Americans. The Christie murders were famous in Britain, and, in fact, historic because of their effect on the elimination of the UK's death penalty. But the distributors in America had to market this on its qualities as a thriller. Attenborough had yet to make his name a household word here, GHANDI being about ten years in the future and the probable difficulty with accents couldn't have made people who did see it very eager to recommend it. On top of this, the movie is not a thriller but a truly disturbing exploration of evil. It makes the roughly contemporary FRENZY look like a sitcom. Movies became more realistic in the late sixties and early seventies than they have been before or since. 10 RILLINGTON PLACE may be the most realistic movie about a serial killer ever made. It may not be the scariest, but it's the most memorable. I haven't forgotten it, and I haven't seen it in more than a generation. It is a mournful movie for serious viewing.
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