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10 Rillington Place (1971)

7.6
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London, 1949. John Christie is an unassuming, middle aged man who, along with his wife Ethel, manages the apartment building at 10 Rillington Place. His unassuming demeanor masks the fact ... See full summary »

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Title: 10 Rillington Place (1971)

10 Rillington Place (1971) on IMDb 7.6/10

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Nominated for 1 BAFTA Film Award. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
Pat Heywood ...
Isobel Black ...
Alice
Miss Riley ...
Baby Geraldine
Phyllis MacMahon ...
Muriel Eady (as Phyllis Macmahon)
Ray Barron ...
Workman Willis
Douglas Blackwell ...
Workman Jones
Gabrielle Daye ...
Mrs. Lynch
Jimmy Gardner ...
Mr. Lynch
Edward Evans ...
Police: Det. Inspector
Tenniel Evans ...
Police: Det. Sergeant
David Jackson ...
Police: Constable
Jack Carr ...
Police: Constable
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Storyline

London, 1949. John Christie is an unassuming, middle aged man who, along with his wife Ethel, manages the apartment building at 10 Rillington Place. His unassuming demeanor masks the fact of being a serial killer. His modus operandi is to act as a person with a medical background, lure unsuspecting women to his apartment on the pretense of curing them of some ailment, knock them unconscious with carbon monoxide gas, gain his sexual release through contact with the unconscious body, then strangle the victim dead before disposing of the body usually by burying it in his back yard. His next intended target is Beryl Evans, a young woman who has just moved into a flat in his building. Beryl's husband, Tim Evans, is an illiterate man who likes to put on airs. Already with an infant daughter named Geraldine, the Evanses learn they are going to have another baby, which they cannot afford to have, nor can they afford to abort the pregnancy. This problem, on top of the constant issue of lack of... Written by Huggo

Plot Summary | Add Synopsis

Taglines:

What happened to Ena and Geraldine and Beryl and Muriel and Rita and Ethel at 10 Rillington Place? See more »

Genres:

Biography | Crime | Drama

Certificate:

GP | See all certifications »

Parents Guide:

 »
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Details

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Release Date:

5 March 1971 (West Germany)  »

Also Known As:

10 Rillington place  »

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Color:

(Eastmancolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

One a handful of pictures directed by Richard Fleischer that dealt with the subject matter of real life murder cases. The movies include Compulsion (1959), The Boston Strangler (1968), 10 Rillington Place (1971) and The Girl in the Red Velvet Swing (1955). See more »

Goofs

When Christie is murdering Muriel Eady he uses a breathing mask as a gas mask connected to the cooking gas mains, over Muriel's face. But just as she begins to succumb her nose appears above the mask, which would allow her to breathe normally. See more »

Quotes

Timothy John Evans: What about the baby?
John Reginald Christie: Well as it happens I know a couple in Acton, East Acton. They'll look after her for you till you get back.
See more »

Crazy Credits

Prologue to opening credits: "This is a true story Whenever possible the dialogue has been based on official documents" See more »

Connections

Referenced in Nekromantik (1988) See more »

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User Reviews

Not sure if anyone has ever made a better film than this?
6 October 2002 | by (Longmont, Colorado) – See all my reviews

The zenith of British film making, 10 RILLINGTON PLACE (the location since re-named) is a true story. John Christie (who last time I was there was still a star exhibit at Madame Tussaud's waxworks museum in London) was the mega-ordinary, almost mousy south east Londoner who besides liking a good cuppa tea...killed people in his dingy little residence. Somewhat of a sexual predator (though this is hinted at, rather than depicted) Christie used his very basic scientific knowledge to offer "comfort" to such as pregnant young girls by way of his own in-house abortion that none actually survived. The case of young and fully dim-witted Timothy Evans (so brilliantly played by John Hurt) who comes to lodge and whose pretty young wife (Geeson) becomes another victim of the serial killer Christie represented the height of British injustice when Christie himself was able to manipulate the facts to point the finger of guilt at Evans himself and who was actually hanged for the murder of his wife and child. (The later-bestowed pardon would have been of little consequence I feel....the ultimate "too liitle too late")

The film's bleak depiction of immediate post-war Britain is just stunning, Attenborough deserved the Oscar for his amazing characterisation of Christie...a monster with a facade no-one thought to question. No clear-thinking and perceptive person could possibly watch this movie and not be affected in some way. The horror Is that there IS no horror, just a veneer of respectability and decency. I cannot offhand, nominate a more powerful or credible piece of film-making. We have this film in our library and watch it on average ever two years - it has never aged or been less impactful!


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