Louisa Trotter works her way up from being a skivvy to being the Queen of cooks, cook to the King, and owner of the Bentinck Hotel. Her life and happenings among the guests and staff of the... See full summary »
James Onedin marries Anne Webster in order to get his hands on a ship. However the marriage turns out to be one of true love. James is ruthless in his attempt to get a shipping line started... See full summary »
The extended Forsyte family live a more than pleasant upper middle class life in Victorian and later Edwardian England. The two central characters are Soames Forsyte and his cousin Jolyon ... See full summary »
Nyree Dawn Porter
Audrey fforbes-Hamilton is sad when her husband dies but is shocked when she realises that she has to leave Grantleigh Manor where her family has lived forever. The new owner is Richard De ... See full summary »
When Elizabeth Tudor comes to the throne, her (male) advisers know she has to marry. Doesn't she? Thus starts a decades-long political/ matrimonial game, during an age of high passions and high achievement.
An aristocratic English family is shown in the years between the Great War and The Second World War, often at the crumbling family estate, Brideshead Manor, trying to deal with family ... See full summary »
Jane Austen's last novel provides the plot for this earlier Granada miniseries. Set in pre-Victorian England, this movie tells the story of Anne Elliot, who now having lost her "bloom" is ... See full summary »
The series follows the lives of both the family and the servants in the London townhouse at 165 Eaton Place. Richard Bellamy, the head of the household, is a member of Parliament, and his wife a member of the titled aristocracy. Belowstairs, Hudson, the Scottish butler directs and guides the other servants about their tasks and (sometimes) their proper place. Real-life events from 1903-1930 are incorporated into the stories of the Bellamy household. Written by
The plot called for a scene at Charing Cross Station, circa 1914, to show wounded troops returning from the front lines, the crew found ingenious solutions. Marylebone Station substituted for Charing Cross, which was too modern. The modern signs and posters were taken down or covered up with replicas of 1914-1918 posters we bought at the Imperial War Museum. An old newspaper and confectionery kiosk were built and dummy gas-lamps installed. A plywood engine was stuck on the front of the first carriage, while a modern diesel engine did the pushing from behind, well out of camera range. Apparently one lady who was visiting the set fainted when she saw all the bloody corpses. See more »
Hamish and Dorothy Matthews' names are spelt Mathews in the credits of episode 3.11 and Matthews in episode 4.6 See more »
It wasn't a huge budget that made this series great, immensely popular, much honored, and the biggest hit in PBS history. It was the fabulous writing and the rich characterizations presented to us every week. All these people we cared about, even negatively in the case of James. And that's why even now there is a U/D web site. Interwoven were the historical events of Edwardian England stretching through World War One into the Twenties. The series reached it's peak halfway through the war with "Women Shall Not Weep" - a magnificent episode available on video. By the Twenties the upper class was cracking more than the lower - a theme of the series. U/D was such a hit America tried its own hand at the wealthy/servants scenario with "Beacon Hill" - highly touted but dismally written flop. Special credits to Jean Marsh as Rose (who never found happiness, but wouldn't have been happy anyplace but the world she was brought up in!); Marsh also was a creator of the series. It was an absolute joy.
P.S. In case the credits don't reflect this, Daisy's last name was 'Peel".
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