Sam McCloud is a Marshal from a Taos, New Mexico, who takes a temporary assignment in the New York City Police. His keen sense of detail and detecting subtle clues, learned from his experience, enable him to nab unsuspecting criminals despite his unbelieving boss.
Attorney and US Navy vet Stewart "Mac" McMillan is appointed Commissioner of Police for the city of San Francisco. He often handles the very high profile cases personally. Helping him out on many of them is his wife Sally, who's father was a detective for the SFPD. In fact, Sally gets so involved that she often puts herself in harms way. They are often assisted by Mac's loyal, but somewhat inept assistant Sgt. Charlie Enright and their hard drinking, smart mouthed live in maid Mildred. Sadly, a few years after Mac's appointment Sally dies in a plane crash. Also, Mildred quits her position and is replaced by her scatterbrained sister Agatha. Also, in later years Enright is promoted to lieutenant. Written by
Brian Washington <Sargebri@att.net>
The slight modification of the interior set of the McMillan's home provided a continuity problem. In season five's, "Aftershock", the mystery centered around a skeleton found in their brick fireplace which supposedly had been put there when the home was built. However, in at least the first two seasons of the show, their fireplace was of different construction and not made of brick, thereby belying the idea the skeleton could have been there all along. See more »
Re the comment: "I was surprised that posters mentioned Hudson's homosexuality as somehow influencing perception of this show in hindsight. Hudson was gay; Mac wasn't. If straight men can play gay characters, why can't the reverse be true? Why must someone's private life interfere with a role?" I was merely responding to the one reviewer citing Hudson being gay and then characterizing Mac & Sally's relationship as "sexless." After seeing the pilot again on the recently released DVD, I can say it was anything but! The two characters seem to be hugging, kissing, making out, etc., almost all the time (there's even a rather risqué - for 1971 TV - scene that has a clearly naked Susan St. James taking a shower behind a fogged stall window).
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