Cannon becomes a hunted man when a young South Korean man comes after him seeking revenge for his late father who was a tortured prisoner of war during the Korean War-and he believes Cannon is solely...
Sam McCloud is a Marshal from a Taos, New Mexico, who takes a temporary assignment in the New York City Police. His keen sense of detail and detecting subtle clues, learned from his experience, enable him to nab unsuspecting criminals despite his unbelieving boss.
The weekly adventures of Frank Cannon, an overweight, balding ex-cop with a deep voice and expensive tastes in culinary pleasures, who becomes a high-priced private investigator. Since Cannon's girth didn't allow for many fist-fights and gun battles (although there were many), the series substituted car chases and high production values in their place. Written by
Marty McKee <firstname.lastname@example.org>
I agree with the others about the quality and the care that each episode of Cannon had. A memorable TV show that only ended because William Conrad grew tired of doing it and wanted to end it on a high note. There was a "reunion" TV movie called "The return of Frank Cannon" done around 1980 as I recall. Perhaps it will see the light of day again in reruns.
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