Cannon becomes a hunted man when a young South Korean man comes after him seeking revenge for his late father who was a tortured prisoner of war during the Korean War-and he believes Cannon is solely...
Sam McCloud is a Marshal from a Taos, New Mexico, who takes a temporary assignment in the New York City Police. His keen sense of detail and detecting subtle clues, learned from his experience, enable him to nab unsuspecting criminals despite his unbelieving boss.
The weekly adventures of Frank Cannon, an overweight, balding ex-cop with a deep voice and expensive tastes in culinary pleasures, who becomes a high-priced private investigator. Since Cannon's girth didn't allow for many fist-fights and gun battles (although there were many), the series substituted car chases and high production values in their place. Written by
Marty McKee <email@example.com>
According to the book "Creating the Filmation Generation", Lou Scheimer was interested in producing an animated spin-off called "Young Cannon" in the 1972-1973 season. They got the rights from Quinn Martin, but Fred Silverman at CBS didn't buy it See more »
Unlike more recent detective series that are little more than an hour of car chases, graphic bomb scenes and other gratuitous violence, Cannon showed a detective carefully and cleverly going about the business of solving perplexing crimes. Moreover, unlike The Rockford Files and others which strain credibility by portraying a supposedly successful detective as always having trouble paying his bills, Cannon shows a very successful detective surrounded by the trappings of success such as a beautiful Mark IV and an expensive penthouse apartment. All in all a great series.
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