Sam McCloud is a Marshal from a Taos, New Mexico, who takes a temporary assignment in the New York City Police. His keen sense of detail and detecting subtle clues, learned from his experience, enable him nab unsuspecting criminals despite his unbelieving boss.
Attorney and US Navy vet Stuart "Mac" McMillan is appointed Commissioner of Police for the city of San Francisco. He often handles the very high profile cases personally. Helping him out on... See full summary »
Susan Saint James
The weekly adventures of Frank Cannon, an overweight, balding ex-cop with a deep voice and expensive tastes in culinary pleasures, who becomes a high-priced private investigator. Since Cannon's girth didn't allow for many fist-fights and gun battles (although there were many), the series substituted car chases and high production values in their place. Written by
Marty McKee <email@example.com>
The great memories of childhood included playing sports and watching television (it was ALWAYS on when I was in the house!!). For my money, the 70's produced the best shows, detective/cop series in particular: Starsky and Hutch, Baretta, Kojak, S.W.A.T. Barnaby Jones, The Rookies etc... And of course "Cannon".The plot has been described already: William Conrad starred as Frank Cannon, a heavyset private detective who took (and invariably solved) cases of interest. Aside from occasional help from his police contacts in gathering information from time to time, Cannon worked alone and relied on intelligence and the occasional gunplay to get things done. Presented in the trademark "Quinn Martin format" of "Acts I, II, III, IV, Cannon was thoroughly enjoyable. The fun in watching today lies in the many great character actors of the day (many of whom appeared on every show of the decade, it seems!), the "sterile" violence and the personal childhood memories the show holds. A great way to spend an hour.
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