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A working class bigot constantly squabbles with his family over the important issues of the day.

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538 ( 23)

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1998   1979   1978   1977   1976   1975   … See all »
Top Rated TV #235 | Won 8 Golden Globes. Another 34 wins & 73 nominations. See more awards »

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Cast

Complete series cast summary:
...
 Archie Bunker / ... (208 episodes, 1968-1979)
...
 Edith Bunker / ... (208 episodes, 1968-1979)
...
 Michael 'Meathead' Stivic (183 episodes, 1971-1979)
...
 Gloria Bunker-Stivic (183 episodes, 1971-1979)
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Storyline

Archie Bunker, was a bigoted working-class family man who held his views of the world. His viewpoints clash with nearly everyone he comes into contact with especially his son-in-law Mike Stivic (or, as Archie delights in calling him, "Meathead"). Written by Brian Rathjen <briguy_52732@yahoo.com>

Plot Summary | Add Synopsis

Genres:

Comedy | Drama

Certificate:

TV-PG | See all certifications »

Parents Guide:

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Details

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Release Date:

12 January 1971 (USA)  »

Also Known As:

Justice for All  »

Company Credits

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Technical Specs

Runtime:

| (212 episodes)

Sound Mix:

Color:

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

In real life, Carroll O'Connor was very much the opposite of Archie Bunker" politically/socially liberal, intelligent and highly educated, well spoken and giving with his time and money. O'Connor said he accepted the role of Archie largely to challenge himself to tap into and explore the mind set of such a person. See more »

Goofs

Throughout the first five seasons,it appears that Mike and Gloria's bedroom is on the opposite side of the wall from Archie and Edith's bedroom. But in later episodes both bedrooms appear to be directly across the hall from eachother. See more »

Quotes

[repeated line]
Archie Bunker: Get out of my chair, Meathead!
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Connections

Referenced in Supernatural: All in the Family (2016) See more »

Soundtracks

Those Were the Days
(Opening Theme)
Written by Lee Adams and Charles Strouse
Performed by Carroll O'Connor and Jean Stapleton
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Frequently Asked Questions

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User Reviews

 
Peerless
24 March 2009 | by (Walnut Creek, CA) – See all my reviews

Whenever I notice that a channel is presenting reruns of All In The Family, I make sure to watch. I usually still find the stories enjoyable -- even if once in awhile a dialog seems dated - - and I still laugh out loud during scenes I may have seen 8-10 times over the last 35+ years. To me All In The Family continues to stand out amongst situation comedies, and amongst most television shows for that matter.

All in The Family did have its faults, however. The shouting that so often took place between characters, especially between Mike and Archie, got tiresome, as did Edith's trotting to and from the kitchen. A change in a more fundamental aspect of the show, however, really began to make to make the show less appealing after the first 3-4 seasons.

All new ideas eventually become old, and I may have begun losing interest as the controversial themes that made All In The Family such a revolutionary program started to lose their impact. Looking back, though, I recall that I also began to feel differently about All In The Family because I noticed that Archie Bunker was changing.

Whether later scripts were requiring Archie Bunker to alter his style, or Carrol O'Conner could no longer call forth the same volatile temper and caustic sarcasm that marked the character he played so well, I remember seeing Archie Bunker become an irritable, whiny, elderly-looking man, who overreacted like a hypochondriac to stubbed toes and bumped heads. The same man who had entertained by mispronouncing and misusing words and names was apparently trying to do the same by mismanaging his own body.

For the most part, All In The Family included characters that were very well conceived. They did represent social types, true, but a viewer could not always predict their behavior. Though Archie Bunker, for example, tended to dominate discussions, despite his illogical reasoning, with his chauvinistic attitudes and feelings of indignation, he did on occasion have something valid to say.

Similarly, while in most episodes the subservient Edith catered to Archie's wants and demands, or made comments that exuded naivety, she did assert herself now and then, demonstrating a social kind of intelligence lacking in her husband. Son-in-law Mike could surprise the viewer, too. Although he usually adamantly advocated the counterculture ideology typical of college students of the early 70's, his arguments revealed a sexist core whenever he had to confront the issue of women's rights.

One could not consider family friend Lionel Jefferson simple or one-dimensional either. He almost never agreed with Archie and did not approve of his bigotry, but he recognized the limits of Archie's experience and intellect, so instead of allowing himself to enter into power struggles with Archie, Lionel spoofed Archie's opinions and made him look all the more foolish in the process.

Sometimes I have wondered if the popularity of simpler, light-hearted shows, such as Happy Days and Three's Company, influenced All In The Family's writers, since episodes after the first few seasons seemed to include an element of silliness or broad comedy. Whatever the direction that they consciously took the show, it succeeded because the members of its cast performed as if from a higher league.


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