Hannibal Heyes and Kid Curry, two of the most wanted outlaws in the history of the West, are popular "with everyone except the railroads and the banks", since "in all the trains and banks ... See full summary »
Hannibal and the Kid have finally found good jobs in a town where they can really fit in. So why is everyone trying to convince them to get out of town? And more to the point; why are they being so ...
A wealthy art collector, McCreedy, hires the duo to procure a bust of Caesar that, unfortunately, the current owner doesn't want to part with. Of course he will want it back. But while we're waiting,...
A Seinfeldesque "show about nothing" begins with plenty as Heyes, Curry, a doctor, an undertaker and a cowboy see an old man stagger and fall in the street. It takes all of them to lift him because ...
Frances "Gidget" Lawrence lives with her widowed college professor father in California. Anne is her older sister who is married to John Cooper, a psychology student. Gidget spends most of ... See full summary »
Sam McCloud is a rustic country sheriff from a rural part of the United States. He travels to the big city and joins the police force, using his country ways and laid-back approach to nab the bad guys.
Just before the Salem Witch Trials, an embittered old woman, who has learned witchcraft, teams up with the Devil, and brings a scarecrow to life as part of her diabolical revenge on the judge who was once her lover.
Situation comedy set in San Francisco about an art student (Carne) and an architect (Deuel) who meet, fall in love, marry, and move into a rooftop apartment with no windows. Their neighbor ... See full summary »
Hannibal Heyes and Kid Curry, two of the most wanted outlaws in the history of the West, are popular "with everyone except the railroads and the banks", since "in all the trains and banks they robbed, they never shot anyone". They are offered an amnesty on condition that they stay out of trouble for a year and that they don't tell anyone about it. With a view to keeping their noses clean they adopt the identities of Smith and Jones and use all of their ingenuity keeping out of the way of the law. Written by
Based on references to various historical events, our heroes spent seven years just looking for amnesty during the two-year run of the series, and were still looking for it when the show left the air. See more »
During the entire show, Heyes and Curry have either one pair of saddlebags each, or nothing at all, yet they continually appear in different recurring outfits, including heavy coats, suits (with matching hats), and different vest/jacket combinations. See more »
[first lines for first season's episodes]
[narrator speaks over scenes of Heyes and Curry committing various robberies]
Hannibal Heyes and Kid Curry - the two most successful outlaws in the history of the West. And in all the trains and banks they robbed, they never shot anyone. This made our two latter-day Robin Hoods very popular - with everyone but the railroads and the banks.
[cut to scene of posse in hot pursuit of Heyes and Curry]
Jed 'Kid' Curry:
There's one we thing we gotta get, Heyes.
Jed 'Kid' Curry:
[...] See more »
I'll always wonder: had he lived, could Pete Duel have rescued the TV Western from oblivion? Gunsmoke and Bonanza, the hoary old legends of the genre, already were teetering on their ancient last legs, with but a few more seasons to be squeezed out of them, when, out of the blue, as I remember it, came Alias Smith and Jones, whose fresh and jokey episodes became pretty wildly popular, especially with young people (that would be the likes of *me*, as I was 16 at the time). Alas, as others have already noted, Pete Duel committed suicide just as the series was hitting its stride. (The story of Duel's death made headlines across the country in a way contemporary viewers of TV dramas cannot imagine.) Roger Davis came in as a replacement and the series slid right downhill immediately thereafter--although I did like the episodes with Michele Lee. At any rate, about the only TV Western afterward to generate anything similar to Alias Smith and Jones' excitement was Kung Fu. Sidenote: James Garner's marvelous, and utterly forgotten series, Nichols, should have been the next great Western after Alias . . .
What made Alias Smith and Jones tick? I always thought it was a sleek updating of what had already been a semi-comic TV Western success a few years earlier, Maverick. In fact, you can spot touches of the Bret Maverick characterization in both Heyes and Curry, along with some similar story lines and plot developments. Not to mention the lifting of the "five pat hands" trick, which Bret Maverick employed more than once. All of which should not be too much of a surprise, however, as Roy Huggins was instrumental to both series.
Otherwise, watch out for the handful of episodes with Slim Pickens. "Exit from Wickenburg", the one where Slim works as the crooked bartender of a saloon/casino, is a masterpiece. It just wouldn't be a proper 1960s Western without Slim popping up every now and then.
What a pity that Pete Duel succumbed to his demons. What a loss for network TV, the Western, and the many fans of Alias Smith and Jones. Who knows what could have been . . . .
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