Hannibal Heyes and Kid Curry, two of the most wanted outlaws in the history of the West, are popular "with everyone except the railroads and the banks", since "in all the trains and banks ...
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A Seinfeldesque "show about nothing" begins with plenty as Heyes, Curry, a doctor, an undertaker and a cowboy see an old man stagger and fall in the street. It takes all of them to lift him because ...
Hannibal and the Kid have finally found good jobs in a town where they can really fit in. So why is everyone trying to convince them to get out of town? And more to the point; why are they being so ...
A wealthy art collector, McCreedy, hires the duo to procure a bust of Caesar that, unfortunately, the current owner doesn't want to part with. Of course he will want it back. But while we're waiting,...
The Cannon family runs the High Chaparral Ranch in the Arizona Territory in 1870s. Big John wants to establish his cattle empire despite Indian hostility. He's aided by brother Buck and son... See full summary »
Bret and Bart Maverick (and in later seasons, their English cousin, Beau) are well dressed gamblers who migrate from town to town always looking for a good game. Poker (5 card draw) is ... See full summary »
This is the sequel to the mini-series, RICH MAN, POOR MAN. It begins with Rudy Jordache apprehending the man who killed his brother, Falconetti. He then also takes in his nephew, Wesley. He... See full summary »
James Carroll Jordan
Frances "Gidget" Lawrence lives with her widowed college professor father in Southern California. Anne is her older sister who is married to John Cooper, an obtuse but lovable psychology ... See full summary »
Sam McCloud is a Marshal from a Taos, New Mexico, who takes a temporary assignment in the New York City Police. His keen sense of detail and detecting subtle clues, learned from his experience, enable him to nab unsuspecting criminals despite his unbelieving boss.
Hannibal Heyes and Kid Curry, two of the most wanted outlaws in the history of the West, are popular "with everyone except the railroads and the banks", since "in all the trains and banks they robbed, they never shot anyone". They are offered an amnesty on condition that they stay out of trouble for a year and that they don't tell anyone about it. With a view to keeping their noses clean they adopt the identities of Smith and Jones and use all of their ingenuity keeping out of the way of the law. Written by
Kid Curry's wanted poster reads as follows: "Kid Curry. Reward $10,000. Offered by Midwest Railroad for the capture dead or alive of Kid Curry. Age, 27, height, 5 feet 11 inches. Weight, 165 lbs. Dark blonde hair, blue eyes and even features. Medium build. He is the leader of one of the worst bands of desperadoes the Territory has ever had to deal with. The above reward will be paid for his capture or positive proof of his death. Dead or Alive! Kid Curry." Hannibal Heyes' wanted posted is identical except for the different name and that his personal description reads: "Age, 29, height, 5 feet 11 inches. Weight, 168 lbs. Dark brown hair, brown eyes and even features. Medium build." See more »
During the entire show, Heyes and Curry have either one pair of saddlebags each, or nothing at all, yet they continually appear in different recurring outfits, including heavy coats, suits (with matching hats), and different vest/jacket combinations. See more »
[first lines for first season's episodes]
[narrator speaks over scenes of Heyes and Curry committing various robberies]
Hannibal Heyes and Kid Curry - the two most successful outlaws in the history of the West. And in all the trains and banks they robbed, they never shot anyone. This made our two latter-day Robin Hoods very popular - with everyone but the railroads and the banks.
[cut to scene of posse in hot pursuit of Heyes and Curry]
Jed 'Kid' Curry:
There's one we thing we gotta get, Heyes.
Jed 'Kid' Curry:
[...] See more »
"Alias Smith and Jones" debuted on ABC in January 1971, little more than a year after the release of "Butch Cassidy and the Sundance Kid," and that's hardly coincidental. The series was undoubtedly an attempt by Universal to cash-in on the success of the Paul Newman-Robert Redford megahit. The resemblance series co-star Ben Murphy had to the man with the blue eyes wasn't coincidental either. But "Alias Smith and Jones" was created by Roy Huggins, the man who gave us "Maverick," which one could say inspired "Butch..." so if anyone had the right to pattern a series on that movie, it was Huggins. Besides, this series achieved what the overrated "Butch" only aspired to. It had wit and style, was well-written, and had a first-rate cast. There was a solid chemisty between Pete Duel and Murphy, and the guest stars were also well chosen. I have fond memories of this show, although its quality deteriorated somewhat in February 1972 when Roger Davis took over for Duel (who died on New Year's Eve 1971 from a self-inflicted gunshot wound). It would be nice to see it released on video or at least added to the lineup on TV Land.
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