Alias Smith and Jones (1971–1973)

TV Series  -   -  Comedy | Western
7.6
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Reviews: 16 user | 3 critic

Hannibal Heyes and Kid Curry, two of the most wanted outlaws in the history of the West, are popular "with everyone except the railroads and the banks", since "in all the trains and banks ... See full summary »

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1973   1972   1971  

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Cast

Complete series cast summary:
...
 Jed 'Kid' Curry (alias Thaddeus Jones) (50 episodes, 1971-1973)
...
 Narrator / ... (48 episodes, 1971-1973)
...
 Hannibal Heyes (alias Joshua Smith) (33 episodes, 1971-1972)
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Storyline

Hannibal Heyes and Kid Curry, two of the most wanted outlaws in the history of the West, are popular "with everyone except the railroads and the banks", since "in all the trains and banks they robbed, they never shot anyone". They are offered an amnesty on condition that they stay out of trouble for a year and that they don't tell anyone about it. With a view to keeping their noses clean they adopt the identities of Smith and Jones and use all of their ingenuity keeping out of the way of the law. Written by Anonymous

Plot Summary | Add Synopsis

Genres:

Comedy | Western

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Details

Country:

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Release Date:

21 January 1971 (USA)  »

Also Known As:

Due onesti fuorilegge  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

(50 episodes)

Sound Mix:

Aspect Ratio:

4:3
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Did You Know?

Trivia

Based on references to various historical events, our heroes spent seven years just looking for amnesty during the two-year run of the series, and were still looking for it when the show left the air. See more »

Goofs

During the entire show, Heyes and Curry have either one pair of saddlebags each, or nothing at all, yet they continually appear in different recurring outfits, including heavy coats, suits (with matching hats), and different vest/jacket combinations. See more »

Quotes

[first lines for first season's episodes]
[narrator speaks over scenes of Heyes and Curry committing various robberies]
Narrator: Hannibal Heyes and Kid Curry - the two most successful outlaws in the history of the West. And in all the trains and banks they robbed, they never shot anyone. This made our two latter-day Robin Hoods very popular - with everyone but the railroads and the banks.
[cut to scene of posse in hot pursuit of Heyes and Curry]
Jed 'Kid' Curry: There's one we thing we gotta get, Heyes.
Hannibal Heyes: What's that?
Jed 'Kid' Curry: Out of...
[...]
See more »

Connections

Referenced in Galactica 1980: The Night the Cylons Landed: Part 1 (1980) See more »

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User Reviews

 
Could Pete Duel Have Saved the TV Western?
9 July 2007 | by See all my reviews

I'll always wonder: had he lived, could Pete Duel have rescued the TV Western from oblivion? Gunsmoke and Bonanza, the hoary old legends of the genre, already were teetering on their ancient last legs, with but a few more seasons to be squeezed out of them, when, out of the blue, as I remember it, came Alias Smith and Jones, whose fresh and jokey episodes became pretty wildly popular, especially with young people (that would be the likes of *me*, as I was 16 at the time). Alas, as others have already noted, Pete Duel committed suicide just as the series was hitting its stride. (The story of Duel's death made headlines across the country in a way contemporary viewers of TV dramas cannot imagine.) Roger Davis came in as a replacement and the series slid right downhill immediately thereafter--although I did like the episodes with Michele Lee. At any rate, about the only TV Western afterward to generate anything similar to Alias Smith and Jones' excitement was Kung Fu. Sidenote: James Garner's marvelous, and utterly forgotten series, Nichols, should have been the next great Western after Alias . . .

What made Alias Smith and Jones tick? I always thought it was a sleek updating of what had already been a semi-comic TV Western success a few years earlier, Maverick. In fact, you can spot touches of the Bret Maverick characterization in both Heyes and Curry, along with some similar story lines and plot developments. Not to mention the lifting of the "five pat hands" trick, which Bret Maverick employed more than once. All of which should not be too much of a surprise, however, as Roy Huggins was instrumental to both series.

Otherwise, watch out for the handful of episodes with Slim Pickens. "Exit from Wickenburg", the one where Slim works as the crooked bartender of a saloon/casino, is a masterpiece. It just wouldn't be a proper 1960s Western without Slim popping up every now and then.

What a pity that Pete Duel succumbed to his demons. What a loss for network TV, the Western, and the many fans of Alias Smith and Jones. Who knows what could have been . . . .


14 of 15 people found this review helpful.  Was this review helpful to you?

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