Star Shintaro Katsu sits in the director's chair for this psychedelic and unremittingly bleak entry in the Zatoichi series, which is unlike any other in its grind-house grimness. A tale of ... See full summary »
After an artist is threatened by the yakuza into creating valuable but highly illegal pornography, the law aims to execute him. Zatoichi, having been honor bound to protect the man and his family, must now run against the law.
Zatoichi tries to unrest the mob rule over a small village all while the gang leader's bodyguard is actually the Yojimbo, secretly taking the gang down from the inside. Will the two heroes realize in time that they are on the same side?
Zatoichi arrives in a town where a gambling house is kidnapping its poor, debt-ridden patrons. A rival establishment moves to pay those debts and free the peasants, but this house's ... See full summary »
Ichi seeks out on a pilgrimage to 81 temples, exploring spirituality to atone for his bloody past. On the way, Ichi stumbles into a village that's being bullied by a violent Yakuza boss and... See full summary »
While traveling the Japanese countryside the blind masseur Zatoichi comes across the One Armed Swordsman, Wang Kang, who is in hiding and protecting a child from a corrupt Japanese priest and a group of yakuza. Zatoichi and Wang Kang, each from very different worlds yet heroic swordsman in their own right, at first seem to get along but a language barrier and a series of misunderstanding leads Kang to distrust Ichi. Soon the two heroes are at each other throats while each attempts to stop the true villains from taking the child. Written by
Daniel Jos. Leary
The last Zatoichi film produced by the Daiei Motion Picture Company (which had went bankrupt). Toho Company took over the films for the rest of the decade (along with Shintarô Katsu's own Katsu Productions, which coproduced the films since 1967). See more »
Japan's Top Action Character meets Hong Kong's Top Action Character
An interesting meeting of action film genres at a time when one was ebbing into the twilight and the other just starting to go. It would be only a few more years before the chambara genre peters out (but not before some more great films are made) and mostly moves to television. The wuxia (swordplay) genre (where the One Armed Swordsman comes from) split off into the kung fu genre which hits it's stride with the coming of Bruce Lee's "Big Boss" and Wang Yu's self-directed "One Armed Boxer" (no relation to the swordsman), the same year this Zatoichi film is released. The great years of kung fu cinema were just around the corner.
Wang Kong (the One-Armed Swordsman) arrives in Japan to find a temple where a Japanese monk has invited Wang Kong to live. Unable to speak Japanese at all, Wang Kong chances upon a traveling Chinese family of entertainers who have made Japan their home. A husband, wife and young boy, they like Japan better then China. Accompanying Wang Kong to the temple the four encounter a procession of samurai transporting specially prepared abalone destined for the Shogun. Everyone must get off the road and let the procession pass or suffer dire consequences. Unfortunately, the little Chinese boy runs after a kite and is set upon by a sword swinging samurai. The mother protects her child but at the cost of her life, the father is killed too. Agast at the cruelty of the samurai, Wang Kong jumps in and kills a number of them. The little boy runs off and is separated from Wang Kong who retreats from further battle. The samurai decide to kill all the innocent people who witnessed the scene and blame the carnage on the "crazed Chinaman". Zatoichi comes upon the frightened child and decides to take care of him. Later the fugitive Wang Kong meets Zatoichi but the two have a really hard time communicating and Wang Kong is very suspicious of Zatoichi's motives. Of course this being a Zatoichi film, an evil yakuza gang gets involved and you know what's going to happen to them.
The first thing that strikes me is how different the One-Armed Swordman films were from the Zatoichi films in terms of sophistication. The HK films of the time were still very stagy in look and acting where the Japanese films were well versed in film techniques and acted in a more natural manner. I am not a great fan of Chang Cheh's "One Armed Swordsman" but many people really like it and it deserves it's significance in film history. It was also apparently very popular in Japan.
This particular outing with the character is arguably the best produced One-Armed Swordsman film with actor Wang Yu as the character. There are a few issues with the film, the most serious is that the producers assumed that you already know Wang Kong is missing an arm and fights with a broken sword. Anyone unfamiliar with the backstory is going to be confused but the film will still be watchable. Second, the highly refined and excellent sword choreography for Zatoichi really makes the faithful but stagy non-weapon kung fu for Wang Kong look not so good. The kung fu sword work comes off fine however. The Japanese producers were very respectful to the One-Armed Swordman mythos and kept the character true to the original film.
The film, while not the absolute best of the Zatoichi series, is very good and touches on a number of issues. There are colorful characters the liven up the film and you will not be wasting your time watching. Recommended.
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