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Zabriskie Point (1970)

 -  Drama | Romance  -  9 February 1970 (USA)
7.1
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Ratings: 7.1/10 from 8,645 users  
Reviews: 89 user | 51 critic

An epic portrait of late Sixties America, as seen through the portrayal of two of its children: anthropology student Daria (who's helping a property developer build a village in the Los ... See full summary »

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(story), (screenplay), 4 more credits »
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Title: Zabriskie Point (1970)

Zabriskie Point (1970) on IMDb 7.1/10

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Cast

Complete credited cast:
Mark Frechette ...
Mark
Daria Halprin ...
Daria
...
Cafe Owner
...
Lee's Associate
Bill Garaway ...
Morty
Kathleen Cleaver ...
Kathleen
...
Lee Allen
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Storyline

An epic portrait of late Sixties America, as seen through the portrayal of two of its children: anthropology student Daria (who's helping a property developer build a village in the Los Angeles desert) and dropout Mark (who's wanted by the authorities for allegedly killing a policeman during a student riot)... Written by Michael Brooke <michael@everyman.demon.co.uk>

Plot Summary | Add Synopsis

Taglines:

Zabriskie Point- How you get there depends on where you're at

Genres:

Drama | Romance

Certificate:

R | See all certifications »
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Details

Country:

Language:

Release Date:

9 February 1970 (USA)  »

Also Known As:

Dolina smrti  »

Filming Locations:

 »

Box Office

Budget:

$7,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (alternate)

Sound Mix:

Color:

(Metrocolor)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

One of the films included in "The Fifty Worst Films of All Time (and how they got that way)" by Harry Medved and Randy Lowell. See more »

Goofs

When Mark is buzzing Daria with the airplane, she at one point scrawls out some writing in the sand by the side of the road. Judging by the light and long shadows, it appears to be in late afternoon. Then we see Mark drop Daria something from the plane, which she runs to pick up. But now the light - and much shorter shadows - indicate that it is much earlier than the late afternoon of the previous shot. See more »

Quotes

[after Mark meets a girl on the street]
Fellow radical: Who was that?
Mark: A girl from my long-gone past.
Fellow radical: What's her name?
Mark: Alice - she's my sister.
See more »


Soundtracks

You Got the Silver
Performed by The Rolling Stones
Courtesy London Records
See more »

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User Reviews

 
Unique, underrated, unforgettable!
25 May 2007 | by (Lahore, Pakistan) – See all my reviews

This is the film in Antonioni's middle period that most critics dismiss quickly, as a 'flawed' look at 60s American youth culture/politics. For what it's worth, I found it more touching and memorable than his more acclaimed films like L'AVVENTURA, perhaps because he shows more emotion & empathy here than anywhere else. The story is simple, but it is used as a frame for Antonioni's brilliant observations of, and critique on American consumerist culture, student life, the counter-culture, and the whole anti-establishment, anti-war backlash that was so prominent then.

Even from a purely technical point of view, it is a remarkably crafted film; from the opening credits sequence to the bizarre desert 'love-in', to the use of billboards, and right down to that jaw-dropping, cathartic finale that used 17 camera set-ups (in it's own way, as powerful as the climax of The Wild Bunch). Also, Antonioni chose one hell of a leading lady with Daria Halperin, one of the most beautiful ever to grace the screen. There isn't much 'acting' involved, as this feels more like a docu-drama, and so the use of non- professionals as the lead couple works quite effectively within that context. And the soundtrack is not only filled with marvelous music, its use is impressive as well (I can't forget the start of the film, mostly due to the selection of music - by Pink Floyd - that grooms the visuals so well).

Contrary to popular opinion, this is quite an achievement in cinema, and one I would enthusiastically recommend to anyone with a taste or tolerance for the off- beat. Well worth seeking out, and one of those key films of the 60s that demands a DVD restoration/release.


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