An epic portrait of late Sixties America, as seen through the portrayal of two of its children: anthropology student Daria (who's helping a property developer build a village in the Los ... See full summary »
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A young Parisian woman begins a sordid affair with a middle-aged American businessman who lays out ground rules that their clandestine relationship will be based only on sex.
Director:
Bernardo Bertolucci
Stars:
Marlon Brando,
Maria Schneider,
Maria Michi
Paul is young, just demobbed from national service in the French Army, and dishillusioned with civilian life. As his girlfriend builds herself a career as a pop singer, Paul becomes more ... See full summary »
Emmi, a woman truly in the second half of life, falls in love with Ali, a Berber guest worker more than ten years younger. When they both decide to marry, everybody seems to be against them... See full summary »
Director:
Rainer Werner Fassbinder
Stars:
Brigitte Mira,
El Hedi ben Salem,
Irm Hermann
Two best friends living on the streets of Portland as hustlers embark on a journey of self discovery and find their relationship stumbling along the way.
An epic portrait of late Sixties America, as seen through the portrayal of two of its children: anthropology student Daria (who's helping a property developer build a village in the Los Angeles desert) and dropout Mark (who's wanted by the authorities for allegedly killing a policeman during a student riot)... Written by
Michael Brooke <michael@everyman.demon.co.uk>
Harrison Ford fans know that his scenes were cut from this film. However, in the jail scene, if you look real quick, you can see him standing up against the back wall, near the door. See more »
Goofs
When Mark is buzzing Daria with the airplane, she at one point scrawls out some writing in the sand by the side of the road. Judging by the light and long shadows, it appears to be in late afternoon. Then we see Mark drop Daria something from the plane, which she runs to pick up. But now the light - and much shorter shadows - indicate that it is much earlier than the late afternoon of the previous shot. See more »
Quotes
Mark:
Would you like to go with me?
Daria:
Where?
Mark:
Wherever I'm going.
Daria:
Are you *really* asking?
Mark:
Is that your *real* answer?
See more »
This film has a powerful philosophical ending. But that ending has meaning only if you watch the movie from the beginning.
Youth alienation in the late 1960's, from the viewpoint of a young man and a young woman, is the obvious theme of "Zabriskie Point". Neither Mark Frechette nor Daria Halprin had much acting experience, a fact that actually enhances the film's message. Having untrained actors conveys a sense of realism, as both players seem emotionally detached from the turmoil around them.
This is not a script-driven film. Except for the first ten minutes, it is mostly visual, with stunning cinematography. The beautiful naturalistic images seem other-worldly, and perfectly in sync with the emotional detachment of Mark and Daria.
I would have replaced the thematically weak Pink Floyd music with the more cogent music of The Doors. Many scenes cry out for "Riders On The Storm".
Even so, I like this film. It's different; it's unique; it is artistic and imaginative. And the desert badlands are beautiful.
As the years go by, "Zabriskie Point" seems more and more attractive. It conveys the mood of the late 1960's in America. It is amazingly artistic, in a bohemian sort of way. And the film's last eight minutes are philosophically mesmerizing.
42 of 61 people found this review helpful.
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This film has a powerful philosophical ending. But that ending has meaning only if you watch the movie from the beginning.
Youth alienation in the late 1960's, from the viewpoint of a young man and a young woman, is the obvious theme of "Zabriskie Point". Neither Mark Frechette nor Daria Halprin had much acting experience, a fact that actually enhances the film's message. Having untrained actors conveys a sense of realism, as both players seem emotionally detached from the turmoil around them.
This is not a script-driven film. Except for the first ten minutes, it is mostly visual, with stunning cinematography. The beautiful naturalistic images seem other-worldly, and perfectly in sync with the emotional detachment of Mark and Daria.
I would have replaced the thematically weak Pink Floyd music with the more cogent music of The Doors. Many scenes cry out for "Riders On The Storm".
Even so, I like this film. It's different; it's unique; it is artistic and imaginative. And the desert badlands are beautiful.
As the years go by, "Zabriskie Point" seems more and more attractive. It conveys the mood of the late 1960's in America. It is amazingly artistic, in a bohemian sort of way. And the film's last eight minutes are philosophically mesmerizing.