An epic portrait of late Sixties America, as seen through the portrayal of two of its children: anthropology student Daria (who's helping a property developer build a village in the Los ...
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In a bleak rundown industrial area a young woman, Giuliana, tries to cope with life. She's married to Ugo the manager of a local plant but is soon having an affair with one of his ... See full summary »
A hunted man breaks into the castle at Oberwald to kill the Queen, but faints before doing so. He is Sebastian, the splitting image of the King who was assassinated on his wedding day. The ... See full summary »
The movie director Niccolo has just been left by his wife. This gives him the idea of making a movie about women's relationships. He starts to search for a woman who can play the leading ... See full summary »
Made of four short tales, linked by a story filmed by Wim Wenders. Taking place in Ferrara, Portofino, Aix en Provence and Paris, each story, which always a woman as the crux of the story, ... See full summary »
An epic portrait of late Sixties America, as seen through the portrayal of two of its children: anthropology student Daria (who's helping a property developer build a village in the Los Angeles desert) and dropout Mark (who's wanted by the authorities for allegedly killing a policeman during a student riot)... Written by
Michael Brooke <firstname.lastname@example.org>
On March 8, 1967, Hail Thomas Hansen, 20, took a private plane from Sky Harbor Airport, Phoenix, for a joy ride, flying to Tucson. When he returned to Sky Harbor early in the morning of March 9, the Phoenix police were waiting for him. Hansen was shot and killed. Antonioni used elements of this story in his screen play. For additional details of Hansen's death, see "Tucson Daily Citizen," March 10, 1967 (page 2) and March 22, 1967 (page 18). See more »
When Mark is shot dead after landing the plane, there are no bullet holes in either the fuselage or the glass/windscreen of the aircraft. See more »
Would you like to go with me?
Wherever I'm going.
Are you *really* asking?
Is that your *real* answer?
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I was told it was one of those "either you love it or you hate it" movies. Well, I loved it. Obvious hippie-era, dated and easy symbolism and all. So, I probably have no taste at all when it comes to Antonioni, but this and La Notte (made exactly a decade earlier) are my favourites among his movies so far. Made two years before I was born, Zabriskie Point was supposed to have been Michelangelo's great American epic. But apparently, it turned out to be a flop. I really can't see why. Before watching it I'd read that it was rather boring, so I braced myself for a very slow movie - though I love me a slow movie. For my taste, Zabriskie didn't have a tedious minute in it. While watching it, I made a mental note of how European it was on the director's part to make such frequent use of advertisement billboards in almost every urban scene, enormous billboards dwarfing any human form in sight. This recurrent visual element is obviously there to underline the way that consumerism crushes the individual in American society. But then I watched L'Eclisse straight afterwards, which is set in Rome in the early 60s, and noticed that Antonioni often included billboards in it as well. After all, the masterful use of landscapes, architecture and inanimate objects in each frame with or without human beings is an Antonioni trademark this is precisely the way that he evokes his characters' psychological states, with more or less understated power and great visual impact. He is virtually unsurpassed in this skill.
Zabriskie Point starred two very appealing leads that should have become big stars of the 70s, but never did. Mark Frechette, whom I'd already seen in Francesco Rosi's fine WWI-set movie Uomini Contro, had a very tragic life and died aged just 27. According to his biography page, he donated his $60,000 earnings from Zabriskie to a commune. Mark's co-star Daria Halprin, apparently also Dennis Hopper's wife later on, has the stunning, natural beauty and appeal of a young Ornella Muti one of those luminous beauties that don't need a shred of make-up to turn heads. Like Frechette, she has only graced a couple of obscure movies and has never become a star, but at least she didn't die tragically. Most notably, Zabriskie Point contains one of the most original sex scenes ever filmed - one that brings home a sense of youthful playfulness like few I've seen - as well as a powerfully cathartic ending. It may be the most banal sequence ever filmed as far as its symbolism goes, but I can't see how anyone can deny its beauty and wonderful sense of emotional release. Never has an explosion looked so good, and so poetic. It seems to be an explosion that restores order rather than bringing chaos.
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