An epic portrait of late Sixties America, as seen through the portrayal of two of its children: anthropology student Daria (who's helping a property developer build a village in the Los ... See full summary »
Paul is young, just demobbed from national service in the French Army, and dishillusioned with civilian life. As his girlfriend builds herself a career as a pop singer, Paul becomes more ... See full summary »
An almost accidental romance is kindled between a German woman in her mid-sixties and a Moroccan migrant worker around twenty-five years younger. They abruptly decide to marry, appalling everyone around them.
Rainer Werner Fassbinder
El Hedi ben Salem,
The movie director Niccolo has just been left by his wife. This gives him the idea of making a movie about women's relationships. He starts to search for a woman who can play the leading ... See full summary »
An epic portrait of late Sixties America, as seen through the portrayal of two of its children: anthropology student Daria (who's helping a property developer build a village in the Los Angeles desert) and dropout Mark (who's wanted by the authorities for allegedly killing a policeman during a student riot)... Written by
Michael Brooke <firstname.lastname@example.org>
"Fingals Cave", a piano piece composed by Richard Wright of Pink Floyd for the 'violent scene' went unused, but was later reworked by the band as "Us and Them" on their album "Dark Side of the Moon". In its original form it has featured on various bootleg albums. See more »
When the plane is buzzing the car, power lines are to Daria's left except in one overhead shot when the lines are to her right. See more »
There's a thousand sides to everything - not just heroes and villains. So anyway... so anyway... so anyway... so anyway ought to be one word. Like a place or a river. "So Anyway River."
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This film has a powerful philosophical ending. But that ending has meaning only if you watch the movie from the beginning.
Youth alienation in the late 1960's, from the viewpoint of a young man and a young woman, is the obvious theme of "Zabriskie Point". Neither Mark Frechette nor Daria Halprin had much acting experience, a fact that actually enhances the film's message. Having untrained actors conveys a sense of realism, as both players seem emotionally detached from the turmoil around them.
This is not a script-driven film. Except for the first ten minutes, it is mostly visual, with stunning cinematography. The beautiful naturalistic images seem other-worldly, and perfectly in sync with the emotional detachment of Mark and Daria.
I would have replaced the thematically weak Pink Floyd music with the more cogent music of The Doors. Many scenes cry out for "Riders On The Storm".
Even so, I like this film. It's different; it's unique; it is artistic and imaginative. And the desert badlands are beautiful.
As the years go by, "Zabriskie Point" seems more and more attractive. It conveys the mood of the late 1960's in America. It is amazingly artistic, in a bohemian sort of way. And the film's last eight minutes are philosophically mesmerizing.
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