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Woodstock (1970)

R  |   |  Documentary, History, Music  |  26 March 1970 (USA)
8.1
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Ratings: 8.1/10 from 11,563 users  
Reviews: 59 user | 51 critic

The film chronicle of the legendary 1969 music festival.

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Won 1 Oscar. Another 1 win & 2 nominations. See more awards »

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Cast

Credited cast:
Richie Havens ...
Himself
...
Herself
...
Themselves
Sha-Na-Na ...
Themselves (as Sha Na Na)
...
Himself
Country Joe and the Fish ...
Themselves
...
Himself
Crosby Stills & Nash ...
Themselves (as Crosby Stills and Nash)
Ten Years After ...
Themselves
...
Himself
Santana ...
Themselves
Sly and the Family Stone ...
Themselves (as Sly & the Family Stone)
...
Himself
Rest of cast listed alphabetically:
Canned Heat ...
Themselves
Jefferson Airplane ...
Themselves
Edit

Storyline

An intimate look at the Woodstock Music & Art Festival held in Bethel, NY in 1969, from preparation through cleanup, with historic access to insiders, blistering concert footage, and portraits of the concertgoers; negative and positive aspects are shown, from drug use by performers to naked fans sliding in the mud, from the collapse of the fences by the unexpected hordes to the surreal arrival of National Guard helicopters with food and medical assistance for the impromptu city of 500,000. Written by Dan Hartung <dhartung@mcs.com>

Plot Summary | Add Synopsis

Taglines:

3 days of peace, music...and love See more »


Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

Release Date:

26 March 1970 (USA)  »

Also Known As:

Woodstock: 25th Anniversary Edition  »

Filming Locations:


Box Office

Budget:

$600,000 (estimated)

Gross:

$13,300,000 (USA)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (1970) | (1994) | (director's cut) | (director's cut) | (DVD edition)

Sound Mix:

(re-release)| (RCA Sound System)| (70 mm prints)| (original release)

Color:

(Technicolor)

Aspect Ratio:

2.20 : 1
See  »
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Did You Know?

Trivia

The two and three-panel screen presentations seen throughout much of the movie was an innovation born of necessity on the part of its creators and a film editor named Martin Scorsese. With so much footage shot, and the studio's unwillingness to expand the length of the released movies running time, it was decided that a way must be found to maximize the amount of footage that could be used. Because of the wide-screen aspect of the release, it was realized that the multi-panel format could be used most effectively to not only include as much film footage as possible, but to also have concert footage and crowd reaction shots together on the same screen. It was important for the filmmakers to impart upon the viewing public just what a monumental event the Woodstock festival had unintentionally become. This method also allowed them to show many behind the scene activities that demonstrated all the hard work put in by the production staff and hired-hands...another important detail that the concerts producers thought was very important for the public to see as they had always contended that without the efforts of the entire production staff, this event could have easily degenerated into a disaster. See more »

Quotes

Hugh Romney: There's always a little bit of heaven in a disaster area.
See more »

Crazy Credits

THANKS TO AT WOODSTOCK: Vinnie of the Silverspur, The Hog Farm, The Merry Pranksters AT HOME: Pete, Gloria and Herman; Norbert and Vic; Dulcinda See more »

Connections

Referenced in Le péril jeune (1994) See more »

Soundtracks

I'm Going Home
Written by Alvin Lee
Performed by Ten Years After
See more »

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User Reviews

Enjoyed additional footage immensely
5 October 1998 | by (Washington, DC) – See all my reviews

Having attended the Woodstock festival, I've probably seen the original movie about 5-10 times. I ordered the 25th anniversary version just recently and was pleasantly surprised by the extra footage of the Jimi Hendrix performance. I invited a guitar playing friend of mine to watch, and we were both totally blown away by his performance. It's sort of disappointing that this footage wasn't included in the original feature, but I'm sure glad it is here now. The addition of Janis Joplin's outrageous performance was also gladly welcomed (I always appreciated the fact that she was loyal to her backup band, but in reality, she deserved a much better band). My only complaint is the remix of the Joe Cocker performance, which in my mind, is one of the best and most powerful rock performances ever committed to film (the audio mix in the original film was much better).


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