Originally filmed in December 1968, "The Rock and Roll Circus" was originally intended to be released as a television special. The special was filmed over two nights and featured not only ... See full summary »
An intimate look at the Woodstock Music & Art Festival held in Bethel, NY in 1969, from preparation through cleanup, with historic access to insiders, blistering concert footage, and portraits of the concertgoers; negative and positive aspects are shown, from drug use by performers to naked fans sliding in the mud, from the collapse of the fences by the unexpected hordes to the surreal arrival of National Guard helicopters with food and medical assistance for the impromptu city of 500,000. Written by
Dan Hartung <email@example.com>
The studio versions of Canned Heat's "Going Up the Country" and Crosby Stills & Nash's "Wooden Ships" are used in the movie. However, the live versions are used in the various soundtracks that have been released over the past 30 years. See more »
After the closing credits of the Director's Cut, Crosby, Stills and Nash are heard singing "Cost of Freedom". The visuals are of a still shot of the crowd of Woodstock, fading into a long list of names of various people, including performers who were at Woodstock, who have since died. The list of names ends with the following: Peace Music Ecology Liberty Community Democracy Alternatives Knowledge Altruism This is then followed by: Woodstock Generation 19**-20** R.I.P. it up Tear it up have a Ball See more »
Having attended the Woodstock festival, I've probably seen the original movie about 5-10 times. I ordered the 25th anniversary version just recently and was pleasantly surprised by the extra footage of the Jimi Hendrix performance. I invited a guitar playing friend of mine to watch, and we were both totally blown away by his performance. It's sort of disappointing that this footage wasn't included in the original feature, but I'm sure glad it is here now. The addition of Janis Joplin's outrageous performance was also gladly welcomed (I always appreciated the fact that she was loyal to her backup band, but in reality, she deserved a much better band). My only complaint is the remix of the Joe Cocker performance, which in my mind, is one of the best and most powerful rock performances ever committed to film (the audio mix in the original film was much better).
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