When New York attorney Gordon Hocheiser meets Louise Callan, the girl of his dreams, he schemes to eliminate his aging, senile mother, even though he promised his late father that he'd ... See full summary »
1951: Andy Schmidt is in his last year of college. Taking life easy and always a saucy joke on his lips, he manages to win fellow student Mary's heart, although she's already otherwise ... See full summary »
Can a bickering odd couple in Manhattan become friends and maybe more? Owlish Felix is an unpublished writer who vents his frustration by reporting to the super that the woman in a ... See full summary »
A spoof of the late 80s and early 90s suspense thrillers and murder mysteries, including Basic Instinct, Sleeping With The Enemy, Cape Fear and others. A cop/attorney (yes he's both) is ... See full summary »
In this drama, David Rosen and his wife Becky have lived in the same Coney Island neighborhood for nearly all their married life. But the area is not what it used to be, and a gang leader ... See full summary »
A young woman has difficulty understanding why her husband walks out on her. Alone for the first time, she finds life difficult to cope with and for a time lives with the hope that her ... See full summary »
Trish Van Devere,
When New York attorney Gordon Hocheiser meets Louise Callan, the girl of his dreams, he schemes to eliminate his aging, senile mother, even though he promised his late father that he'd always take care of her. He fears that his batty mom's eccentricities will shortly lead to Louise's departure. Written by
She's not just another nurse, ma. It means a whole lot to me, ma. And I want you to know that if you mess this one up for me, I'm gonna punch your fuckin' heart out. Got it?
Such a nice boy.
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No, he did get one thing right: the plot summary is fine. But, Wayne misses the point about "black humor": it's NOT supposed to have limits, by definition. Yes, the bits are meant to skewer what we consider "sacred" and, yes, it will offend those you can't ponder why certain societal taboos exist. As a whole the movie is far, far tamer than a lot of the crap that passes for "art" and comedy these days. Is the plot warped? Yes. Do you stare slack-jawed in disbelief at some bits? Yes. Is it funny? Totally, but not in a Jerry Lewis or Jerry Seinfeld way (though some of absurd parts do have a Seinfeldesque quality). That's why I give it an 8 out of 10. (He did get one other thing right: the courtroom scene is pretty priceless).
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