With slicked-down hair and three-piece suits, dependable Herr Raab is a technical draftsman. He gets along with his colleagues although his boss wants him to go beyond technical cleanliness... See full summary »
French sailor Querelle arrives in Brest and starts frequenting a strange whorehouse. He discovers that his brother Robert is the lover of the lady owner, Lysiane. Here, you can play dice ... See full summary »
An almost accidental romance is kindled between a German woman in her mid-sixties and a Moroccan migrant worker around twenty-five years younger. They abruptly decide to marry, appalling everyone around them.
Rainer Werner Fassbinder
El Hedi ben Salem,
Somewhere in the future there is a computer project called Simulacron one of which is able to simulate a full featured reality, when suddenly project leader Henry Vollmer dies. His ... See full summary »
This film, which is basically the longest narrative film ever made, is a 15-1/2 hour episodic exploration of the character of Franz Biberkopf, "hero" of Alfred Döblin's acclaimed novel, as ... See full summary »
Mail author for translation. Kodos hegycsucsok, fekete fenyvesek vilagaban el a havasok nehezsorsu nepe. Csutak Gergely favago nyomorusagos eletet felesege irant erzett nagy szerelme es ... See full summary »
A very stylized TV version of the Fassbinder play. The set consists of a few pieces of furniture in front of a large screen on which coastal scenery is back projected. Geesche is a ... See full summary »
Rainer Werner Fassbinder
With slicked-down hair and three-piece suits, dependable Herr Raab is a technical draftsman. He gets along with his colleagues although his boss wants him to go beyond technical cleanliness to problem solving. He's a dutiful husband; his wife's a social climber and pushes him to seek a promotion, but they also share sweet moments. He's a caring father, helping his son with homework. His parents visit; his mother criticizes his wife. Old School friends drop by, as do neighbors. Some comment on Raab's wife's expensive tastes. His promotion may be a long shot, especially after he gives a dull and tipsy toast at an office dinner. But why would Herr Raab run amok? Written by
In 2003 on a interview for Village Voice Hanna Schygulla claimed that this film was completely done by director Michael Fengler, whereas purported co-director Rainer Werner Fassbinder had nothing to do with the actual film. She also claimed that film was almost completely improvised which wasn't Fassbinder's way to make movies. Fassbinder still is credited as director and writer on the actual film and on many official sources, including Fassbinder Foundation's website. This fact has been confirmed by Michael Fengler himself in the 2008 documentation Gegenschuss - Aufbruch der Filmemacher (2008). He reported, that Fassbinder was involved neither in writing nor in directing of the movie and has visited the movie set at most twice during shooting. See more »
When Herr R. leaves the doctor the camera team can be seen in the mirror on the wall. See more »
The idea that the human being is a Kosmos of his own, is know since the times of Romantics, at last. The even stronger theory according to which the human was been created after God has become a common feature of Christian religion. However, it has taken almost two thousand years before the philosopher Gotthard Gunther has stated that between an "I" and and "Though" there is exactly the same qualitative difference as between the human and God. On therefore has not to travel to the edges of transcendence in order to experience what a con-texture border means, it is sufficient to learn that insight into a Thou is excluded on principal reasons. This turns out to be important in all those cases where even close friends of a human become shocked and react in a way similar to: we would never have thought that he could do that.
Another problem, perhaps in a certain perspective even more delicate, is the border between a deed in thought and a deed in fact. Many people kill others in their wishes, dreams, they even say it without meaning it. On the other hand, some people would never say it, but then there is a moment when they do it. What is it that causes the transgression between thought and deed? R.W. Fassbinder presents a fully uncommented, non-condemnatory approach in "Warum Läuft Herr R. Amok?" (1970). Up to a certain degree, the absolute free speech which gives the illusion of everyday-conversations observed by a candid camera, has the form of a Brechtian "Lehrstück", however, there is no wagging finger to sense in this movie. The spectator is elevated into the position of the judge - if he really still thinks that the deed of Herr R. can be judged after having watched and understood the movie. The spectator even becomes a part of the movie, without him the communication scheme is incomplete. He is the receiver of a message from whom not even an answer is expected, but a revision in thinking on the basis of which has been presented to him. "A good movie is a movie that does not stop when people come out of the cinema, but continues in their heads", Fassbinder said once.
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