A radio station in the Deep South becomes the focal point of a right-wing conspiracy.



(screenplay), (novel)
1 nomination. See more awards »
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Cast overview, first billed only:
Leigh French ...
King Wolyoe
Rep. Jimmy Snipe
B.J. Mason ...
Roosevelt Berry


Rheinhardt, a cynical drifter, gets a job as an announcer for right-wing radio station WUSA in New Orleans. Rheinhardt is content to parrot WUSA's reactionary editorial stance on the air, even if he doesn't agree with it. Rheinhardt finds his cynical detachment challenged by a lady friend, Geraldine, and by Rainey, a neighbor and troubled idealist who becomes aware of WUSA's sinister, hidden purpose. And when events start spinning out of control, even Rheinhardt finds he must take a stand. Written by Eugene Kim <genekim@concentric.net>

Plot Summary | Plot Synopsis


A picture for our times. See more »


Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for mature thematic elements involving violence, drug and alcohol use, sexual content and nudity | See all certifications »




Release Date:

12 March 1971 (Sweden)  »

Also Known As:

Hall of Mirrors  »

Filming Locations:

Box Office


$4,800,000 (estimated)

Company Credits

Production Co:

Show detailed on  »

Technical Specs


Sound Mix:



Aspect Ratio:

2.35 : 1
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Did You Know?


This went into production as " Hall of Mirrors ". See more »


Farley: [putting on a facade as a preacher] Is there anything I can do for you, brother?
Rheinhardt: Yeah, Farley. You owe me fifty bucks.
Farley: Cool it, Rheinhardt!
See more »


Referenced in The Zodiac Killer (1971) See more »


Glory Road
Composed and Performed by Neil Diamond
See more »

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User Reviews

Devastatingly moving trio of great actors
8 March 2007 | by (Italy) – See all my reviews

It's one of the best examples of the kind of American films that they don't know how to make anymore in the US. It made a huge impression on me when I was 15 and again 10 years later. Newman might not be at his best but he conveys exactly what's needed - moral corruption and self-disgust. Joanne Woodward's turn is a masterclass, such raw intensity it's almost unbearable to watch. Anthony Perkins is touching and vulnerable, his performance is so emotionally honest it's devastating to witness and his character would be at home in any of the best of Tennessee Williams' works - once more he proves that he deserves to be remembered for much more than just his masterpiece - that N.B. - It's a perennial shame on the Academy that he was not even nominated for such work as in this film as well as in "Play as it Lays", "Fear Strikes Out", "The Trial" and, of course, "Psycho" and "Psycho II" - one of the greatest talents ever to be wasted by Hollywood. A masterpiece from an unforgettable era in movie-making history.

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running on FLIX during Sept. 2010 rogerfsimon
Even great actors have to pay the bills, I guess peterantonrev
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