Long Live Death
(1971)
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Long Live Death
(1971)
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Anouk Ferjac | ... |
La Tante
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Núria Espert | ... |
La Mère
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Mahdi Chaouch | ... |
Fando
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Ivan Henriques | ... |
Le Père
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Jazia Klibi | ... |
Thérèse
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Suzanne Comte | ... |
La Grand-mère
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Jean-Louis Chassigneux | ... |
Le Grand-père
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Mohamed Bellasoued | ... |
Colonel
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Víctor García | ... |
Fando - 20 ans
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At the end of the Spanish civil war, Fando, a boy of about ten, tries to make sense of war and his father's arrest. His mother is religious, sympathetic to the Fascists; his father is accused of being a Red. Fando discovers that his mother may have aided in his father's arrest. Sometimes we witness Fando imagining explanations for what's going on; sometimes we see him at play, alone or with his friend Thérèse. Oedipal fantasies and a lad's natural curiosity about sex and death mix with his search for his mother's nature and his father's fate. Will Fando survive the search? Written by <jhailey@hotmail.com>
Fernando Arrabal is an author of books and plays. He was part of the panic movement of theater, which also included Alejandro Jodorowsky and Roland Topor. In fact, in the beginning of "Viva La Muerte" we see some morbidly surreal drawings by Topor. The film is semi-autobiographical and takes place during the Franco era in Spain during World War II. Fando witnesses his father seized by soldiers. Fando thinks that his father is dead. Later he finds out his father is still alive and that his mother turned him in to authorities for suspicion of communist activities. The film shows how war affects children. Fando has many grotesque, sadistic, surreal daydreams about his father being tortured by the fascist army. The daydream sequences are done in bright neon filters, with strange music and sound effects, even a children's song. The film makes a strong anti-war statement, and is filled with satirical and blasphemous imagery. Some of the images are extreme, including a real cow slaughter and Fando's mom torturing his dad. She even takes a dump on his head. The extended torture sequences may remind some of what the U.S has been doing to Iraqi prisoners. Although the film is brutal at times, it still is beautiful in its subversive poetry. "Viva la Muerte" is a masterpiece of surrealism and makes an important statement about the evils of war.