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The Vampire Lovers (1970)

 -  Horror  -  22 October 1970 (USA)
6.6
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Ratings: 6.6/10 from 2,876 users  
Reviews: 68 user | 81 critic

Seductive vampire Carmilla Karnstein and her family target the beautiful and the rich a remote area of late 18th century Gemany.

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(story), (adaptation), 3 more credits »
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Cast

Cast overview, first billed only:
...
Pippa Steel ...
Laura (as Pippa Steele)
Madeline Smith ...
...
George Cole ...
Dawn Addams ...
...
Douglas Wilmer ...
...
Ferdy Mayne ...
Kirsten Lindholm ...
First Vampire (as Kirsten Betts)
John Forbes-Robertson ...
Man in Black
Shelagh Wilcocks ...
Harvey Hall ...
Janet Key ...
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Storyline

The Countess is called away to tend a sick friend and imposes on the General to accept her daughter Marcilla as a houseguest. Some of the villagers begin dying, however, and the General's daughter Laura soon gets weak and pale, but Marcilla is there to comfort her. The villagers begin whispering about vampires as Marcilla finds another family on which to impose herself. The pattern repeats as Emma gets ill, but the General cannot rest, and seeks the advice of Baron Hartog, who once dealt a decisive blow against a family of vampires. Well, almost. Written by Ed Sutton <esutton@mindspring.com>

Plot Summary | Plot Synopsis

Taglines:

even the dead can love. See more »

Genres:

Horror

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

|

Release Date:

22 October 1970 (USA)  »

Also Known As:

Vampyren - en erotisk mardröm  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound Recording)

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

This film was given an R rating by the Motion Picture Association of America due to the vampire bites inflicted on the women's bosoms. See more »

Goofs

The story is set in the late 1700s, but at the General's ball the orchestra plays a couple of pieces by Johann Strauß Sr. (1804 - 1849) and Léo Delibes (1836-1891). See more »

Quotes

The Governess: You mustn't let your imagination get the best of you.
Emma Morton: I'm sorry.
The Governess: You sleep well now.
Emma Morton: I'll try.
The Governess: Good.
See more »

Connections

Featured in The Perfect Scary Movie (2005) See more »

Soundtracks

Mazurka
(uncredited)
Music by Léo Delibes
Arranged by Harry Robertson
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
The lesbian vampire movie as moonlit poetry
26 September 1999 | by (Glasgow, Scotland) – See all my reviews

An ocean of mist hangs above a grave. A figure enveloped in a white shroud swirls through that mist with balletic grace, then rakes a hand across a bloody mouth.* A man at his niece's deathbed calls for her missing friend. The call echoes through the empty chambers of the house and down the terrace outside, where the wind blows fallen leaves through the autumn night. The calls merge with older echoes in a cemetery beneath a ruined castle. A woman walks in those mists, clad in her nightgown. The mists dissolve her from sight. * "I want you - to love me - for all your life," pleads a beautiful vampire turning from the view through a moonlit window to clasp the girl she loves with desperate intimacy. * That same vampire woman stands on a terrace in the sunset, tears glinting in her eyes while she listens to the ancestral echoes that condemn her to her fate. *

Yes, this is pure Hammer Horror: a work conceived as sheerest exploitation which somehow transforms itself - in its greatest moments anyway - to an authentic romantic poetry. Yes, of course, a lesbian vampire movie made by men may seem the height of sexism, and at a conceptual level the movie may be open to those charges. But a female gothic artist was involved here: Ingrid Pitt, whose Carmilla is such a vivid presence as to render herself the character we root for and her patriachal enemies as the true pale-faced monsters (Has Peter Cushing ever come across as less loveable?). Other screen vampiresses are bimbos or boogeywomen or upmarket fashion plates by comparison: Pitt is tigerish, witty, tender, passionate, vulnerable, savage and tragic: Perhaps the only actor, male or female, who has brought to full life all the complexities of the vampire psyche. She's great and the other film-makers, at their best, rise to the challenge she sets. The movie is hardly unflawed but when its accidental poetry gels, few movies in its genre can surpass it.


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I'm amazed this had a major release for its time with its sexuality BrissyBrett
Ingrid Pitt's nightdress Skint111
I wonder when VL is supposed to take place TheSomberlain
Madeline Smith: vampire virgin. misbegotten
Karnstein Query stickznstonez
Locations carlin4737
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