In medieval Europe aging Countess Elisabeth rules harshly with the help of lover Captain Dobi. Finding that washing in the blood of young girls makes her young again she gets Dobi to start ... See full summary »
A religious sect led by Gustav Weil hunts all women suspected of witchcraft, killing a number of innocent victims. Young Katy, Gustav's niece, will involve herself in a devilish cult, and become an instrument of Justice in the region.
Three middle-aged distinguished gentlemen are searching for some excitement in their boring bourgeois lives and get in contact with one of Count Dracula's servants, Lord Courtley. In a ... See full summary »
A village in Nineteenth Century Europe is at first relieved when a circus breaks through the quarantine to take the local's minds off the plague. But their troubles are only beginning as ... See full summary »
Count Dracula journeys to a remote Chinese village in the guise of a warlord to support six vampires who are dispirited after the loss of a seventh member of their cult. At the same time, ... See full summary »
Last of the Hammer Frankenstein films, this one deals with the Baron hiding out in an insane asylum, so that he may continue his experiments with reanimating the dead, along with inmate Dr.... See full summary »
Sixties couples Michael and Donna and Paul and Erica become involved with the intense Count Yorga at a Los Angeles séance, the Count having latterly been involved with Erica's just-dead ... See full summary »
A dead and frozen Baron Frankenstein is re-animated by his colleague Dr. Hertz proving to him that the soul does not leave the body on the instant of death. His lab assistant, young Hans, ... See full summary »
A young man, Paul Carlson, is on a trip and spends the night at count Dracula's castle. Needless to say, he is murdered. After some time has passed, the young man's brother Simon comes to ... See full summary »
Roy Ward Baker
The Countess is called away to tend a sick friend and imposes on the General to accept her daughter Marcilla as a houseguest. Some of the villagers begin dying, however, and the General's daughter Laura soon gets weak and pale, but Marcilla is there to comfort her. The villagers begin whispering about vampires as Marcilla finds another family on which to impose herself. The pattern repeats as Emma gets ill, but the General cannot rest, and seeks the advice of Baron Hartog, who once dealt a decisive blow against a family of vampires. Well, almost. Written by
Ed Sutton <email@example.com>
While filming, Ingrid Pitt and the girls have a great deal of trouble getting through scenes without giggling. In the scene where Ingrid has to drink from Kate O'Mara, her vampire teeth kept falling out and into Kate's cleavage. She eventually had to steal some gum from one of the stagehands to stick the fangs back in. See more »
When Ingrid Pitt is lying in the coffin at the end of the film, she is wearing a nightgown with smooth fabric on the chest and stomach. As she gets Staked, the fabric is pleated. See more »
The trouble with this part of the world is that they have too many fairy tales.
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Certainly a movie one would use the word "good" for rather than "great", but this movie does contain flashes of the unique attributes that made Hammer such a winner in the first place but which had been largely forgotten by the company in its rush to replicate the success of "One Million Years B.C." with cheap imitations. Ingrid Pitt is probably the film's greatest asset, along with the very well done sets and art design in general.
Pitt plays a vampire lesbian who uses various forms of deception to seduce the daughters of England's upper crust. She comes off great in the role of seductress and is just barely convincing enough as the "innocent" her character pretends to be.
Cushing makes only 2 brief appearances, not making much of an impression (but he's given very little to work with here in a role that just about anyone could have played).
Memorable, not as good as Hammer's best vampire film "Dracula" (aka "Horror of Dracula", US) but definately one of its better, if not its best, films of the 70s.
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