Inspired by fairy-tales such as Alice in Wonderland and Little Red-Riding Hood, "Valerie and her Week of Wonders" is a surreal tale in which love, fear, sex and religion merge into one fantastic world.
In the 1950's, Ludvik Jahn was expelled from the Communist Party and the University by his fellow students, because of a politically incorrect note he sent to his girlfriend. Fifteen years ... See full summary »
A thief awakens Valerie, just 13, taking earrings left to her by her mother. By morning, the earrings have been returned, Valerie's first period has begun, and a troupe and a missionary have arrived in her Medieval town. The thief is Orick; he reports to a cloaked constable who may also be the missionary. Attention to sexuality is everywhere: Valerie's grandmother's puritanical nature, the missionary's sermon to the town's virgins, the parish priest's attempt to seduce Valerie, and lusty adults at play. Valerie's nascent sexuality puts her in great danger. Can she navigate the passage from innocence to experience, a route teaming with vampires, a murderer, and an obscure family tree? Written by
This is one of the most astounding films I have ever seen, both visually and in terms of narrative. It consists of at least two stories (a young girl becoming a woman, a vampire story) layered on top of each other with a kind of dream-logic. It looks a dream as well. A cleaned-up DVD edition would be nice, though.
Some viewers may be offended by its' oedipal imagery, but for me this is perhaps the best fantasy-movie ever. Great actors too. It would be interesting to know if any of the people involved in this made anything as good again. A solid ten.
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