Husband (senior ministry official) and wife find their house is riddled with listening devices put there by his own ministry. A harrowing night follows (reminiscent of 'Who's Afraid Of ...
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Kopfrkingl enjoys his job at a crematorium in Czechoslovakia in the late 1930s. He likes reading the Tibetan book of the dead, and espouses the view that cremation relieves earthly ... See full summary »
A small group of adult bourgeois friends are on a day outing in the country, that outing which includes having a picnic. While they are going for a walk after the picnic, they encounter a ... See full summary »
Ondrej, a young boy who loves bees and bats, is introduced to his new mother, a woman much younger than his father. He brings her a basketful of flowers which she starts to throw in the air... See full summary »
Oldrich "Fajolo" Fajták (Marián Bielik), a student who directs quasi-existentialist verbal abuse at his girlfriend Bela Blazejová (Jana Beláková), takes off to a formally volunteer summer work camp at a farm where he meets her grandfather.
One of the most important images of the Czech New Wave 60s, which was ranked among the top ten domestic films of all time. Feature debut screenwriter and director Ivan Passer is currently ... See full summary »
Slovakia during WW2. Tono lives a poor life, but the authorities offer him to take over the Jewish widow Lautman's little shop for sewing material. She is old and confused and thinks that ... See full summary »
The fire department in a small town is having a big party when the ex-boss of the department celebrates his 86th birthday. The whole town is invited but things don't go as planned. Someone ... See full summary »
In the 1950's, Ludvik Jahn was expelled from the Communist Party and the University by his fellow students, because of a politically incorrect note he sent to his girlfriend. Fifteen years ... See full summary »
Husband (senior ministry official) and wife find their house is riddled with listening devices put there by his own ministry. A harrowing night follows (reminiscent of 'Who's Afraid Of Virginia Woolf'), and the resolution is _worse_ than being carted off to jail... Written by
Stephen Simmonds <email@example.com>
The acute paranoia of daily life behind the Iron Curtain haunts a petty bureaucrat after he overhears an indiscreet remark at a party and becomes convinced his house is under government surveillance. Not surprisingly, the film spent over two decades in official limbo for daring to paint an unflattering portrait of Big Brother, showing the unseen influence of the State in a society where privilege is bought at the cost of privacy. The story begins where Francis Ford Coppola's 'The Conversation' left off, with the anxious civil servant and his equally suspicious wife trapped in a claustrophobic, dark comic nightmare of hidden microphones, tapped telephones, and invisible prying eyes, all the time wondering why the axe of political expedience is aimed at their innocent necks. The scenario would be absurd if it weren't so unsettling, and succeeds as both a disturbing parable of totalitarian oppression and a perversely entertaining black comedy.
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