Tristana
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Tristana (1970) More at IMDbPro »


2014 | 2013 | 2012 | 2011 | 2010

2 items from 2014


Catherine Deneuve for lifetime achievement, masterclass with Christopher Doyle at Mumbai Film Festival

17 September 2014 5:59 AM, PDT | DearCinema.com | See recent DearCinema.com news »

Acclaimed French actor Catherine Deneuve, known for her iconic roles in films such as Repulsion (1965), Belle de Jour (1967) and Tristana (1970), and more recently in Dancer in the Dark (2000) and 8 Women (2002), will be conferred with the Lifetime Achievement award at the 16th Mumbai Film Festival. The festival will screen a selection of her movies as a tribute.

Side bar events of the festival include master classes by internationally acclaimed cinematographer Christopher Doyle, of Paranoid Park, Lady in the water, Psycho, In the Mood for love and Chunking Express; and noted director and writer Mahamat Saleh Haroun known for his films, Girgis, Bye Bye Africa, A Screaming Man.

Chaitanya Tamhane’s Venice “Lion of the future” winner Court is the only Indian film in international competition. The India Gold competition will showcase films like Avinash Arun’s Killa, Bikas Mishra’s Chauranga, Venu’s Munnariyippu, Dr. Biju’s Names Unknown and Vivek Wagh’s Siddhant. »

- NewsDesk

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A Surrealist Red Herring: Luis Buñuel’s "That Obscure Object of Desire"

8 August 2014 4:53 PM, PDT | MUBI | See recent MUBI news »

That Obscure Object Of Desire screens tonight at Bam as part of their Buñuel retrospective, July 11 - August 14).

Pauline Kael may have dubbed David Lynch “the first popular surrealist,” but the honor is more accurately bestowed upon Spanish maestro Luis Buñuel. Though his Salvador Dalí collaboration, Un chien andalou (1929), is regarded as a touchstone of the movement, it was not until later in his career that Buñuel would exploit the very meaning of the surreal, brashly straying from his contemporaries’ aesthetically driven impulses. With the respectively never-ending and never-beginning dinner parties of his elliptical masterpieces The Exterminating Angel (1962) and The Discreet Charm of the Bourgeoisie (1972), Buñuel’s breed of Surrealism drew itself so close to the upper middle-class quotidian, it became far more subversive than any old melting clock. The conceptual hysteria of his films is in turn grounded by a simplified mise-en-scène; the surroundings are such that any outlandish yarn appears rooted in reality. »

- Sarah Salovaara

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2014 | 2013 | 2012 | 2011 | 2010

2 items from 2014


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