When the young woman Tristana's mother dies, she is entrusted to the guardianship of the well-respected though old Don Lope. Don Lope is well-liked and well-known because of his honorable ... See full summary »
An unstable young woman escapes from a reformatory for very, very wayward girls and deceptively finds shelter in the kind home of a frighteningly nice and decent family. Little by little, ... See full summary »
Víctor Manuel Mendoza
The wife of a physician who diligently cares for the poor, grows weary of their dull South France factory town and pressures her older husband to move to glorious Nice, on the Mediterranean... See full summary »
A surrealist tale of a man and a woman who are passionately in love with one another, but their attempts to consummate that passion are constantly thwarted, by their families, the Church and bourgeois society.
Caridad de Laberdesque
Aroused citizens assassinate an unpopular Caribbean despot, then two men vie for his gorgeous widow Ines. Ojeda is a steamy, isolated island, the penal colony for an oppressive dictatorship... See full summary »
When the young woman Tristana's mother dies, she is entrusted to the guardianship of the well-respected though old Don Lope. Don Lope is well-liked and well-known because of his honorable nature, despite his socialistic views about business and religion. But Don Lope's one weakness is women, and he falls for the innocent girl in his charge, seduces her, makes her his lover, though all the while explaining to her that she is as free as he. But when she acts on this freedom, Don Lope must deal with the consequences of his world-view. Written by
Gary Dickerson <email@example.com>
One of the better melodramas by Bunuel that stars Catherine Deneuve --Belle De Jour was the most successful. Tristana is the third installment to Bunuel's ill-fated heroine yarn: as we know, Viridiana and Belle De Jour were the first 2. Nevertheless, the film's not as surreal as these previous two films; however, Bunuel still maintains his use of dream sequences and familiar motifs. Rey is excellent as the lecherous uncle, and Deneuve is also good as the title character. Bunuel has definitely excelled in focusing on the aesthetic approach to a story-line; however, this respect can be overwhelming for some viewers, especially those who are more comfortable with the fast-paced American movies. In short, Tristana is still an excellent movie regardless of these unusual aspects.
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