When the young woman Tristana's mother dies, she is entrusted to the guardianship of the well-respected though old Don Lope. Don Lope is well-liked and well-known because of his honorable ...
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Celestine, the chambermaid, has new job on the country. The Monteils, who she works for are a group of strange people. The wife is frigid, her husband is always hunting (both animals and ... See full summary »
One of Luis Bunuel's most free-form and purely Surrealist films, consisting of a series of only vaguely related episodes - most famously, the dinner party scene where people sit on ... See full summary »
When the young woman Tristana's mother dies, she is entrusted to the guardianship of the well-respected though old Don Lope. Don Lope is well-liked and well-known because of his honorable nature, despite his socialistic views about business and religion. But Don Lope's one weakness is women, and he falls for the innocent girl in his charge, seduces her, makes her his lover, though all the while explaining to her that she is as free as he. But when she acts on this freedom, Don Lope must deal with the consequences of his world-view. Written by
Gary Dickerson <email@example.com>
The film met with inflexible opposition from censors in Spain's Franco government. Director Luis Buñuel pushed hard for the film's production in 1962, but Francisco Franco's autocratic and pro-Catholic regime objected to the film's subject matter, which they found subversive to the regime. Tristana's seduction and corruption, and Don Lope's dismissive and irreligious rants against the church proved to be insurmountable obstacles to production in the censors' eyes. Buñuel's recent Spanish-produced film Viridiana (1961) had also made the government wary of the director's activities; the film was intended to be the Buñuel's triumphant return to his native land, but it too had proven too subversive for the Franco regime and was almost immediately banned in the country. It took eight more years for the director to convince the censors to let him make this film. See more »
After all, life isn't as dark as many believe. It's snowing heavily. But we're warm in here.
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One of the better melodramas by Bunuel that stars Catherine Deneuve --Belle De Jour was the most successful. Tristana is the third installment to Bunuel's ill-fated heroine yarn: as we know, Viridiana and Belle De Jour were the first 2. Nevertheless, the film's not as surreal as these previous two films; however, Bunuel still maintains his use of dream sequences and familiar motifs. Rey is excellent as the lecherous uncle, and Deneuve is also good as the title character. Bunuel has definitely excelled in focusing on the aesthetic approach to a story-line; however, this respect can be overwhelming for some viewers, especially those who are more comfortable with the fast-paced American movies. In short, Tristana is still an excellent movie regardless of these unusual aspects.
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