When the young woman Tristana's mother dies, she is entrusted to the guardianship of the well-respected though old Don Lope. Don Lope is well-liked and well-known because of his honorable ... See full summary »
A young man and woman's honeymoon is cut short when the man learns that his mother has fallen ill back at home. The newlywed couple rush there to discover the other sons neglecting their ... See full summary »
Luis Aceves Castañeda
Francisco is rich, rather strict on principles, and still a bachelor. After meeting Gloria by accident, he is suddenly intent on her becoming his wife and courts her until she agrees to ... See full summary »
Arturo de Córdova,
Confronted with the unfortunate news that their favorite Streetcar, no. 133, is going to be decommissioned, two Municipal Transit workers get drunk and decide to "take 'er for one last spin... See full summary »
A surrealist tale of a man and a woman who are passionately in love with one another, but their attempts to consummate that passion are constantly thwarted, by their families, the Church and bourgeois society.
Caridad de Laberdesque
When the young woman Tristana's mother dies, she is entrusted to the guardianship of the well-respected though old Don Lope. Don Lope is well-liked and well-known because of his honorable nature, despite his socialistic views about business and religion. But Don Lope's one weakness is women, and he falls for the innocent girl in his charge, seduces her, makes her his lover, though all the while explaining to her that she is as free as he. But when she acts on this freedom, Don Lope must deal with the consequences of his world-view. Written by
Gary Dickerson <firstname.lastname@example.org>
Luis Buñuel film shot in Spain. The script itself Buñuel and Julio Alejandro de Castro, adapting the novel "Tristana" (1892), Benito Perez Galdos (1843-1920). Rolled in a real of Toledo, Madrid and study. Is nominated for an Oscar (film Foreign Language).
The dramatic action takes place in Toledo, Madrid, Villajoyosa and Alicante, between 1929 and 1935. The young Tristana, to be an orphan, is entrusted to Don Lope Garrido (F.Rey), who takes charge, put it in her every where she lives with her servant Saturna (Gaos), and besieged emotionally and sexually to make it her lover. Between them it provides for two parent-child relationship and love, which gives rise to a complex situation, which is used and abused Don Lope. This is a unique character, more than 50 years, single, liberal and anticlerical; hobbies, conquering and manipulative; tight economic position, and natural inclination to idleness and indolence. Tristana, about 16/17 years at the beginning of the story, she harbors hopes for independence and freedom, desires to acquire knowledge and skills, unyielding rebellion against oppression, abuse, dependence and the passive role traditionally assigned to women .
The film contains drama and social critique. A report Galdós interested through the novel the unequal status of women booked late nineteenth century, heir to a long tradition of marginalization, subjugation, exploitation and lack of rights. Suffragists and protest movements emerge in the second half of XIX. The Convention and the Declaration of Seneca Falls (NY) are 1848. The reaction against the claims of activist groups in Spain was a disproportionate virulence and bitterness that today is almost unbelievable. Under these circumstances, Galdós writes the novel as an instrument of denunciation and mobilization. Bunuel's adaptation retains the spirit of protest Galdos, who moved to a later time in 40 years to the novel.
"Tristana" anyway is D. Lope. In no other film of this master, Fernando Rey performs better performance, to the point of perhaps the best performance of his career. Of all the characters, is the richest, who makes a surprising developments as eating goes from being a cure (great dialogues in which he expresses his anarchism) to end up taking the chocolate with these cold evenings in the winter. His performance is so heartfelt that shakes But at the same height is around the campus. The coldness of Deneuve arrives at the point of cruelty, but still show that wild passion which holds a character born in purity, end up living in the grudge (wonderful sequence in which bids farewell to her lover the painter a piece of piano playing as passionate as his aversion). Beside Lola Gaos splendid as that selfless servant would die for his Master. A point and deserves the photography. The firm Aguayo and get a color film ends up being black, very black (the wedding sequence is masterful, as more like a funeral). It is another masterpiece of great Buñuel.
3 of 4 people found this review helpful.
Was this review helpful to you?