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Overview
User Rating:
Director:
Writers:
Julio Alejandro (writer)
Luis Buñuel (screen story)
more
Release Date:
29 April 1970 (France) more
Tagline:
Somewhere between the innocent girl and the not so innocent mistress is the bizarre, sensuous story of Tristana
Plot:
When the young woman Tristana's mother dies, she is entrusted to the guardianship of the well-respected though old Don Lope... more | add synopsis
Awards:
Nominated for Oscar. Another 9 wins & 1 nomination more
User Comments:
Great Bunuel more (16 total)
Cast
(Cast overview, first billed only)| Catherine Deneuve | ... | Tristana | |
| Fernando Rey | ... | Don Lope | |
| Franco Nero | ... | Horacio | |
| Lola Gaos | ... | Saturna | |
| Antonio Casas | ... | Don Cosme | |
| Jesús Fernández | ... | Saturno | |
| Vicente Soler | ... | Don Ambrosio | |
| José Calvo | ... | Bellringer | |
| Fernando Cebrián | ... | Dr. Miquis | |
| Antonio Ferrandis | |||
| José María Caffarel | |||
| Cándida Losada | ... | Citizen | |
| Joaquín Pamplona | |||
| Mary Paz Pondal | ... | Muchacha | |
| Juanjo Menéndez | ... | Don Cándido (as Juan José Menéndez) |
Additional Details
Parents Guide:
Runtime:
95 min | Spain:105 min
Language:
Color:
Color (Eastmancolor)
Aspect Ratio:
1.66 : 1 more
Sound Mix:
Certification:
West Germany:12 (f) | Argentina:13 | Chile:14 | Finland:K-12 | Sweden:15 | UK:PG | USA:GP (original rating) | USA:PG
Filming Locations:
Company:
Fun Stuff
Trivia:
Voted tenth best Spanish film by professionals and critics in 1996 Spanish cinema centenary. more
Movie Connections:
Referenced in Settling the Score (2006) (V) more
FAQ
This FAQ is empty. Add the first question.more (16 total)
Message Boards
Discuss this movie with other users on IMDb message board for Tristana (1970)| Recent Posts (updated daily) | User |
|---|---|
| Can anyone interpret the end? (Spoilers, duh) | crappydoo |
| Catherine Deneuve's voice | ulysses1904 |
| Need subtitles ... | Kristi007 |
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| Professione: reporter | Viridiana | Belle de jour | La voie lactée | Le journal d'une femme de chambre |
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Related Links
| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb France section | Add this title to MyMovies |

I can't say I know Luis Bunuel's style well, since I've not seen many of his works, and those that I've seen usually just struck me as blah. But then yesterday I saw Tristana which starred Catherine Deneuve and was awe-struck by it. See, the comments that I've read online about it have seem to have the focus all wrong, they are more interested in commenting on Bunuel's usual attack on the bourgeois and catholicism. Yes it is dark and in some places rather surreal, but above all, Tristana is a simple and sad story about its characters as they grapple with life, love, loss and regret. It is especially well-crafted with its sinewed study of human relationships, and humans that desperately try to relate with each other.
Tristana, played brilliantly by Catherine Denueve, is the central character whom we see evolve from an innocent young girl with her many ideals about love and relationship, to a bitter and cynical woman at the film's end who cannot believe in anything any longer. It is with special finesse that Deneuve plays her, that we witness, with heartbreak, every turn of her back on the things she love, and every rejection of all morality that she held before.
Fernando Rey's character is probably the murkiest but ultimately most empathetic character, as at the end of the film, age wears off his hard-edged cynicism and turns him into the loving father figure that Tristana desperately needed in the beginning of the film. In a sense, it is a film about age, how when we reach a certain point in our lives we see things much clearer and as it is, rather than try to twist things to our advantage. The way Rey's character treasures the time with the vile and vindictive Tristana at the end of the film is not only overwhelmingly sad, but also an epiphany by an auteur who is gaining age himself.
In spite of all its dramatic turns of events, Tristana is not an emotional and angsty film in its portrayal of its characters' lives. Instead it is a soft and peaceful film that sympathetically accepts its characters' flaws as much as it forgives them. It is a film that evokes the intricate feeling of looking back in our dark and troubled past and finding the exquisite moments of happiness amidst all the cynicism and grit. When, towards the end, Rey reaches the peace that he has been struggling so hard to attain throughout the film, he notes, 'It's snowing so hard outside, but in this house, I'm nice and warm. What's there not to be happy about?'. A silent recognition that peace is not bending reality to your own will, but merely, acceptance.