After a catatonic episode on a railway station platform, Jacob Horner is taken to "The Farm", a bizarre insane asylum run by Doctor D. After being cured, Jacob takes a job as an English ... See full summary »
When government attorney Mike Mandell begins to suffer from a mental disorder that periodically transforms him into another mobster personality known as "Sonny," his strange behavior doesn't escape the notice of a narcotics agent.
Denver John Collins,
A Mafia boss is enraged when he is suspected of smuggling a heroin shipment into San Francisco. He dispatches his nephew, a hotshot Anglo-Sicilian lawyer, to identify the real culprit. The ... See full summary »
A crude man is stuck in a loveless marriage. One day he decides to run away from his life and family. First he finds a mistress, but just because a man runs away from one disappointment, doesn't mean he won't run into another one.
Although it was a box-office failure in 1970 and has been little-seen since, this movie was much admired by John Huston, who cast Stacy Keach in two of his own films after seeing it. See more »
An important plot point is the existence of a portable electric chair which makes the career of "traveling executioner" possible. Unfortunately, as shown in the movie, it can't work. To perform an execution Keach "starts" a big electric generator in his horse-drawn van. But the generator has no power source! At the time the story takes place the internal combustion engine was new and rudimentary. The only transportable source of mechanical power was the steam engine. There were no diesel powered generators. Of course a steam engine large enough to produce the necessary mechanical power to turn the electric generator would have been almost as large as the van and would have required hours to build up enough steam to do the job. Also, a substantial amount of coal to make the steam would be needed. In any case, no motive power is shown and this explains why there were likely no traveling electrocutionists. Why a remote prison would not simply hang convicted criminals is likewise not explained. See more »
One of the great forgotten cinematic gems of yesteryear! From 1970, a young, whipcord fit, badass Stacy Keach stars as Jonas Candide, a traveling executioner who cruises the American South with his beloved portable electric chair, pulling the switch on murderers and thieves in 1918. Keach is shockingly good as he gets caught up in a scheme to save the life of a beautiful German woman slated for execution.
Keach's trademark facial scar is on full display here, not obscured by a mustache as it would be almost forevermore in later films. It adds something to the role, like a tiny crack in an otherwise perfect human statue. The film also features character actor Bud Cort in an early role.
The opening and finale scenes where Keach delivers Jonas' Fields of Ambrosia monologues are some of the best in 1970s cinema, and Jonas Candide is one of the great characters of Seventies film, he's a drunkard, a womanizer, a liar, a glutton, (the massive meal Candide sits down to eat after an execution has to be seen to be believed, massive plates of biscuits, Canadian bacon and Darwin knows what else) yet beneath it all he has a heart, Jonas, like the film, is darkly funny and darkly lovable.
Fantastically directed by Jack Smight, with a fine score by Jerry Goldsmith, and the seemingly only feature film screenplay credit by forgotten rebel screenwriter Garrie Bateson.
If there ever was a Traveling Time Traveler, a jump back into the wayback machine could correct the travesty of not nominating this film for Oscars for Best Actor, Best Director, Best Original Screenplay and Best Picture in 1970!
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