After an Egyptian army, commanded by British officers, is destroyed in a battle in the Sudan in the 1880's, the British government is in a quandary. It does not want to commit a British ... See full summary »
In 1941 the Japanese are at odds with the United States on a number of issues which they are attempting to resolve via their Washington embassy. In case this diplomacy fails, the military are hatching plans for a surprise early Sunday morning air attack on the U.S. base at Pearl Harbour. American intelligence is breaking the Japanese diplomatic messages but few high-ups are prepared to believe that an attack is likely, let alone where or how it might come. Written by
Jeremy Perkins <email@example.com>
Average Shot Length = ~7.1 seconds. Median Shot Length = ~6.9 seconds. See more »
When the movie moves to Nazi Germany for the Japanese signing of the Tripartite Pact, the SS guard outside the Reichschancellery is shouldering a Mauser with a late war barrel band. As materials and time became scarce in Germany, they had a cheap stamped barrel band instead of the early pressed (H-type) one. See more »
[Halsey has been ordered to take his Task Force to Wake Island to deliver a squadron of fighters]
Kim, level with me. I want a clear directive... If I run into a Jap ship, what action do I take?
Use your common sense.
That's the best damn order I ever had.
[Halsey walks away, then turns around]
If I see so much as a sampan near it, I'll blow it out of the water.
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Whether you want to waste time seeing Brucheimer and Bay's self-indulgently long PEARL HARBOR with its totally extraneous fictional romance -- that's up to you. But whether you see it or not, the real history of the human stupidity on both sides of the Pacific that created the attack is clearly portrayed in TORA! TORA! TORA!
The new DVD edition has insightful commentary by the director plus a documentary about the attack. This film is tensely paced and displays and excellent cast. The Jerry Goldsmith score is kept to a minimum but is very effective. The special FX for the attack are all the more impressive considering they were done before the advent of computer generated FX such as those in PEARL HARBOR -- and they equal those of PEARL HARBOR.
If you want to know the real story, see this film and then also check out the companion stories in FROM HERE TO ETERNITY, DESTINATION TOKYO, and THIRTY SECONDS OVER TOKYO.
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