After an Egyptian army, commanded by British officers, is destroyed in a battle in the Sudan in the 1880's, the British government is in a quandary. It does not want to commit a British ... See full summary »
In 1941 the Japanese are at odds with the United States on a number of issues which they are attempting to resolve via their Washington embassy. In case this diplomacy fails, the military are hatching plans for a surprise early Sunday morning air attack on the U.S. base at Pearl Harbour. American intelligence is breaking the Japanese diplomatic messages but few high-ups are prepared to believe that an attack is likely, let alone where or how it might come. Written by
Jeremy Perkins <firstname.lastname@example.org>
The USS Yorktown (CVS-10) was disguised as the Japanese carrier Kaga to film scenes of aircraft taking off and landing. It was fitted with a false bow to disguise the catapults. Although it appears as though steam is leaking from the bow, Japanese carriers actually used steam to indicate wind speed and direction over the bow. The steam trail was lined up with the painted white lines on the bow. It was unofficially named "USS Kaga" for the duration of filming. The USS Enterprise seen entering Pearl Harbor at the end of the movie is actually the USS Kearsarge (CVS-33). See more »
The film shows Cornelia Fort engaged in flight training in a Stearman "Yellow Peril" biplane. While her presence in the formation of attacking planes is accurate, she was flying in an Interstate Cadet monoplane that more resembled a Piper Cub. See more »
Hickam Air Traffic Controller:
Tower to B-17, there's a Jap on your tail. Juice yer engines and get outta here!
See more »
Whether you want to waste time seeing Brucheimer and Bay's self-indulgently long PEARL HARBOR with its totally extraneous fictional romance -- that's up to you. But whether you see it or not, the real history of the human stupidity on both sides of the Pacific that created the attack is clearly portrayed in TORA! TORA! TORA!
The new DVD edition has insightful commentary by the director plus a documentary about the attack. This film is tensely paced and displays and excellent cast. The Jerry Goldsmith score is kept to a minimum but is very effective. The special FX for the attack are all the more impressive considering they were done before the advent of computer generated FX such as those in PEARL HARBOR -- and they equal those of PEARL HARBOR.
If you want to know the real story, see this film and then also check out the companion stories in FROM HERE TO ETERNITY, DESTINATION TOKYO, and THIRTY SECONDS OVER TOKYO.
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