| Photos (see all 8 | slideshow) | Videos |
| Sidney Poitier | ... | Virgil Tibbs | |
| Martin Landau | ... | Logan Sharpe | |
| Barbara McNair | ... | Valerie Tibbs | |
| Anthony Zerbe | ... | Rice Weedon | |
| Edward Asner | ... | Woody Garfield | |
| Jeff Corey | ... | Captain Marden | |
| Norma Crane | ... | Marge Garfield | |
| Juano Hernandez | ... | Mealie Williamson | |
| David Sheiner | ... | Lieutenant Kenner | |
| Beverly Todd | ... | Puff | |
| Ted Gehring | ... | Sergeant Deutsch | |
| Linda Towne | ... | Joy Sturges | |
| Garry Walberg | ... | Medical Examiner | |
| George Spell | ... | Andy Tibbs | |
| Wanda Spell | ... | Ginger Tibbs | |
| rest of cast listed alphabetically: | |||
| John Alvin | ... | (uncredited) | |
| Michael L. Davis | ... | Police Sergeant at Campaign HQ (uncredited) | |
| Hilly Hicks | ... | Freddie (uncredited) | |
| John Hillerman | ... | Reporter (uncredited) | |
Directed by | |||
| Gordon Douglas | |||
Writing credits | ||
| Alan Trustman | (screenplay) & | |
| James R. Webb | (screenplay) | |
| Alan Trustman | (story) | |
| John Ball | (characters) | |
Produced by | |||
| Herbert Hirschman | .... | producer | |
| Walter Mirisch | .... | executive producer | |
Original Music by | |||
| Quincy Jones | |||
Cinematography by | |||
| Gerald Perry Finnerman | (director of photography) | ||
Film Editing by | |||
| Bud Molin | |||
Casting by | |||
| Lynn Stalmaster | |||
Art Direction by | |||
| Addison Hehr | |||
Set Decoration by | |||
| Edward G. Boyle | (as Edward Boyle) | ||
Makeup Department | |||
| Mark Reedall | .... | makeup artist | |
| Elizabeth Searcy | .... | hair stylist | |
Production Management | |||
| Edward Morey Jr. | .... | production supervisor | |
| Terence Nelson | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Rusty Meek | .... | first assistant director | |
Art Department | |||
| William Maldonado | .... | construction coordinator | |
| Robert Schultz | .... | property master | |
Sound Department | |||
| David Bell | .... | sound restoration (restored version 2008) | |
| Robert Martin | .... | sound | |
| Don Minkler | .... | sound re-recordist | |
| Frank E. Warner | .... | sound editor (as Frank Warner) | |
| Michael Kalifa | .... | audio restoration coordinator (2008 restoration) (uncredited) | |
Stunts | |||
| Bob Herron | .... | stunts (uncredited) | |
Costume and Wardrobe Department | |||
| John A. Anderson | .... | costumer: men | |
| Geneva Rames | .... | costumer: women | |
Editorial Department | |||
| Irving Rosenblum | .... | assistant editor (as Irving C. Rosenblum) | |
Music Department | |||
| Richard Carruth | .... | music editor | |
Other crew | |||
| Malcolm Atterbury Jr. | .... | script supervisor | |
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| In the Heat of the Night | Magnum Force | Le corbeau | Wonderland | The Liberation of L.B. Jones |
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| Full cast and crew | Company credits | External reviews |
| IMDb Crime section | IMDb USA section | Add this title to MyMovies |
This sequel to "In the Heat of the Night" will suffer in inevitable comparisons to its infinitely better predecessor. Instead of looking like a theatrical movie edited for television, "Mister Tibbs" looks suspiciously like a TV movie edited for theatrical release, with grainy photography, cheesy opening titles, and sets that look like they're made of plywood. The murder sequence has a glaring continuity error: the camera shows two hands choking the girl, then a shot of a hand reaching for a statuette, then a shot of the girl being choked with two hands again, and finally the statuette coming down for the fatal blow. Solving the case should be easy: find the only guy with three hands! But the shoddy production values can't completely obscure this film's considerable merits: namely, Sidney Poitier's performance as the cool detective determined to follow the evidence wherever it may lead, even if it implicates a friend. Martin Landau is also convincing as the do-gooder preacher-activist suspected of brutally murdering his prostitute girlfriend. In addition to being haunted by the case, Tibbs is conflicted about his home life, but the issues of race and Tibbs' barely concealed sense of social outrage are absent here. So is the complex murder mystery that made "In the Heat of the Night" so compelling.