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They Call Me Mister Tibbs! (1970)

In San Francisco, a high-priced call girl is murdered and the case is assigned to Police Lieutenant Virgil Tibbs.

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Writers:

(screenplay) (as Alan R. Trustman), (screenplay) | 2 more credits »
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Cast

Complete credited cast:
...
...
Logan Sharpe
...
...
Rice Weedon
...
Woody Garfield
...
Captain Marden
...
Marge Garfield
Juano Hernandez ...
Mealie Williamson
...
Lieutenant Kenner
...
Puff
Ted Gehring ...
Sergeant Deutsch
Linda Towne ...
Joy Sturges
Garry Walberg ...
Medical Examiner
George Spell ...
Wanda Spell ...
Ginger Tibbs
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Storyline

San Francisco Police Lieutenant Virgil Tibbs is called in to investigate when a liberal street preacher and political candidate is accused of murdering a prostitute. Tibbs is also battling domestic woes, including a frustrated wife and a rebellious adolescent son. Written by Marty McKee <mmckee@wkio.com>

Plot Summary | Plot Synopsis

Taglines:

The last time Virgil Tibbs had a day like this was "In The Heat Of The Night"

Genres:

Crime | Drama | Mystery

Motion Picture Rating (MPAA)

Rated R for a violent scene with nudity | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

10 July 1970 (USA)  »

Also Known As:

They Call Me MISTER Tibbs!  »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

John Hillerman's first movie. See more »

Goofs

Detective Tibbs is presented as having entirely different biography about details of his life and career than he did in previous film In the Heat of the Night. See more »

Quotes

[first lines]
Joy Sturges: Get away from me! Get away from me! Get the hell away from me! I can't even fake it anymore.
See more »

Connections

Followed by The Organization (1971) See more »

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User Reviews

 
Lovably kitsch Poitier folly
26 August 1999 | by (England) – See all my reviews

With its kipper ties, flared trousers and proficient - yet dated - music, They Call Me MISTER Tibbs! is perhaps the Poitier film that has aged least gracefully. While its prequel, In The Heat of the Night, was borne from the epitome of cool that was the sixties, here the seventies nurtured this film, which lends it a kitsch value, as well as the air of a t.v. movie. Though these elements - such as seeing the funky theme start up to the tune of Sidney clocking someone with a telephone, or Ed Asner (tv's Lou Grant) "drive" a car to a filmed backdrop - make it endearing and a must-see for a light-hearted Saturday night.

A world away from the usual Sidney vehicle we have here a trawl through San Francisco's red light districts, to which the family elements - though the most critically attacked - actually provide effective light. Also unusual is the amount of sexual tone Sidney is here allowed to display. Yet whereas in the former film Poitier was the big town Lieutenant working in small-town Mississippi, here he is on his own territory, thus shaving the film of one of its dimensions. Without Steiger to bounce off, what depth the script provides his character second time around comes from his wife and children, most notably his son. After slapping the boy into submission, Poitier hugs him, mourning the fact that "you're not perfect . and I can't forgive you." Not a perfectly-formed film by any means, this one does improve on repeated viewing, and the majority of ill feeling does seem to be down to disappointment. After all, how does one make a sequel to a movie that's hailed as a classic?


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