When he sustains a rodeo injury, star rider Jeff McCloud returns to his hometown after many years of absence. He signs on as a hired hand with a local ranch, where he befriends fellow ranch... See full summary »
When a shady-looking stranger rides into town to join his old friend it is assumed he is a hired gun. But as the new man comes to realise the unlawful nature of his buddy's business and the... See full summary »
Barbara Bel Geddes,
Skip tracer Tommy Nowak is tracking Lou Ann McGuinn for a bail bondsman in California. Lou Ann is also being chased by her husband Roy McGuinn and his birth right/neo-nazi friends for ... See full summary »
Charm, intelligence and success in criminal career doesn't prevent Paris Pitman Jr. to start doing ten years in prison, in the middle of the Arizona desert. However, those years should pass quickly because of a $500,000 loot previously stashed away. New idealistic warden would only make Pitman think of getting his fortune even sooner. He starts to manipulate everyone to achieve his goal. Written by
Dragan Antulov <firstname.lastname@example.org>
The poem recited by the schoolteacher at the dedication is "Invictus" written in 1875 by William Ernest Henley. See more »
After escaping from prison, Pitman visits the widow Bullard and leaves the prison mule in her corral and takes a horse. After being bitten by the snake and dying, the warden takes his body back on the horse he rode, which now is a mule again. See more »
Paris Pittman Jr.:
[after discussing his hidden loot and escape plans]
I'm putting my trust in all of you. Keep quiet.
The Missouri Kid:
Like asking a pack of coyotes to keep quiet about a dead horse!
See more »
A unique combination of a western and an existentialist black comedy.
The two foils are Kirk Douglas as a cunning and charming prisoner, and Henry Fonda as his steady and observant warden. They match wits within a teeming ecology of interesting characters. Burgess Meredith is the heart of the ensemble and provides several poignant moments: the bath scene and his reaction to a shooting are unforgettable.
You'll either hate or love the way "A Crooked Man" subverts the conventions of the genre. The tone of the movie is purposefully inconsistent. One moment, it's sympathetic and moving. The next it's cold and nihilistic. The humor is particularly unique for how it brings slapstick and abstraction together. Consider the way Ah-ping meets his end, or the film's obvious disingenuous portrayal of the schoolteacher's fate. Behind these profoundly idiotic scenes is something profound. One caveat: a pointless and homophobic subplot mars this otherwise perfect film.
"A Crooked Man" will be a real treat for those who like films that leave the well-beaten path.
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