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Tell Me That You Love Me, Junie Moon (1970)

GP  -  Comedy | Drama | Romance  -  11 May 1970 (USA)
6.6
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Ratings: 6.6/10 from 426 users  
Reviews: 13 user | 9 critic

Junie Moon's face has been disfigured by ill-gotten burns, and depends on her friends and her wit to cope. She, Warren, and Arthur leave the hospital - they yearn for independence - and ... See full summary »

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Title: Tell Me That You Love Me, Junie Moon (1970)

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Cast

Credited cast:
...
...
Arthur
Robert Moore ...
Warren
...
Mario
Kay Thompson ...
Miss Gregory
...
Beach Boy
Ben Piazza ...
Jesse
Emily Yancy ...
Solana
...
Guiles
...
Minnie
James Beard ...
Sidney Wyner
Rest of cast listed alphabetically:
Paul Barstow ...
Schoolmaster
Ulla Bomser
Julie Bovasso ...
Ramona
Gina Collens ...
Lila (as Gina Collins)
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Storyline

Junie Moon's face has been disfigured by ill-gotten burns, and depends on her friends and her wit to cope. She, Warren, and Arthur leave the hospital - they yearn for independence - and find a house to live in. Together they stumble into adventures involving the local fish vendor, nosy neighbors, surreptitious vacations, love, and frustration in finding jobs as they face subtle prejudices in their community, and their own particular medical problems. Written by Ed Sutton <esutton@mindspring.com>

Plot Summary | Add Synopsis

Genres:

Comedy | Drama | Romance

Certificate:

GP | See all certifications »
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Details

Country:

Language:

Release Date:

11 May 1970 (USA)  »

Also Known As:

Dime que me amas, Junie Moon  »

Filming Locations:

 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Last film of cinematographer Boris Kaufman. See more »

Quotes

Arthur: Warren made love last night.
Junie Moon: That's good.
Arthur: To a woman... a beautiful woman named Solana.
Junie Moon: I guess people can't help what their name is.
See more »

Crazy Credits

The opening and closing credits roll over folk-singer Pete Seeger actually walking through the woods with his guitar and singing the film's theme song, "Old Devil Time". See more »

Connections

Featured in Preminger: Anatomy of a Filmmaker (1991) See more »

Soundtracks

The Rake & Work Your Show
Music by Philip Springer
Performed by Pacific Gas & Electric
See more »

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User Reviews

Freaky character study of three freaks
20 January 2001 | by (Weaverville, NC) – See all my reviews

This flick, based on Marjorie Kelloggs' obscure novel, is a dated yet poignant character study of three misfits who rent a house and live together: a young woman whose face has been disfigured by a psychotic date, a crippled homosexual, and a boy-next-door looking epileptic. Coming at the end of the 60s, this flick is full of various stylistic flourishes that were considered avant-garde then but look anacronistic and pretentious(as well as strange)now. Otto Preminger had a solid reputation, but this film shows that his skills were on decline. The film jumps back and forth from the present lives of the three, first in the hospital where they all are being treated and then in their run-down communal house, to bizarre flashbacks to their pasts(the flashback of the paraplegic when he remembers his upbringing by a gay fashion photographer is near camp). The epileptic's memories of being placed in an institution by his parents are truly weird: he is the age he is in the movie, and everyone else is in BLACK AND WHITE! A good ten years before MTV, these technical shenanigans just looked weird(and still do now). These weird flashbacks and other freaky devices distract from what should be a simple story about three people with limited emotional resources relying on each other and trying to survive with dignity in an uncaring world. Which is not to say that that doesn't come through in part, but it would have been more effective without the arty flashbacks. Liza Minnelli's stint as a dramatic actress was probably squashed by this film--after JUNIE MOON, what else is there? Supposedly, this one isn't available on video. This one might have a shot at being some kind of cult film, at least among Liza Fans, or connoisseurs of sixties cinema, or something.


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