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Suppose They Gave a War and Nobody Came? (1970)

GP  -  Comedy | Drama  -  5 March 1971 (Mexico)
5.7
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Ratings: 5.7/10 from 257 users  
Reviews: 7 user | 4 critic

Tensions grow between the small army base and people from the nearby town. Despite well intentions of people from both sides it all escalates after the big dance in town.

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Title: Suppose They Gave a War and Nobody Came? (1970)

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Cast

Complete credited cast:
...
Officer Michael M. Nace
...
Shannon Gambroni
...
Sheriff Harve
...
Sgt. Jones
...
Ramona
...
Billy Joe Davis
...
Capt. Myerson
...
Mr. Kruft
...
Maj. Purvis
...
Col. Flanders
Rest of cast listed alphabetically:
Jean Argyle ...
Mrs. Calhoun
John James Bannon ...
1st MP
Stan Barrett ...
Green Beret Soldier
Jeanne Bates ...
Mrs. Flanders
William Bramley ...
Deputy Henry
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Storyline

Tensions grow between the small army base and people from the nearby town. Despite well intentions of people from both sides it all escalates after the big dance in town.

Plot Summary | Plot Synopsis

Genres:

Comedy | Drama

Certificate:

GP | See all certifications »
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Details

Country:

Language:

Release Date:

5 March 1971 (Mexico)  »

Also Known As:

War Games  »

Filming Locations:


Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

This was Don Ameche's last film until Trading Places (1983) 13 years later. See more »

Quotes

Shannon Gambroni: Machines are like broads, built to be had.
See more »

Connections

Referenced in Mystery Science Theater 3000: Rocketship X-M (1990) See more »

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User Reviews

 
Frequently surprising and well written
9 January 2000 | by (Oakland CA) – See all my reviews

This comedy could easily have slipped into a Kelly's Heroes-style parody of the US military, and it's climactic chase scene teeters on the edge at times. But there's no discounting the intelligence at work here: the screenplay is unusually well written, making subtle points about the Vietnam War, racism, and sexism without alienating the audience with dogma. There are especially fine performances by Brian Keith and Ivan Dixon here, a restrained turn from Tony Curtis, and a reminder of the untapped talents of Suzanne Pleshette. A pleasant surprise.


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