The Student Nurses (1970) - News Poster


Halloween 2017: Girls Just Want to Have Blood: 16 Horror Projects Directed by Women to Stream on Shudder

  • DailyDead
February is known as Women in Horror Month, when the spotlight is put on female filmmakers working inside our favorite genre, and many horror sites run pieces about movies directed by women. And that’s great! But there’s no reason why that spotlight should be limited to only one month, particularly when there are so many brilliant and talented female filmmakers working in the genre. Why not use this October to hit up these titles on Shudder and get to know some of the most exciting female voices in horror right now?

Prevenge (2016, dir. Alice Lowe) Alice Lowe writes, directs, and stars in this darkly comic, twisted fantasy about a woman who is very, very pregnant (Lowe herself was pregnant during shooting) and goes on a killing spree when her unborn baby talks to her and tells her to take revenge for a past tragedy. The film never fully transcends its gimmick,
See full article at DailyDead »

Joshua Reviews Stephanie Rothman’s The Student Nurses [Theatrical Review]

What’s in a name? With a title like The Student Nurses, one conjures up lavish images of scantily clad nurses in what is ostensibly a soft-core adult film posing as a camp-filled ‘70s exploitation picture. Think Candy Stripe Nurses with all of its “keep abreast of the medical world” tagline glory. However, while you wouldn’t be totally wrong about the amount of nudity the picture offers, director Stephanie Rothman turns what could be just another Roger Corman-produced T-and-a fest into a drama of shocking depth and nuance.

Newly restored by the Academy Film Archives as well as the Women’s Film Preservation Fund and Cinema Conservancy, Rothman’s film is in a week-long run at the Metrograph Theater in New York City, and is one of the most entrancing exploitation picture you’ll ever see. The film sounds like your standard exploitation picture based on its premise.
See full article at CriterionCast »

NYC Weekend Watch: Jack Fisk, Jean Eustache, ‘A Brighter Summer Day,’ Arnaud Desplechin & More

Since any New York cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not likely to see in a theater again anytime soon, and many of which are, also, on 35mm. If you have a chance to attend any of these, we’re of the mind that it’s time extremely well-spent.

Museum of the Moving Image

“See It Big! Jack Fisk” celebrates one of cinema’s greatest production designers. The first weekend brings four Malick features, Mulholland Dr., Carrie, and There Will Be Blood.

A collection of the Muppets‘ appearances on The Tonight Show with Johnny Carson will be presented this Sunday.


A retrospective of the
See full article at The Film Stage »

The Metrograph Launches Jean Eustache Retrospective

It’s hard to argue with the programming behind the newest art house theater making cinephiles across the country wish they lived in New York City. Opening earlier this month in the Big Apple, The Metrograph has instantly become one of the new hotspots in NYC, with everything ranging from a film like Carol being presented in gorgeous 35mm to a new, week-long run of legendary cult classic from unsung director Stephanie Rothman, The Student Nurses. However, it’s their first major retrospective that has film nerds buzzing.

Marking the first career-spanning retrospective for the director in over a decade, The Metrograph is launching, this week, a lengthy dive into the career of filmmaker Jean Eustache. Much of French cinema history revolves around the New Wave filmmakers ranging from Jean-Luc Godard to Agnes Varda, but with names like Chantal Akerman and Philippe Garrel marking the heights of the filmmakers just a generation removed,
See full article at CriterionCast »

Sex Ed: Stephanie Rothman’s The Student Nurses

During a moment of high drama in the very special cult item The Student Nurses, which runs in a restored version at the new Metrograph in New York’s Lower East Side for one week beginning March 11, a pretty young woman rudely dumps her frustrated doctor boyfriend in plain sight of the sexy roommates she trains with at a large La hospital. On his way out, just before wishing a corny “Peace!” to the other vixens, who are seated side by side on the living room couch, he keeps the scene from wandering into the expected emotional terrain by lamenting to […]
See full article at Filmmaker Magazine »

Metrograph, New York City’s Newest Indie Theater, Unveils Impressive First Slate of Programming

Each weekend we highlight the best repertory programming that New York City has to offer, and it’s about to get even better. Opening on February 19th at 7 Ludlow Street on the Lower East Side is Metrograph, the city’s newest indie movie theater. Sporting two screens, they’ve announced their first slate, which includes retrospectives for Fassbinder, Wiseman, Eustache, and more, special programs such as an ode to the moviegoing experience, and new independent features that we’ve admired on the festival circuit (including Afternoon, Office 3D, and Measure of a Man).

Artistic and Programming Director Jacob Perlin says in a press release, “Jean Eustache in a Rocky t-shirt. This is the image we had in mind while making this first calendar. Great cinema is there, wherever you can find it. The dismissed film now recognized as a classic, the forgotten box-office hit newly resurrected, the high and the low,
See full article at The Film Stage »

Private Duty Nurses

Here’s another installment featuring Joe Dante’s reviews from his stint as a critic for Film Bulletin circa 1969-1974. Our thanks to Video Watchdog and Tim Lucas for his editorial embellishments!

Nurses‑make‑out saga is passable fodder for drive‑ins, with mild nudity values for ogling by the soft‑core male contingent. Rating: R.

This sequel to the recent and fairly successful The Student Nurses again mixes TV soap opera plotting, youth clichés and sex, but this time out the formula fizzles. Exuding a general aura of familiarity, the dreary New World Pictures release will have to settle for lower‑berth dual billing in those situations where its forerunner paid off. Best prospects are in drive‑in slottings. The writing‑directing chores herein were entrusted to George Armitage, a Roger Corman protégé (he wrote Gas‑S‑S) making his directorial bow. Apart from one or two mild attempts at parodying the genre,
See full article at Trailers from Hell »

Roger Corman And His Scream Queens Talk 'Attack Of The 50 Foot Cheerleader'

Roger Corman is a Hollywood legend. The Oscar-winning producer might be the single-most prolific filmmaker ever with over 300 movies to his name. Along the way, he provided a big break to Martin Scorsese, James Cameron, Jack Nicholson and many others. His "cheap and fast" approach to sci-fi, horror and action has given us timeless cult classics like "The Little Shop of Horrors," "Death Race 2000," "Caged Heat" and "Galaxy of Terror." However, Corman is hoping to top himself yet again with his first 3D movie, "Attack of the 50 Foot Cheerleader." The film is about young cheerleading-hopeful Cassie Stratton (Jena Sims), who's so desperate to excel at the sport she subjects herself to a radical new drug that is supposed to increase her athletic abilities. Naturally, it all goes disastrously wrong and Cassie grows to gigantic proportions. If that wasn't bad enough, her mean girl rival, Brittany (Olivia Alexander), steals the formula,
See full article at Moviefone »

Lethal Ladies 2 Collection: The Arena, Fly Me and Cover Girl Models

Director: Steve Carver; Cirio H. Santiago

Screenplay: John William Corrington and Joyce Hooper Corrington; Miller Drake; Howard R. Cohen

Starring: Pam Greir, Margaret Markov, Pat Anderson, Lenore Kasdorf, Lyllah Torena, Ken Metcalfe, Vic Diaz, Lindsay Bloom and Tara Strohmeier; with appearances by Dick Miller and Mary Woronov

To misquote Jack Nicholson, Roger Corman released so many movies, it's no surprise some real stinkers got into theaters. And the recent Shout! Factory Roger Corman Cult Classics release, Lethal Ladies 2 Collection, is intent on proving that statement. The two-dvd set includes a single-disc presentation of The Arena, and a second disc with the double feature of Fly Me and Cover Girl Models.

The best film in the collection, 1974's The Arena (aka Naked Warriors), is little more than a retelling of Spartacus with women as gladiators. Corman decided it was the perfect vehicle for Pam Grier and Margaret Markov, following their successful
See full article at Planet Fury »

The Nurses Collection (1971, 1972, 1973, 1974)

Beginning with The Student Nurses in 1970 and culminating with The Candy Stripe Nurses in ’74, these softcore sex films appealed to a broad audience and helped start an entire subgenre: the young nympho professionals. Thanks to the boxoffice success of The Student Nurses, (the first title ever released by New World Pictures), films surrounding the sexual exploits of stewardesses, teachers and every other female-dominated occupation became ubiquitous throughout the decade.

What set the Corman Nurse titles apart from the rest was the surprising social and political commentary that was often intertwined within the sexual escapades. Indeed, several of the nurse films touched upon such weighty issues as abortion, civil rights, pollution, drug addiction and group therapy. Corman was a shrewd businessman and knew what kind of hot button topics would appeal to the young exploitation audience.

He would essentially give young filmmakers free reign with the script, as long as they delivered certain non-negotiable elements.
See full article at Planet Fury »

Tim League on Roger Corman

As you may or may not have noted in the rush of Fantastic Fest event news, Roger Corman and Julie Corman will be at Fantastic Fest to accept a Lifetime Achievement Award. This is a huge deal for the fest and an equally huge deal for me personally. The Cormans’ principles of efficiency and respect for audiences have always guided me in my own work. We all have our personal heroes. I’ve always admired Roger and Julie Corman beyond measure. They may just be the couple who saved movies for us all. In the ’60s and ’70s Hollywood was a bloated, stunted giant. It was grossly inefficient, nepotistic and it had lost its connection with audiences. Corman sized up the situation, mustered up whatever small amount of money he could and started making his own movies. They were very cheap – but you could bet that every dollar he spent ended up on the screen.
See full article at AlamoDrafthouseCinema »

Legendary director Stephanie Rothman is back! And she’s at the Ritz this Wednesday

Director Stephanie Rothman Presents

The Student Nurses (9:45 at the Ritz)

Group Marriage (Midnight at the Ritz)

Click links to buy tickets.

In the ’60s and ’70s, many fine directors got their start with Roger Corman’s microbudget operation: Coppola, Scorsese, Demme, Joe Dante, Ron Howard, Stephanie Rothman… Wait, what’s her name doing in there? Well, that’s the beginning of a long story and one that she tells best. Fortunately for us, she’ll be here on Wednesday to tell it. For many of her male counterparts it was a hop, skip and a jump to bigger things, for Stephanie Rothman, the drive-in was the end of the line. So a promising career died on the vine. The company best known for Women In Prison and biker movies gave her a shot but big Hollywood wasn’t interested in women directors so she moved on to other things.
See full article at AlamoDrafthouseCinema »

The Alamo Guide for April 9th!

The Alamo Guide

for April 8th, 2010

You guys, this weekend is Bonkers! We have packed it full of fun, I don’t know how you’re gonna schedule all this fun! The Indiana Jones Trilogy (yes, trilogy) Feast is 100% sold out at this point, so if you’re going to that, your Sunday is already tied up! If not, however, one of our favorite cult actresses, Susan Tyrrell is returning to the Alamo after she was here last at our Colorado St. closing night festivities! Susu will be in attendance at the screening of Forbidden Zone and then moving over to The Highball where her artwork, Susan Tyrrell’S Eyesores will be displayed and The Octopus Project will be dropping some amazing music! An event not to be missed for sure. But! If you just can’t bear to drive to S. Lamar, and would really rather be downtown, we
See full article at AlamoDrafthouseCinema »

Meet the New Oscar Recipients: Roger Corman

  • The Wrap
By Steve Pond

The man behind “Monster from the Ocean Floor,” "Women in Cages," “Attack of the Crab Monsters,” "The Student Nurses," “Stakeout on Dope Street,” “Big Bad Mama” and “Sorority House Massacre” is now an Academy Award winner.

And Francis Coppola, Martin Scorsese, Jack Nicholson, Jonathan Demme and a lot of other notable Academy members wouldn’t have it any other way.

Roger Corman, who for decades ran an astonishingly prolific low-budget movie factory and gave early bre...
See full article at The Wrap »

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