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The Spider's Stratagem (1970)
"Strategia del ragno" (original title)

7.2
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Ratings: 7.2/10 from 1,532 users  
Reviews: 14 user | 13 critic

Athos Magnani, a young researcher, returns to Tara, where his father was killed before his birth, at the request of Draifa. The father, also named Athos Magnani and looking exactly like the... See full summary »

Writers:

(story) (as J.L. Borges) , , 2 more credits »
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Title: The Spider's Stratagem (1970)

The Spider's Stratagem (1970) on IMDb 7.2/10

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Cast

Credited cast:
Giulio Brogi ...
...
Pippo Campanini ...
Gaibazzi
Franco Giovanelli ...
Rasori
Tino Scotti ...
Costa
Rest of cast listed alphabetically:
Allen Midgette ...
Sailor
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Storyline

Athos Magnani, a young researcher, returns to Tara, where his father was killed before his birth, at the request of Draifa. The father, also named Athos Magnani and looking exactly like the son, was killed by a fascist in 1936 -- or so says Draifa (his mistress), the town statue, and everyone in town. As the son untangles the web of lies this story is constructed from, he finds himself ensnared in the same web. Written by Jon Reeves <jreeves@imdb.com>

Plot Summary | Plot Synopsis

Genres:

Drama | Mystery

Certificate:

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Details

Country:

Language:

Release Date:

25 October 1970 (Italy)  »

Also Known As:

The Spider's Stratagem  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording)

Color:

(Eastmancolor)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

The movie makes extensive reference to two famous Italian artists: several shots of Tara are based on Giorgio De Chirico's paintings, while the opening credits show some paintings of Antonio Ligabue's. See more »

Quotes

Draifa: Athos, you're a coward. You're hard on me, Draifa.
Athos Magnani, father and son: You're hard on me, Draifa.
See more »

Connections

References The Last Sunset (1961) See more »

Soundtracks

Attila
Written by Giuseppe Verdi
See more »

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User Reviews

 
discerning
1 April 2006 | by (Tijuana, Baja California, Mexico) – See all my reviews

Quite a film, combining lush photography with brilliantly realized scenes, one after another in fact, from the beginning arrival of the train to the ending, set on the waiting platform of the train station, with a story that weaves in and out of the present (1970) and past (1936) about fascism and the difficult and ambiguous forms the opposition took to combat it. Set in Italy's Po River valley in the town of Tara, it beautifully mixes the cinematic elements of plot, music, character, photography, etc... with a story about the well kept secret of how a man's father became a local hero in the struggle against fascism. Like any society caught in repression, the heroes we know today, who led the fight, maybe were forced by the circumstances of the times to take actions that could only be understood in the context in which they took place. Bertolucci does a great in dramatizing that inherent ambiguity that lies under the statue of the popular hero that is in the center of the town. There are some scenes that simply stand out, especially the outdoor dance (1936) where the hero and the fascists eye each other, and then he grabs the prettiest girl there and has all the dance floor while the camera goes from face to face. But in a film that is so well composed, this is but one of the highlights, none of which would mean much if the whole operation didn't have such an astute level of direction guiding it. For a film that relies so much on image, it says a lot, and doesn't squander any of its characters.


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What's with the Spider? Kolnoa
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