| Paul Valjean | ... | Joey | |
| Wayne Rodda | ... | Carl | |
| Ulla Koppel | ... | Nys (as Ulla Lemvigh-Müller) | |
| Avi Sagild | ... | Mara | |
| Susanne Krage | ... | Christine | |
| Louise White | ... | Surrealist | |
| Petronella | ... | Adrienne | |
| Elsebeth Reingaard | ... | Colette | |
| Lisbet Lundquist | ... | Jeanne | |
| Olaf Ussing | ... | Father | |
| Noemi Roos | ... | Mother | |
| Anne Kehler | ... | Corinne | |
| Herman Wolsgaard-Iversen | |||
| Britten Jensen | |||
| Elsa Jackson | |||
| Mette Aare Thorse | |||
| Marianne Bergh | |||
| Maj Wechselmann | |||
| Ben Webster | ... | Himself - Saxophonist | |
| Maria Stenz | |||
| Bamse Kragh-Jacobsen | |||
| Marie France Hamou | |||
| Roger de Monenstral | |||
| Marcel Doumerg | |||
| Jacques Spezia | |||
| Francoise Heselman | |||
| Jens Jørgen Thorsen |
Directed by | |||
| Jens Jørgen Thorsen | |||
Writing credits | ||
| Henry Miller | (novel "Quiet Days in Clichy") | |
| Jens Jørgen Thorsen | ||
Produced by | |||
| Klaus Pagh | .... | producer | |
| Henrik Sandberg | .... | producer | |
Original Music by | |||
| Lasse Lunderskov | |||
| Country Joe McDonald | |||
| Andy Sundstrøm | |||
| Ben Webster | |||
Cinematography by | |||
| Jesper Høm | |||
Film Editing by | |||
| Anker Sørensen | |||
Costume Design by | |||
| Helene Tuxen | |||
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| Eyes Wide Shut | Fly Me the French Way | Frankie and Johnnie... Were Lovers | Diary of a Nymphomaniac | Huevos de oro |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb Denmark section |
I'm reviewing this from the perspective of myself as a fan of Miller .. Though this is a poorly-done piece of amateur cinema, there is at least enough curiosity in seeing the presentation of the characters and other elements of the book, though you will likely be horribly disappointed with everything. "Quiet Days" is certainly one of Miller's crudest books, in terms of him coming off like a real jerk, albeit a smart and charming one (which the actor playing Miller totally lacks). In that sense, the film captures the baseness in the fact that it's as if the novel has been interpreted by tittering frat boys who pick out the most basic "shock" elements and run with them with anti-authoritarian glee. The previous review of this film mentions plot points which make no sense. This is because the director showed his obvious carelessness and sloppiness by not attaching logic to actions which are clear in the book. A curiosity of the late 60's (including footage of Paris in 69/70; also notable for the use of text within image which I actually quite liked), but a real disappointment for Miller fans, and a pretty bad movie overall.