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Quiet Days in Clichy (1970)
"Stille dage i Clichy" (original title)

 |  Comedy, Drama  |  1 June 1970 (Denmark)
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Reviews: 13 user | 21 critic

Not so quiet, Joey and Carl's days in Clichy... The two men, living in a small apartment, are penniless writers, with not enough to eat, which does not prevent them from enjoying life. One ... See full summary »

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Cast overview, first billed only:
Paul Valjean ...
Wayne Rodda ...
Ulla Koppel ...
Nys (as Ulla Lemvigh-Müller)
Avi Sagild ...
Susanne Krage ...
Louise White ...
Petronella ...
Elsebeth Reingaard ...
Olaf Ussing ...
Noemi Roos ...
Anne Kehler ...
Herman Wolsgaard-Iversen
Britten Jensen
Elsa Jackson


Not so quiet, Joey and Carl's days in Clichy... The two men, living in a small apartment, are penniless writers, with not enough to eat, which does not prevent them from enjoying life. One of their main interests is to get laid with women of various ages, physical appearances and nationalities. Among them, a neighbor in need, a fourteen-year-old half-witted girl, an American newspaper vendor who tends to smash up everything before making love, a Swedish woman who mourns her late husband..., all being merely sex toys they play with Written by Guy Bellinger

Plot Summary | Add Synopsis


Comedy | Drama


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Parents Guide:






Release Date:

1 June 1970 (Denmark)  »

Also Known As:

Not So Quiet Days  »

Filming Locations:


Company Credits

Production Co:

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Technical Specs



Sound Mix:

Aspect Ratio:

1.66 : 1
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Did You Know?


This was filmed simultaneously with another Henry Miller adaptation, Tropic of Cancer (1970). Both were filmed (at least partly) in Paris and Miller himself would drop by the sets of both films. At times, filming locations were only a quick walk away. See more »


Mara: I hate my countrymen. They are hard, mercenary, without pity for... my kind.
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Version of Jours tranquilles à Clichy (1990) See more »

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User Reviews

QUIET DAYS IN CLICHY (Jens Jorgen Thorsen, 1970) **
3 July 2010 | by (Naxxar, Malta) – See all my reviews

I only heard about this when the Blue Underground DVD first came out; of course, I was aware of controversial author Henry Miller, on whose novel the film was based - whose work, incidentally, was contemporaneously being transposed to celluloid for the first time via the late Joseph Strick's TROPIC OF CANCER (1970).

Anyway, it was merely a coincidence that I ended up acquiring the two film versions of the book (the other being the 1990 adaptation by Claude Chabrol) virtually simultaneously! Since I was going through a retrospective of that director's work anyway, I decided to check this one beforehand; well, I am glad that my generally negative reaction to it did not give me second thoughts about passing on the remake (as the latter was a more rewarding, and altogether different, experience – but more on that in its own review)! Anyway, I have never been fond of Erotica per se and this is pretty much what one got here: some critics praised the kaleidoscopic style adopted here (actually borrowed from Richard Lester) but this particular approach dates the film more than anything else. Besides, it is further bogged down by the lack of a proper plot (a fault which is much better disguised in the later version), revolting detail (the graphic sexuality on display got it banned in the U.S. on original release – atypically, this is a Danish picture shot in the English language and black-and-white) and characters who seem to have crawled from under rocks (especially the two leads)!

In essence, we follow the dreary and over-sexed exploits of two penniless bohemians (the more studious-looking of whom is supposed to be an alter-ego for the author himself); they become involved with several women, of various ages and nationalities, and not even that good-looking in many cases. Eventually, they both become attached to someone in particular but, with respect to the protagonist's companion, the girl in question is a 14-year old half-wit!; in the end, the film just ends abruptly as if its makers had suddenly run out of money themselves…or film stock or, quite simply, ideas! However, the eclectic score is a big plus – some of it typically French and the rest comprised of numerous conceptual songs by Country Joe (McDonald) of the psychedelic and radical "Country Joe & The Fish" band fame.

5 of 6 people found this review helpful.  Was this review helpful to you?

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