| Gene Wilder | ... | Claude / Philippe | |
| Donald Sutherland | ... | Charles / Pierre | |
| Hugh Griffith | ... | King Louis XVI | |
| Jack MacGowran | ... | Jacques | |
| Billie Whitelaw | ... | Queen Marie Antoinette | |
| Victor Spinetti | ... | Duke d'Escargot | |
| Ewa Aulin | ... | Princess Christina | |
| Helen Fraser | ... | Mimi Montage | |
| Rosalind Knight | ... | Helene de Sisi | |
| Harry Fowler | ... | Marcel | |
| Murray Melvin | ... | Blind Man | |
| Ken Parry | ... | Dr. Boileau | |
| Maxwell Shaw | ... | Duke de Sisi | |
| Jacques Maury | ... | Lt. Sorel | |
| Graham Stark | ... | Andre Coupe | |
| Barry Lowe | ... | The Sergeant | |
| George A. Cooper | ... | Dr. Duval | |
| Michael Rothwell | ... | Paul Duval | |
| Denise Coffey | ... | Anne Duval | |
| Orson Welles | ... | The Narrator | |
| rest of cast listed alphabetically: | |||
| Tina Brown | ... | Extra in ballroom scene (uncredited) | |
| Walker Edmiston | ... | Voice (uncredited) | |
Directed by | |||
| Bud Yorkin | |||
Writing credits | ||
| Fred Freeman | (written by) and | |
| Lawrence J. Cohen | (written by) | |
Produced by | |||
| Norman Lear | .... | executive producer | |
| Edward Stephenson | .... | associate producer | |
| Bud Yorkin | .... | producer | |
Original Music by | |||
| John Addison | |||
Cinematography by | |||
| Jean Tournier | (director of photography) | ||
Film Editing by | |||
| Ferris Webster | |||
Art Direction by | |||
| François de Lamothe | (as Francois de Lamothe) | ||
Set Decoration by | |||
| Gabriel Béchir | (as Gabriel Bechir) | ||
Costume Design by | |||
| Alan Barrett | |||
Production Management | |||
| Roger Debelmas | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Georges Grodzenczyk | .... | assistant director | |
Sound Department | |||
| Julien Coutelier | .... | sound (as Julien Coutellier) | |
| Gerry Humphreys | .... | sound re-recording mixer | |
Stunts | |||
| Claude Carliez | .... | stunt supervisor | |
Editorial Department | |||
| John C. Horger | .... | assistant film editor | |
Music Department | |||
| John Addison | .... | music conductor | |
Other crew | |||
| Hunt Downs | .... | unit publicist | |
| Alice Ziller | .... | continuity | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
A very well-deserved reputation as a cult classic, based on brilliant performances and excellent writing. I've seen it perhaps a dozen times and keep finding subtle jokes I had missed, such as the Corsican Brothers' names, "da Sissy" (a play on the feminine affectations of the noblemen and particularly Sutherland's sort-of-in-the-closet character. Those who don't remember the original M*A*S*H movie tend to think of Sutherland in his scary or evil roles and ignore his great gift for comedy. One of the great lines of this movie is Sutherland's response to Wilder's, "Someday I shall be King!" -- "... and I shall be Queen!"
The character names are inspired: Escargot, Coupe, da Sissy ... and a lot of the humor is in this vein, but quick. Even the lower-billed players (particularly the King, Queen Marie and Escargot) are perfectly cast and brilliant. If you like Mel Brooks or the Airplane! or Leslie Nielsen comedies, you WILL love this masterpiece.