Emile Pulska is visiting his old friend Abe Stillman. During the visit they are attacked and Emile is struck senseless. When he wakes up he is told that Abe is dead, dead by natural causes,... See full summary »
Edward G. Robinson,
Liv Skaarsguard had given up trying to make memories with a father who couldn't remember her, but when she learns that he's dying, she finds her way back to him and discovers that love is impossible to forget.
The Dutch East Indies, in the late 19th century. Capt. Hanson of the "Batavia Queen" is preparing to embark on a salvage expedition. His mistress, Laura, knows the location of a ship ... See full summary »
Bernard L. Kowalski
Photophobic Zano, arrives in the big city for the very first time. The year is 1984 and Athens beckons. A vampire and a fine dancer, Zano quickly gets devoured by the dark underbelly of the... See full summary »
Flagwaving story of a new American destroyer, the JOHN PAUL JONES, from the day her keel is laid, to what was very nearly her last voyage. Among the crew, is Steve Boleslavski, a shipyard ... See full summary »
William A. Seiter,
Edward G. Robinson,
A charming and ambitious young man finds many ways to raise himself through the ranks in business and social standing- some honest, some not quite so. If he can just manage to avoid a ... See full summary »
When ex-cop Steve Rollins is released from San Quentin after five years, his only thoughts are of revenge on the men who framed him for manslaughter. Back in San Francisco, his quest for ... See full summary »
The character Krogstad does not appear in the original play. His name is borrowed from a character in Henrik Ibsen's play "A Doll's House", but otherwise he has nothing in common with the character in "Song of Norway". Ibsen wrote the play "Peer Gynt", for which Grieg wrote music in 1876. See more »
I saw this one when I was in high school. I had been warned ahead of time, but I liked classical music, including Grieg, and ignored the warnings. I remember several things about it that really sum the film up, in my opinion.
1. The photography was stunning. Snow, fjords, and Norwegian towns and scenery were really pretty, as were the folk costumes.
2. Grieg's music was nice to listen to, though as in all films about composers, they only give samplings.
Those are the good parts. The bad parts were what sank the boat. There wasn't much of a story. Greig's life wasn't as exciting as many other composers lives, and a lot was padded to keep the story going for 2 or 3 hours. I remember a lot of overacting as well. But the worst part of all was the directing. Forever emblazoned upon my memory is the hideously clichéd scene where Grieg, his wife, and someone else spread their arms and run across a green field, stop on a hillock, and spin around to face the audience. Then they do the same thing again - and again! If that's not enough to make you give up, then nothing is.
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