Emile Pulska is visiting his old friend Abe Stillman. During the visit they are attacked and Emile is struck senseless. When he wakes up he is told that Abe is dead, dead by natural causes,... See full summary »
Edward G. Robinson,
Small time crook Napoleone falls into an unlikely gang made up of a gangster, called The Baron, and his two cohorts, Agonia and The Captain, where Napoleone takes them to Rome where they ... See full summary »
Edward G. Robinson
After retirement, Professor James Anders presents criminal Mark Milford an elaborate plan to rob a diamond company in Brazil with a crew of professionals. The men assemble in Rio de Janeiro... See full summary »
After a boiler explosion aboard an aging ocean liner, a man struggles to free his injured wife from the wreckage of their cabin and ensure the safety of their four-year-old daughter as the ship begins to sink.
Andrew L. Stone
Nice, eccentric, idealistic and slightly mad Countess Aurelia, who believes that the good must prevail over evil, decides to stand up to corrupt powerful leaders of Paris in her own way, which grabs everyones attention.
The gangster Colorado kidnaps Marshal McKenna. He believes that McKenna has seen a map which leads to a rich vein of gold in the mountains and forces him to show him the way. But they're ... See full summary »
Arthur Tate rose to his fame, wealth and respectability quickly from humble beginnings as a naive and somewhat bumbling police constable in a small English town. He attributes this rise to ... See full summary »
Sir George McDowell notando la rassomiglianza della nipote Monique con un'impiegata della sua banca, ha un'idea strabiliante: trovare i sosia di alcuni impiegati della banca e, dopo aver ... See full summary »
Edward G. Robinson,
Maria Grazia Buccella
I saw this as a little kid taking piano lessons and loving Grieg's music. (That was in San Francisco - maybe I saw it at the same theater, the Paramount, as one of our earlier commenters?) All of 10 years old, I enjoyed it thoroughly. I suppose I wasn't a great judge of acting at that point, or of cinema in general (it was probably the third or fourth theatrical film I'd seen in my life at that point). So it was basically the music, voices, and scenery I was chewing on. I hadn't even heard the name "Carol Brady" then.
Haven't seen the film since, but I just wonder ... terrible compared to what? The soundtrack (a few cuts I have on a Grieg compilation) is miles better than the nursery-rhymes in Sound of Music, and for the most part the transliterated lyrics aren't a travesty. Florence Henderson doesn't make me gag any more than Julie Andrews or any other too-clean-and-scrubbed actor in the business. And what's wrong with casting an actual Norwegian as Grieg instead of ... I dunno, from the same era ... George Peppard? The movie even had a nice animated sequence for the kids.
Song of Norway was unlucky enough to arrive at the absolute tail end of the road-show-spectacular era of movie musicals, and I'm sure a lot of critics just had indigestion by that point, following Paint Your Wagon (with a singing, dancing Clint Eastwood!), Camelot (a singing, non-dancing Richard Harris!), The Happiest Millionaire (a singing, dancing Fred MacMurray!), and Darling Lili (Dame Julie's nadir). So what's so much worse about Song of Norway?
Got something against Scandinavian composers?!
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