Overview
Release Date:
5 November 1970 (USA)
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Tagline:
A NEW MUSICAL
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Awards:
Nominated for 4 Oscars.
Another 1 win
&
6 nominations
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User Comments:
A christmas classic, and one of Finney's finest hours...
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Crew believed to be complete
Additional Details
Runtime:
113 min | UK:120 min
Color:
Color (Technicolor)
Aspect Ratio:
2.20 : 1
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Fun Stuff
Trivia:
Richard Harris rejected the role of Scrooge.
Rex Harrison agreed to play the part, but had to back out due to a commitment to a difficult play. (Harrison was also having an affair with Harris' then-wife, who he would later marry.)
Albert Finney, who had been offered the role before Harrison but had initially rejected it, reconsidered once he read the script and asked for the role. (He was a business associate of
Michael Medwin, the co-writer who played his nephew in the film.)
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Goofs:
Anachronisms: When young Ebenezer and Isabelle are on the horse-drawn carriage in the countryside (shortly after the Fezziwig ball), there is a white car crawling its way along a country lane in the far background, midway between the centre and right-hand side of the screen.
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Quotes:
the Ghost of Jacob Marley:
See the phantoms filling the sky around you. They astound you, I can tell, these inhabitants of hell. Poor wretches whom the Hand of Heaven ignores. Beware, beware, beware, lest their dreadful fate be yours!
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Soundtrack:
Christmas Children
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FAQ
How does this version of "A Christmas Carol" differ from the original novel?
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Message Boards
Discuss this movie with other users on
IMDb message board for Scrooge (1970)
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Recommendations
Related Links
This film is an underrated classic family musical. In the spirit and tradition of Oliver! and My Fair Lady, with an energetic memorable score and an eclectic cast all on top form. Sir Alec Guinness, Dame Edith Evans and the wonderful Kenneth Moore support magnificently. Moore in one of the last roles before his untimely death, clearly enjoying hamming it up as the ghost of Christmas present carrying the miserable scrooge along for the ride of his life whilst singing `I like life!' is a joy to see.
But Finney's performance is the standout. At a time when he was making films like Charlie Bubbles and Gumshoe, and with a reputation of being one of Britain's foremost angry young men this role was as unexpected as it was wonderful.
As a side note I was lucky enough to be able to see Anthony Newley as the miser in Bricusse's early nineties theatrical revival, and although good was no where near as cutting or humorous as Finney.
A must see at Christmas time, you too will be singing `I like life' and `thank you very much' for days afterwards!